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Author: David M. Carter
Publisher: Liverpool University Press
ISBN: 9781904675167
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Part of the 'Greece and Rome Live' series, which aims to introduce figures and aspects of the ancient world to the general reader, this is a guide to the political aspect of Greek tragedy using close examination of specific plays. A handy combined index/glossary and a bibliography are included.
Author: David M. Carter
Publisher: Liverpool University Press
ISBN: 9781904675167
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Part of the 'Greece and Rome Live' series, which aims to introduce figures and aspects of the ancient world to the general reader, this is a guide to the political aspect of Greek tragedy using close examination of specific plays. A handy combined index/glossary and a bibliography are included.
Author: Peter J. Ahrensdorf
Publisher: Cambridge University Press
ISBN: 1139475584
Category : History
Languages : en
Pages : 193
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Book Description
In this book, Peter Ahrensdorf examines Sophocles' powerful analysis of a central question of political philosophy and a perennial question of political life: should citizens and leaders govern political society by the light of unaided human reason or religious faith? Through an examination of Sophocles' timeless masterpieces - Oedipus the Tyrant, Oedipus at Colonus and Antigone - Ahrensdorf offers a sustained challenge to the prevailing view, championed by Nietzsche in his attack on Socratic rationalism, that Sophocles is an opponent of rationalism. Ahrensdorf argues that Sophocles is a genuinely philosophical thinker and a rationalist, albeit one who advocates a cautious political rationalism. Ahrensdorf concludes with an incisive analysis of Nietzsche, Socrates and Aristotle on tragedy and philosophy. He argues, against Nietzsche, that the rationalism of Socrates and Aristotle incorporates a profound awareness of the tragic dimension of human existence and therefore resembles in fundamental ways the somber and humane rationalism of Sophocles.
Author: Christian Meier
Publisher: Polity
ISBN: 9780745606927
Category : History
Languages : en
Pages : 238
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Book Description
In this outstanding new book, Christian Meier examines the close relationship between drama and politics at the beginning of the great age of Greek tragedy, focusing on the works of Aeschylus. The author examines the political, social and even psychological problems of the inhabitants of fifth-century Athens, during a time of rapid change. Through the role of festivals and the role of the festival of Dionysus in particular, Meier moves on to the interpretation of Aeschylus' plays. He shows how the political statements of the mythical characters made sense of and even influenced the politics of the day. Finally, he discusses the work of Sophocles in counterpoint to the plays of Aeschylus. This book will be of interest to students and academics of history, particularly the history of the ancient world, as well as those studying literature and drama.
Author: J. Peter Euben
Publisher: Univ of California Press
ISBN: 9780520055728
Category : Drama
Languages : en
Pages : 334
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Book Description
Author: Robert Carl Pirro
Publisher:
ISBN: 9780875802688
Category : Philosophy
Languages : en
Pages : 224
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Book Description
A German Jewish refugee suffering tremendous personal and political upheaval during the years of Nazi conquest, Hannah Arendt turned to classical literature and drama as she struggled to make sense of the terrible events of her time. Studying fiction, plays, and poetry, she found a way to meld theoretical political philosophy and concrete personal commitment to action. Among her literary resources, the epics and plays of ancient Greece provided the ideal balance of politics and culture. In Hannah Arendt and the Politics of Tragedy, Pirro focuses especially on the influence of Greek tragedy on Arendt's political writings. Pirro casts Arendt's political thought as tragic storytelling, crafted to inspire her audience both to appreciate political freedoms and to act on those freedoms by participating in public life. Echoing an affinity for Greek drama common in the tradition of German philosophy and letters, Arendt draws on tragic characters, scenes, and dramatic conventions, as well as theories, to assess the maddening and often fatal contradictions of political life in modern times. Classical narratives of heroic achievements and failures shape the structure and content of Arendtian thought, as when she compares Jewish refugees' attempts to confront their stateless condition during the 1930s and 1940s to Ulysses's mythical quest. Turning her attention in the postwar years to the promise and limits of political freedom in American life, Arendt invokes Sophocles's last drama, Oedipus at Colonus, in an attempt to outline an alternative, aesthetic sense of political authority in the American Republic. In providing this new avenue of approach to Arendt, Pirro shows how elements of Greek tragedy helped her grapple with the problems of modern politics in the chaos of a universe without rules. Arendt enthusiasts and readers interested in the classics and politics will find fresh ideas to consider in Hannah Arendt and the Politics of Tragedy.
