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Author: John Nelson
Publisher: Cambridge Scholars Publishing
ISBN: 1527579050
Category : Music
Languages : en
Pages : 265
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Book Description
During the 19th and early 20th centuries, opposition to the tsarist autocracy grew in Russia. To counter this, Tsar Nicholas I instigated the Official Nationality Decree of 1833 basing this on “Orthodoxy, Autocracy, Nationality”. Subsequent tsars who enforced repression, censorship and the suppression of the peripheral counties of the Empire upheld this policy. Nikolai Rimsky-Korsakov questioned whether this “Official Nationality” truly represented the views of the Russian people, and, through his operas, he demonstrated that the interpretation of these three premises was questionable. This book examines each of these facets of nationality and how Rimsky-Korsakov presents them in a new light in his operas. It also shows how the composer’s socio-political views, supported by his use of politically radical Russian writers, and as expressed through his correspondence and discussions with family and colleagues, clearly demonstrate that his political ideology, as well as his opposition to the tsar and his bureaucracy, gave a new interpretation of Russian “nationality”.
Author: John Nelson
Publisher: Cambridge Scholars Publishing
ISBN: 1527579050
Category : Music
Languages : en
Pages : 265
Get Book Here
Book Description
During the 19th and early 20th centuries, opposition to the tsarist autocracy grew in Russia. To counter this, Tsar Nicholas I instigated the Official Nationality Decree of 1833 basing this on “Orthodoxy, Autocracy, Nationality”. Subsequent tsars who enforced repression, censorship and the suppression of the peripheral counties of the Empire upheld this policy. Nikolai Rimsky-Korsakov questioned whether this “Official Nationality” truly represented the views of the Russian people, and, through his operas, he demonstrated that the interpretation of these three premises was questionable. This book examines each of these facets of nationality and how Rimsky-Korsakov presents them in a new light in his operas. It also shows how the composer’s socio-political views, supported by his use of politically radical Russian writers, and as expressed through his correspondence and discussions with family and colleagues, clearly demonstrate that his political ideology, as well as his opposition to the tsar and his bureaucracy, gave a new interpretation of Russian “nationality”.
Author: John Nelson
Publisher:
ISBN: 9781527599079
Category :
Languages : en
Pages : 0
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Book Description
During the 19th and early 20th centuries, opposition to the tsarist autocracy grew in Russia. To counter this, Tsar Nicholas I instigated the Official Nationality Decree of 1833 basing this on "Orthodoxy, Autocracy, Nationality". Subsequent tsars who enforced repression, censorship and the suppression of the peripheral counties of the Empire upheld this policy. Nikolai Rimsky-Korsakov questioned whether this "Official Nationality" truly represented the views of the Russian people, and, through his operas, he demonstrated that the interpretation of these three premises was questionable. This book examines each of these facets of nationality and how Rimsky-Korsakov presents them in a new light in his operas. It also shows how the composer's socio-political views, supported by his use of politically radical Russian writers, and as expressed through his correspondence and discussions with family and colleagues, clearly demonstrate that his political ideology, as well as his opposition to the tsar and his bureaucracy, gave a new interpretation of Russian "nationality".
Author: Rachel Cowgill
Publisher: Boydell & Brewer
ISBN: 1843835673
Category : Music
Languages : en
Pages : 434
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Book Description
Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented by studies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, Janacek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS, DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL.
