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Author: Magda Romanska
Publisher: Anthem Press
ISBN: 1783083212
Category : Performing Arts
Languages : en
Pages : 420
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Book Description
Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.
Author: Magda Romanska
Publisher: Anthem Press
ISBN: 1783083212
Category : Performing Arts
Languages : en
Pages : 420
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Book Description
Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.
Author: Jennie Hirsh
Publisher: Taylor & Francis
ISBN: 1000817326
Category : Art
Languages : en
Pages : 365
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Book Description
Ventriloquism, Performance, and Contemporary Art volume calls attention to the unexpected prevalence of ventriloqual motifs and strategies within contemporary art. Engaging with issues of voice, embodiment, power, and projection, the case studies assembled in this volume span a range of media from painting, sculpture, and photography to installation, performance, architecture, and video. Importantly, they both examine and enact ventriloqual practices, and do so as a means of interrogating and performatively bearing out contemporary conceptions of authorship, subjectivity, and performance. Put otherwise, the chapters in this book oscillate seamlessly between art history, theory, and criticism through both analytical and performative means. Across twelve essays on ventriloquism in contemporary art, the authors, who are curators, historians, and artists, shine light on this outdated practice, repositioning it as a conspicuous and meaningful trend within a range of artistic practices today. This book will be of interest to scholars working in art history, contemporary art, media studies, performance, museum/curatorial studies, and theater.
Author: Cristina Santos
Publisher: BRILL
ISBN: 9004391134
Category : Social Science
Languages : en
Pages : 338
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Book Description
This book offers a collection of reflective essays on current testimonial production by researchers and practitioners working in multifaceted fields such as art and film performance, public memorialization, scriptotherapy, and fictional and non-fictional testimony. The inter-disciplinary approach to the question of testimony offers a current account of testimony’s diversity in the twenty-first century as well as its relevance within the fields of art, storytelling, trauma, and activism. The range of topics engage with questions of genre and modes of representation, ethical and political concerns of testimony, and the flaws and limitations of testimonial production giving testament to some of the ethical concerns of our present age. Contributors are Alison Atkinson-Phillips, Olga Bezhanova, Melissa Burchard, Mateusz Chaberski, Candace Couse, Tracy Crowe Morey, Marwa Sayed Hanafy, Rachel Joy, Emma Kelly, Timothy Long, Elizabeth Matheson, Antonio Prado del Santo, Christine Ramsay, Cristina Santos and Adriana Spahr.
Author: Magda Romanska
Publisher: Northwestern University Press
ISBN: 0810140268
Category : Performing Arts
Languages : en
Pages : 486
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Book Description
Theatermachine: Tadeusz Kantor in Context is an in-depth, multidisciplinary compendium of essays that examine Kantor’s work through the prism of postmemory and trauma theory and in relation to Polish literature, Jewish culture, and Yiddish theater as well as the Japanese, German, French, Polish, and American avant-garde. Hans-Thies Lehmann’s theory of postdramatic theater and contemporary developments in critical theory—particularly Bill Brown’s thing theory, Bruno Latour’s actor network theory, and posthumanism—provide a previously unavailable vocabulary for discussion of Kantor’s theater.
Author: Grzegorz Niziolek
Publisher: Bloomsbury Publishing
ISBN: 1350039675
Category : Performing Arts
Languages : en
Pages : 467
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Book Description
Grzegorz Niziolek's The Polish Theatre of the Holocaust is a pioneering analysis of the impact and legacy of the Holocaust on Polish theatre and society from 1945 to the present. It reveals the role of theatre as a crucial medium of collective memory – and collective forgetting – of the trauma of the Holocaust carried out by the Nazis on Polish soil. The period gave rise to two of the most radical and influential theatrical ideas during work on productions that addressed the subject of the Holocaust – Grotowski's Poor Theatre and Kantor's Theatre of Death - but the author examines a deeper impact in the role that theatre played in the processes of collective disavowal to being a witness to others' suffering. In the first part, the author examines six decades of Polish theatre shaped by the perspective of the Holocaust in which its presence is variously visible or displaced. Particular attention is paid to the various types of distortion and the effect of 'wrong seeing' enacted in the theatre, as well as the traces of affective reception: shock, heightened empathy, indifference. In part two, Niziolek examines a range of theatrical events, including productions by Leon Schiller, Jerzy Grotowski, Tadeusz Kantor, Andrzej Wajda, Krzysztof Warlikowski and Ondrej Spišák. He considers how these productions confronted the experience of bearing witness and were profoundly shaped by the legacy of the Holocaust. The Polish Theatre of the Holocaust reveals how -- by testifying about society's experience of the Holocaust -- theatre has been the setting for fundamental processes taking place within Polish culture as it confronts suppressed traumatic wartime experiences and a collective identity shaped by the past.
