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Author: Jules Chéret
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Jules Chéret
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Lucy Broido
Publisher: Dover Publications
ISBN: 0486269663
Category : Antiques & Collectibles
Languages : en
Pages : 78
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Book Description
Definitive list of works accompanied by reproductions of over 300 black-and-white illustrations. Descriptions include -- where known -- dimensions, date, printer, colors, size of edition, more.
Author: Jeannine J. Falino
Publisher: Driehaus Museum
ISBN: 9780578168029
Category : Art
Languages : en
Pages : 0
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Book Description
Issued in conjunction with the exhibition held at the Richard H. Driehaus Museum, February 11, 2017-January 7, 2018.
Author: George Henry Edward Hawkins
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 80
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Book Description
Author: Stanley Appelbaum
Publisher: Courier Corporation
ISBN: 048613458X
Category : Design
Languages : en
Pages : 274
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Book Description
Most famous compilation of art from the great age of the poster features full-color, large-format illustrations by nearly 100 artists: Chéret, Toulouse-Lautrec, Bonnard, Mucha, Beardsley, Parrish, Penfield, Steinlen, and many others. Extensive documentation.
Author: Pierre Bonnard
Publisher: Metropolitan Museum of Art
ISBN: 0810931001
Category : Grabados en color franceses
Languages : en
Pages : 274
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Book Description
Tentoonstellingscatalogus. Met bibliografie en register.
Author: Arsène Alexandre
Publisher:
ISBN:
Category : Posters
Languages : en
Pages : 146
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Book Description
Author: Lucy Broido
Publisher:
ISBN:
Category : Posters
Languages : en
Pages : 136
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Book Description
Based on Les affiches illustrées, 1886-1895 / Ernest Maindron.
Author: Nikki Otten
Publisher: Lucia Marquand
ISBN: 9781938885167
Category : Art
Languages : en
Pages : 184
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Book Description
- Features works from the largest collection of Jules Chéret art in the US - Over 100 posters illustrated in full colorAlways New: The Posters of Jules Chéret highlights ?the role that French artist Jules Chéret (1836-1932) ?played in transforming the ?illustrated poster into a form of ephemeral art that embraced the public's interest in novelty and rapid change during the 19th century. Recognized as the father of the poster, Chéret was ?one of the first artist's to bring colorful, large-scale advertisements to the streets of Paris. ?People strolling down the boulevards were captivated not only by Chéret's vibrant images, but also by how frequently new designs appeared. Chéret's printmaking innovations allowed him to produce astonishing numbers of posters rapidly and inexpensively enough to publicize the latest pleasures the city had to offer. Drawing from the largest collection of Chéret posters in the ?United States, the book features ?over 100 works that span the artist's career and includes both his most celebrated and lesser-known images. Always New brings Chéret into focus as a master of his medium, an artist who celebrated the ephemeral nature of posters and shaped the way they were created and experienced.
Author: Ruth E. Iskin
Publisher: Dartmouth College Press
ISBN: 1611686164
Category : Art
Languages : en
Pages : 465
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Book Description
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.
