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Author: Allen Staley
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 340
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Book Description
Author: Allen Staley
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 340
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Book Description
Author: Allen Staley
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Published to accompany exhibition held at Tate Britain, London, 12 February - 3 May 2004, the Altes Nationalgalerie, Berlin, 12 June - 19 September 2004, and the Fundacio 'la Caixa', Madrid, 6 October 2004 - 9 January 2005.
Author: Diane Waggoner
Publisher: Lund Humphries Publishers
ISBN: 9781848220676
Category : Art
Languages : en
Pages : 230
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Book Description
The rich dialogue between photography and Pre-Raphaelite art explored within this fascinating catalogue is organised around the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. Fully illustrated with over 200 images, this volume combines groundbreaking scholarship with stunning imagery.
Author: Sophie Lynford
Publisher: Princeton University Press
ISBN: 0691239320
Category : Art
Languages : en
Pages : 264
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Book Description
A revelatory history of the first artist collective in the United States and its effort to reshape nineteenth-century art, culture, and politics The American Pre-Raphaelites founded a uniquely interdisciplinary movement composed of politically radical abolitionist artists and like-minded architects, critics, and scientists. Active during the Civil War, this dynamic collective united in a spirit of protest, seeking sweeping reforms of national art and culture. Painting Dissent recovers the American Pre-Raphaelites from the margins of history and situates them at the center of transatlantic debates about art, slavery, education, and politics. Artists such as Thomas Charles Farrer and John Henry Hill championed a new style of landscape painting characterized by vibrant palettes, antipicturesque compositions, and meticulous brushwork. Their radicalism, however, was not solely one of style. Sophie Lynford traces how the American Pre-Raphaelites proclaimed themselves catalysts of a wide-ranging reform movement that staged politically motivated interventions in multiple cultural arenas, from architecture and criticism to collecting, exhibition design, and higher education. She examines how they publicly rejected their prominent contemporaries, the artists known as the Hudson River School, and how they offered incisive critiques of antebellum society by importing British models of landscape theory and practice. Beautifully illustrated and drawing on a wealth of archival material, Painting Dissent transforms our understanding of how American artists depicted the nation during the most turbulent decades of the nineteenth century.
Author: Christiana Payne
Publisher: Paul Mellon Centre
ISBN:
Category : Art
Languages : en
Pages : 292
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Book Description
This guide to John Brett (1831–1902) investigates the painter who was seen as the leader of the Pre-Raphaelite landscape school. In addition to exploring the familiar early works, including The Val d'Aosta and Stonebreaker, it provides information on his later, less-known coastal and marine paintings. Brett's turbulent friendship with John Ruskin is discussed, as are his relations with his beloved sister, Rosa, and his partner Mary, with whom he had seven children. His fervent interest in astronomy, his love of the sea, and his lifelong pursuit of wealth and recognition are all examined in this reassessment, which concludes with a catalogue raisonné of his works.
Author: T. J. Barringer
Publisher:
ISBN: 9780300194449
Category : Art, British
Languages : en
Pages : 0
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Book Description
A persuasive new look at the Pre-Raphaelites, who rebelled against the art establishment of their day and strove to ensure that their works changed the society in which they lived
Author: Christopher Wood
Publisher: Weidenfeld & Nicolson
ISBN: 9780297780076
Category : Painting, British
Languages : en
Pages : 160
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Book Description
The Pre-Raphaelites is an authoritatively written and superbly illustrated survey of what has become perhaps the most universally recognizable and admired movement in English art. Christopher Wood presents the entire story featuring not only the leading figures and their associates - Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais, Arthur Hughes and Ford Madox Brown - but also many followers. The author outlines the development of the movement in general and the lives and works of the main figures in detail. He examines the less familiar features of Pre-Raphaelite landscape painting and the influence of John Ruskin and unravels the complexities of the later 'aesthetic' phase of the movement exemplified in the remarkable paintings of Edward Burne-Jones and John William Waterhouse.
Author: Tim Barringer
Publisher: Yale University Press
ISBN: 9780300077872
Category : Art
Languages : en
Pages : 182
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Book Description
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
Author: Christopher Newall
Publisher: Jeremy Mills Publishing
ISBN:
Category : Art
Languages : en
Pages : 82
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Book Description
Author: Tim Barringer
Publisher: Routledge
ISBN: 1351536265
Category : Art
Languages : en
Pages : 277
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Book Description
This vibrant collection of essays claims that a complex network of texts by critics, biographers and diarists established the credibility and influence of the Pre-Raphaelite movement. Throughout the twentieth century, Modernist taste failed to acknowledge the achievement of oppositional groupings such as the Pre-Raphaelites. The essays collected here, however, reveal that the British group anticipated later avant-gardes by using the written word to configure for itself a radical artistic identity. Public and critics alike were scandalized by the radicalism of Pre-Raphaelite painting, its unflinching portrayal of historical figures and of contemporary life, and its irreverent attitude to artistic convention. Pre-Raphaelitism's innovations were not confined to style: new forms of artistic identity and behaviour were explored. As the contributors interrogate the texts through which Pre-Raphaelitism was constructed, they demonstrate that the movement's wide influence as a cultural phenomenon derived from the interplay between exhibited works and critical discourse. Applying a range of sophisticated methodologies from the fields of literary studies, art history, and cultural studies, these interdisciplinary essays uncover the neglected role of texts in the success of the Pre-Raphaelite rebellion and argue in favor of a new centrality for this movement in the history of nineteenth-century European culture.