Author: J. Peter Euben
Publisher: Princeton University Press
ISBN: 069102314X
Category : Drama
Languages : en
Pages : 331
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Book Description
In this book J. Peter Euben argues that Greek tragedy was the context for classical political theory and that such theory read in terms of tragedy provides a ground for contemporary theorizing alert to the concerns of post-modernism, such as normalization, the dominance of humanism, and the status of theory. Euben shows how ancient Greek theater offered a place and occasion for reflection on the democratic culture it helped constitute, in part by confronting the audience with the otherwise unacknowledged principles of social exclusion that sustained its community. Euben makes his argument through a series of comparisons between three dramas (Aeschylus' Oresteia, Sophocles' Oedipus Tyrannos, and Euripides' Bacchae) and three works of classical political theory (Thucydides' History and Plato's Apology of Socrates and Republic) on the issues of justice, identity, and corruption. He brings his discussion to a contemporary American setting in a concluding chapter on Thomas Pynchon's The Crying of Lot 49 in which the road from Argos to Athens, built to differentiate a human domain from the undefined outside, has become a Los Angeles freeway desecrating the land and its people in a predatory urban sprawl.
Author: Astrid Van Weyenberg
Publisher: Rodopi
ISBN: 940120957X
Category : History
Languages : en
Pages : 263
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Book Description
This book explores contemporary African adaptations of classical Greek tragedies. Six South African and Nigerian dramatic texts – by Yael Farber, Mark Fleishman, Athol Fugard, Femi Osofisan, and Wole Soyinka – are analysed through the thematic lens of resistance, revolution, reconciliation, and mourning. The opening chapters focus on plays that mobilize Greek tragedy to inspire political change, discussing how Sophocles’ heroine Antigone is reconfigured as a freedom fighter and how Euripides’ Dionysos is transformed into a revolutionary leader. The later chapters shift the focus to plays that explore the costs and consequences of political change, examining how the cycle of violence dramatized in Aeschylus’ Oresteia trilogy acquires relevance in post-apartheid South Africa, and how the mourning of Euripides’ Trojan Women resonates in and beyond Nigeria. Throughout, the emphasis is on how playwrights, through adaptation, perform a cultural politics directed at the Europe that has traditionally considered ancient Greece as its property, foundation, and legitimization. Van Weyenberg additionally discusses how contemporary African reworkings of Greek tragedies invite us to reconsider how we think about the genre of tragedy and about the cultural process of adaptation. Against George Steiner’s famous claim that tragedy has died, this book demonstrates that Greek tragedy holds relevance today. But it also reveals that adaptations do more than simply keeping the texts they draw on alive: through adaptation, playwrights open up a space for politics. In this dynamic between adaptation and pre-text, the politics of adaptation is performed.
Author: Nancy Sorkin Rabinowitz
Publisher: John Wiley & Sons
ISBN: 0470693266
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Greek Tragedy sets ancient tragedy into its original theatrical, political and ritual context and applies modern critical approaches to understanding why tragedy continues to interest modern audiences. An engaging introduction to Greek tragedy, its history, and its reception in the contemporary world with suggested readings for further study Examines tragedy’s relationship to democracy, religion, and myth Explores contemporary approaches to scholarship, including structuralist, psychoanalytic, and feminist theory Provides a thorough examination of contemporary performance practices Includes detailed readings of selected plays
Author: Anna A. Lamari
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110559935
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
An inexplicably understudied field of classical scholarship, tragic reperformance, has been surveyed in its true dimension only in the very recent years. Building on the latest discussions on tragic restagings, this book provides a thorough survey of reperformance of Greek tragedy in the fifth and fourth centuries BC, also addressing its theatrical, political, and cultural context. In the fifth and fourth centuries, tragic restagings were strongly tied to cultural mobility and exchange. Poets, actors, texts, vases, and vase-painters were traveling, bridging the boundaries between mainland Greece and Magna Graecia, boosting the spread of theater, facilitating theatrical literacy, and setting a new theatrical status quo, according to which popular tragic plays were restaged, by mobile actors, in numerous dramatic festivals, in and out of Attica, with or without the supervision of their composers. This book offers a holistic examination of ancient reperformances of tragedy, enhancing our perception of them as a vital theatrical practice that played a major part in the development of the tragic genre in the fifth and fourth centuries BC.
Author: D. G. Beer
Publisher: Bloomsbury Publishing USA
ISBN: 0313039321
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
The Athenian democracy of the 5th century B.C. created the most important political theatre of western culture. Sophocles, the most successful tragic playwright of the age, was a radical innovator who produced his tragedies to present to his audience complex moral, social, and political issues of a kind that they might be faced with in their various legal and political assemblies. Beer examines Sophocles as a political playwright against the background of Athenian democracy, breaking new ground by showing the importance of the mask for understanding Sophoclean tragedy and redefining the notion of skenographia, or setting the scene. He concludes that Sophocles revolutionized the concept of dramatic space. The Athenian tragic theatre was deeply political and played an important and active role in the life of Athenian democracy. This book presents an introduction to the political nature of Greek tragedy and Sophoclean tragedy in an effort to shed new light on the dramatic works of the 5th century playwright. As Aristotle noted, Sophocles' two most important innovations were the introduction of the third actor and skenographia, which brought tragedy to its fully evolved form. Beer argues that although his use of the third actor has been widely understood, his use of skenographia has not. Carefully exploring the true sense of this method of using dramatic space, Beer brings a new understanding to the works of this old master.