Author: Arnold Aronson
Publisher: Taylor & Francis
ISBN: 1000992748
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
Fifty Key Theatre Designers looks at the history of theatrical scenography by examining the work and contributions of fifty ground-breaking set, costume, lighting, and projection designers since the Renaissance. Developments of scenic design are traced from the introduction of perspective painting to create illusionistic scenery in Renaissance Italy to the use of digital projection in the twenty-first century. The book also discusses important landmarks in the evolution of costume and lighting design, as well as the introduction of film and video technology to stage design. A broad range of work is explored, including opera, dance, Broadway and West End commercial theatre, avant-garde performance, and even Olympic spectacles. Each chapter features one designer, including basic biographical information and a discussion of that artist’s style, aesthetics, and contributions. Designers covered include Sebastiano Serlio, Ferdinando Bibiena, Richard Wagner, Adolphe Appia, and Edward Gordon Craig, amongst many other notable individuals. Each chapter also includes references to other significant designers with similar aesthetics or who made similarly important contributions to the development of that aspect of scenography. This book is ideal for undergraduates and graduates of scenography, theatrical design, and theatre history.
Author: David Krasner
Publisher: John Wiley & Sons
ISBN: 1405157585
Category : Literary Criticism
Languages : en
Pages : 612
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Book Description
A History of Modern Drama: Volume II explores a remarkable breadth of topics and analytical approaches to the dramatic works, authors, and transitional events and movements that shaped world drama from 1960 through to the dawn of the new millennium. Features detailed analyses of plays and playwrights, examining the influence of a wide range of writers, from mainstream icons such as Harold Pinter and Edward Albee, to more unorthodox works by Peter Weiss and Sarah Kane Provides global coverage of both English and non-English dramas – including works from Africa and Asia to the Middle East Considers the influence of art, music, literature, architecture, society, politics, culture, and philosophy on the formation of postmodern dramatic literature Combines wide-ranging topics with original theories, international perspective, and philosophical and cultural context Completes a comprehensive two-part work examining modern world drama, and alongside A History of Modern Drama: Volume I, offers readers complete coverage of a full century in the evolution of global dramatic literature.
Author: S. E. Gontarski
Publisher: Routledge
ISBN: 1000477533
Category : Performing Arts
Languages : en
Pages : 386
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Book Description
This book offers a broad, comprehensive overview of the contemporary state of the Gardzienice theatrical company and its evolution. Their most recent production, The Wedding, is taken as a focal point for a retrospective discussion on the company’s development. Premiered at the festival celebrating the 40th anniversary of the company, The Wedding echoes most of the major achievements of Staniewski’s stage language and his capacity of exploring and developing the performative potential of liveness. This study consists of essays by prominent practitioners and theoreticians of theatre, director’s notes, conversations with Staniewski and other company members, selected archival materials and substantial visual coverage. It promises to be of great interest to students and scholars across the fields of theatre and performance studies.
Author: Tamara Trojanowska
Publisher: University of Toronto Press
ISBN: 1442650184
Category : History
Languages : en
Pages : 853
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Book Description
Being Poland offers a unique analysis of the cultural developments that took place in Poland after World War One, a period marked by Poland's return to independence. Conceived to address the lack of critical scholarship on Poland's cultural restoration, Being Poland illuminates the continuities, paradoxes, and contradictions of Poland's modern and contemporary cultural practices, and challenges the narrative typically prescribed to Polish literature and film. Reflecting the radical changes, rifts, and restorations that swept through Poland in this period, Polish literature and film reveal a multitude of perspectives. Addressing romantic perceptions of the Polish immigrant, the politics of post-war cinema, poetry, and mass media, Being Poland is a comprehensive reference work written with the intention of exposing an international audience to the explosion of Polish literature and film that emerged in the twentieth century.
Author: Paul Allain
Publisher: Polish Theatre Perspectives
ISBN: 1910203025
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
Voices from Within: Grotowski’s Polish Collaborators brings together, for the first time in English, the distinctive voices of renowned director Jerzy Grotowski’s Polish colleagues, providing a rare insight into different areas of their research and work. Through conversations, recollections, journal entries, images, working notes, and other testimonies, the collection opens up a range of perspectives on this changing practice — both within and beyond the theatre — from the actors, artists, designers, producers, administrators, and investigators who co-created it. The book spans the full period of Grotowski’s career, from the ‘theatre of productions’ phase, through paratheatre and Theatre of Sources, to the final phase of ‘Art as vehicle’ following his emigration from Poland. What emerges from these narratives is a genuinely collaborative endeavour that, as Grotowski himself comments within — in a note distributed with the Laboratory Theatre’s touring productions — is often mistakenly associated with ‘his name and his name alone’. Voices from Within makes an important contribution to international understanding of this work, by offering a multi-vocal ‘insiders’ account’ of the collective and individual searches, uncertainties, discoveries, and experiences that accompanied many of Grotowski’s long-time creative partnerships. This title is available in paperback and as an Open Access ebook.