Author: Roman Utkin
Publisher: University of Wisconsin Pres
ISBN: 0299344401
Category : History
Languages : en
Pages : 293
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Book Description
As many as half a million Russians lived in Germany in the 1920s, most of them in Berlin, clustered in and around the Charlottenburg neighborhood to such a degree that it became known as “Charlottengrad.” Traditionally, the Russian émigré community has been understood as one of exiles aligned with Imperial Russia and hostile to the Bolshevik Revolution and the Soviet government that followed. However, Charlottengrad embodied a full range of personal and political positions vis-à-vis the Soviet project, from enthusiastic loyalty to questioning ambivalence and pessimistic alienation. By closely examining the intellectual output of Charlottengrad, Roman Utkin explores how community members balanced their sense of Russianness with their position in a modern Western city charged with artistic, philosophical, and sexual freedom. He highlights how Russian authors abroad engaged with Weimar-era cultural energies while sustaining a distinctly Russian perspective on modernist expression, and follows queer Russian artists and writers who, with their German counterparts, charted a continuous evolution in political and cultural attitudes toward both the Weimar and Soviet states. Utkin provides insight into the exile community in Berlin, which, following the collapse of the tsarist government, was one of the earliest to face and collectively process the peculiarly modern problem of statelessness. Charlottengrad analyzes the cultural praxis of “Russia Abroad” in a dynamic Berlin, investigating how these Russian émigrés and exiles navigated what it meant to be Russian—culturally, politically, and institutionally—when the Russia they knew no longer existed.
Author: Andrew Wachtel
Publisher: Northwestern University Press
ISBN: 9780810115804
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
This collection serves as an introduction to the great variety of approaches being used by Slavicists and historians to situate music and literature in the Russian cultural imagination. Part I focuses on music in art. The nine essays in this section explore the complex interaction of literary and musical texts in the nineteenth and twentieth centuries. Contributors discuss such writers as Pushkin, Chekhov, and Pasternak, and composers including Musorgsky, Prokofiev, Shostakovich, and Blok. Part II centers on music in life. Its five essays address music as a cultural form, as presented and enjoyed in the home, the theater, and the opera house. This book provides a unique window on The musical, literary, and social interactions that have been typical of modern Russian culture.Contributing to this volume are Thomas P. Hodge, Caryl Emerson, Jennifer Fuller, Justin Weir, Alexander Burry, James Morgan, Andrew Baruch Wachtel, Tim Langen, Jesse Langen, Richard Stites, Ilya Vinitsky, Julie Buckler, Rosamund Bartlett, Boris Gasparov, Nicholas Glossop, and Amy Nelson.
Author: Charles Osborne
Publisher: Yale University Press
ISBN: 9780300123739
Category : Music
Languages : en
Pages : 648
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Book Description
Written by a well-known authority, this book consists of 175 entries that set some of the most popular operas within the context of their composer's career, outline the plot, discuss the music, and more.
Author: Gerald Seaman
Publisher: Routledge
ISBN: 1317646185
Category : Music
Languages : en
Pages : 408
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Book Description
Nikolay Andreevich Rimsky-Korsakov: A Research and Information Guide, Second Edition is an annotated bibliography of all substantial, relevant published resources relating to the Russian composer. First published in 1988, this revised and expanded volume incorporates new information about the composer appearing over the last two decades, including literary publications, articles and reviews. Other sections provide a brief biographical sketch, selective discography, chronology and list of Rimsky-Korsakov’s works.
Author: Gary A. Smook
Publisher: FriesenPress
ISBN: 1525537873
Category : Music
Languages : en
Pages : 383
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Book Description
His fascinating exploration takes you inside the rich music and colorful lives of the world’s greatest classical composers. From Bach to Stravinsky and beyond, you will learn how the unique life stories of these gifted composers are reflected in the musical masterpieces that we enjoy to this day. Designed as an introductory book on classical music, this comprehensive collection presents biographical snapshots of the major composers in the context of distinct historical and stylistic periods and in relation to their notable contemporaries. Special attention is given to recognizing their prominent musical works. The book delineates the many forms of instrumental and vocal music; and it explores the “basics” of tonality, musical structure, performance criteria, the orchestra and its instruments, orchestration, chamber music, and the cataloguing of musical works. As well, the newcomer to classical music will find advice on building a musical library. This book is an excellent source of information about classical music in a unique and entertaining format. It will help lay the foundation for a lifelong love of classical music, through the great musical heritage of these fine composers.
Author: Fred Plotkin
Publisher: Hachette Books
ISBN: 1401306004
Category : Music
Languages : en
Pages : 444
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Book Description
Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.
Author: Mervyn Cooke
Publisher: Cambridge University Press
ISBN: 9780521780094
Category : Music
Languages : en
Pages : 430
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Book Description
This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.
