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Author: E. Pine
Publisher: Springer
ISBN: 0230295312
Category : History
Languages : en
Pages : 209
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Book Description
Irish culture is obsessed with the past, and this book asks why and how. In an innovative reading of Irish culture since 1980, Emilie Pine provides a new analysis of theatre, film, television, memoir and art, and interrogates the anti-nostalgia that characterizes so much of contemporary Irish culture.
Author: E. Pine
Publisher: Springer
ISBN: 0230295312
Category : History
Languages : en
Pages : 209
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Book Description
Irish culture is obsessed with the past, and this book asks why and how. In an innovative reading of Irish culture since 1980, Emilie Pine provides a new analysis of theatre, film, television, memoir and art, and interrogates the anti-nostalgia that characterizes so much of contemporary Irish culture.
Author: Kevin Hearty
Publisher: Oxford University Press
ISBN: 1786940477
Category : History
Languages : en
Pages : 324
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Book Description
This book is an original case study of how memory has driven and challenged the Irish republican transition from armed conflict to constitutional politics that culminated in the acceptance of policing in the Northern Ireland state.
Author: Emilie Pine
Publisher: Indiana University Press
ISBN: 0253049512
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange—subject and witness, spectator and performer, consumer and commodified—provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history.
Author: Elisabetta Viggiani
Publisher: Berghahn Books
ISBN: 1782384081
Category : Social Science
Languages : en
Pages : 285
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Book Description
If memory was simply about past events, public authorities would never put their ever-shrinking budgets at its service. Rather, memory is actually about the present moment, as Pierre Nora puts it: “Through the past, we venerate above all ourselves.” This book examines how collective memory and material culture are used to support present political and ideological needs in contemporary society. Using the memorialization of the Troubles in contemporary Northern Ireland as a case study, this book investigates how non-state, often proscribed, organizations have filled a societal vacuum in the creation of public memorials. In particular, these groups have sifted through the past to propose “official” collective narratives of national identification, historical legitimation, and moral justifications for violence.
Author: Graham Dawson
Publisher: Manchester University Press
ISBN: 9780719056727
Category : History
Languages : en
Pages : 416
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Book Description
This book explores the psychic, cultural, and political ramifications of memory within the Irish Troubles. It investigates the traumatic impact of the violence perpetrated since 1969; the antagonistic cultural narratives of memory fashioned and mobilized in this context within public and private arenas; and the conflicts, paradoxes, and contradictions involved in "coming to terms with the past," both before and during the Irish peace process initiated in 1993-94. The study focuses on personal and collective remembrance within two particular locations: the Unionist communities along the Irish Border, and nationalist Derry. It traces the formation from below of competing public narratives, one concerned with the "ethnic cleansing" of Protestants by the Irish Republican Army, the other with British state violence on Bloody Sunday; and analyzes their subjective roots in specific experiences of fear and loss, their role in ideological struggle, and their complicated relation to private, familial, and individual remembering.
Author: Oona Frawley
Publisher: Syracuse University Press
ISBN: 0815651503
Category : History
Languages : en
Pages : 294
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Book Description
Despite the ease with which scholars have used the term “memory” in recent decades, its definition remains enigmatic. Does cultural memory rely on the memories of individuals, or does it take shape beyond the borders of the individual mind? Cultural memory has garnered particular attention within Irish studies. With its trauma-filled history and sizable global diaspora, Ireland presents an ideal subject for work in this vein. What do stereotypes of Irish memory—as extensive, unforgiving, begrudging, but also blank on particular, usually traumatic, subjects—reveal about the ways in which cultural remembrance works in contemporary Irish culture and in Irish diasporic culture? How do icons of Irishness—from the harp to the cottage, from the Celtic cross to a figure like James Joyce—function in cultural memory? This collection seeks to address these questions as it maps a landscape of cultural memory in Ireland through theoretical, historical, literary, and cultural explorations by top scholars in the field of Irish studies. In a series that will ultimately include four volumes, the sixteen essays in this first volume explore remembrance and forgetting throughout history, from early modern Ireland to contemporary multicultural Ireland. Among the many subjects address, Guy Beiner disentangles “collective” from “folk” memory in “Remembering and Forgetting the Irish Rebellion of 1798,” and Anne Dolan looks at local memory of the Civil war in “Embodying the Memory of War and Civil War.” The volume concludes with Alan Titley’s “The Great Forgetting,” a compelling argument for viewing modern Irish culture as an artifact of the Europeanization of Ireland and for bringing into focus the urgent need for further, wide-ranging Irish-language scholarship.
Author: Jim Smyth
Publisher: University of Notre Dame Pess
ISBN: 0268101760
Category : History
Languages : en
Pages : 216
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Book Description
The historian A. T. Q. Stewart once remarked that in Ireland all history is applied history—that is, the study of the past prosecutes political conflict by other means. Indeed, nearly twenty years after the 1998 Belfast Agreement, "dealing with the past" remains near the top of the political agenda in Northern Ireland. The essays in this volume, by leading experts in the fields of Irish and British history, politics, and international studies, explore the ways in which competing "social" or "collective memories" of the Northern Ireland "Troubles" continue to shape the post-conflict political landscape. The contributors to this volume embrace a diversity of perspectives: the Provisional Republican version of events, as well as that of its Official Republican rival; Loyalist understandings of the recent past as well as the British Army's authorized for-the-record account; the importance of commemoration and memorialization to Irish Republican culture; and the individual memory of one of the noncombatants swept up in the conflict. Tightly specific, sharply focused, and rich in local detail, these essays make a significant contribution to the burgeoning literature of history and memory. The book will interest students and scholars of Irish studies, contemporary British history, memory studies, conflict resolution, and political science. Contributors: Jim Smyth, Ian McBride, Ruan O’Donnell, Aaron Edwards, James W. McAuley, Margaret O’Callaghan, John Mulqueen, and Cathal Goan.
Author: Patrick Radden Keefe
Publisher: Vintage
ISBN: 0307279286
Category : True Crime
Languages : en
Pages : 561
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Book Description
NEW YORK TIMES BESTSELLER • SOON TO BE AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. One of The New York Times’s 20 Best Books of the 21st Century "Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review "Reads like a novel ... Keefe is ... a master of narrative nonfiction. . .An incredible story."—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.
Author: Jason Myers
Publisher: Irish Research
ISBN: 9781936320264
Category : History
Languages : en
Pages : 0
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Book Description
Based on the author's doctoral dissertation for Loyola University Chicago.
Author: Zan Cammack
Publisher:
ISBN: 9781949979763
Category :
Languages : en
Pages : 256
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Book Description
Because gramophonic technology grew up alongside Ireland's progressively more outspoken and violent struggles for political autonomy and national stability, Irish Modernism inherently links the gramophone to representations of these dramatic cultural upheavals. Many key works of Irish literary modernism--like those by James Joyce, Elizabeth Bowen, and Sean O'Casey--depend upon the gramophone for their ability to record Irish cultural traumas both symbolically and literally during one of the country's most fraught developmental eras. In each work the gramophone testifies of its own complexity as a physical object and its multiform value in the artistic development of textual material. In each work, too, the object seems virtually self-placed--less an aesthetic device than a "thing" belonging primordially to the text. The machine is also often an agent and counterpart to literary characters. Thus, the gramophone points to a deeper connection between object and culture than we perceive if we consider it as only an image, enhancement, or instrument. This book examines the gramophone as an object that refuses to remain in the background of scenes in which it appears, forcing us to confront its mnemonic heritage during a period of Irish history burdened with political and cultural turbulence.
