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Author: Louise Gluck
Publisher: Macmillan Reference USA
ISBN: 9780684195094
Category : Poetry
Languages : en
Pages : 326
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Book Description
An anthology of contemporary poets presents works that reflect the diversity in American poetry.
Author: Louise Gluck
Publisher: Macmillan Reference USA
ISBN: 9780684195094
Category : Poetry
Languages : en
Pages : 326
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Book Description
An anthology of contemporary poets presents works that reflect the diversity in American poetry.
Author: Robert Frost
Publisher:
ISBN:
Category : New Hampshire
Languages : en
Pages : 136
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Book Description
Author: Claude McKay
Publisher: Graphic Arts Books
ISBN: 151322350X
Category : Poetry
Languages : en
Pages : 41
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Book Description
Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKay’s collections to appear in the United States. As a committed leftist, McKay—who grew up in Jamaica—captures the life of African Americans from a realist’s point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliot’s The Waste Land (1922) and William Carlos Williams’ Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In “Spring in New Hampshire,” the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: “Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors.” A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In “The Lynching,” he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: “[S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue...” As children dance around the victim’s body, “lynchers that were to be,” McKay raises a terrible, timeless question: how long will such violence endure? With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay’s Spring in New Hampshire and Other Poems is a classic of Jamaican literature reimagined for modern readers.
Author: Maxine Kumin
Publisher: W. W. Norton & Company
ISBN: 0393347737
Category : Poetry
Languages : en
Pages : 97
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Book Description
"Kumin writes ... with the clear gaze of a journalist and the ire of an activist.... Filled with love."—Christian Science Monitor Here Maxine Kumin's signature nature poems are shaken up and invigorated by the darker, human realities. Both "delicate and powerful" (Library Journal), she faces with equanimity the disappointments and joys of sixty years of marriage—ending with the unspoken question of "Which of us will go down first."
Author: Alexandria Peary
Publisher: Routledge
ISBN: 1351027646
Category : Language Arts & Disciplines
Languages : en
Pages : 190
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Book Description
Prolific Moment: Theory and Practice of Mindfulness for Writing foregrounds the present in all activities of composing, offering a new perspective on the rhetorical situation and the writing process. A focus on the present casts light on standard writing components—audience, invention, and revision—while bringing forth often overlooked nuances of the writing experience—intrapersonal rhetoric, the preverbal, and preconception. This pedagogy of mindful writing can alleviate the suffering of writing blocks that comes from mindless, future-oriented rhetorics. Much is lost with a misplaced present moment because students forfeit rewarding writing experiences for stress, frustration, boredom, fear, and shortchanged invention. Writing becomes a very different experience if students think of it more consistently as part of a discrete now. Peary examines mindfulness as a metacognitive practice and turns to foundational Buddhist concepts of no-self, emptiness, impermanence, and detachment for methods for observing the moment in the writing classroom. This volume is a fantastic resource for future and current instructors and scholars of composition, rhetoric, and writing studies.??
Author: Maxine Kumin
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 104
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Book Description
Poems about the inner and outer realities of creatures, plants, houses, lovers, and others in the New England landscape.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 812
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Book Description
Author: Alexandria Peary
Publisher:
ISBN: 9781949966282
Category :
Languages : en
Pages : 94
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Book Description
"A collection of poems about different applications wet and dry in the act of writing and composing."--
Author: Robert Frost
Publisher: Digireads.com
ISBN: 9781420961850
Category : Literary Criticism
Languages : en
Pages : 80
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Book Description
First published in 1923, "New Hampshire" by famed American poet Robert Frost, is one of the most beautiful and famous collection of poems in American literature. The book contains many of Frost's most well-known and beloved poems, such as "Stopping by Woods on a Snowy Evening", "Nothing Gold Can Stay", "Fire and Ice", and "The Need of Being Versed in Country Things". Frost won the first of his four Pulitzer Prizes for "New Hampshire" and he would go on to be awarded the Congressional Gold Medal in 1960 for his poetry and was named the poet laureate of Vermont in 1961. Frost's immortal poems have become an essential part of the fabric of American culture and continue to inspire modern poets, authors, film makers, and artists. Some of literature's most famous and often quoted lines may be found in this collection by a true master of verse. Frost taught English for many years and encouraged his students to capture the various inflections, tones, and cadences of the spoken English language in his writing, an approach he perfected in his own work and referred to as "the sound of sense". This timeless collection belongs in the library of everyone who appreciates American literature and poetry. This edition is printed on premium acid-free paper and includes the woodcut illustrations by J. J. Lankes which appeared in the first edition.
Author: Diannely Antigua
Publisher: Yesyes Books
ISBN: 9781936919642
Category :
Languages : en
Pages : 99
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Book Description
Poetry. African & African American Studies. Latinx Studies. Women's Studies. Diannely Antigua's debut collection, UGLY MUSIC, is a cacophonous symphony of reality, dream, trauma, and obsession. It reaches into the corners of love and loss where survival and surrender are blurred. The poems span a traumatic early childhood, a religious adolescence, and, later, a womanhood that grapples with learning how to create an identity informed by, yet in spite of, those challenges. What follows is an exquisitely vulgar voice, unafraid to draw attention to the distasteful, to speak a truth created by a collage of song and confession, diary and praise. It is an account of observation and dissociation, the danger of simultaneously being inside and outside the experiences that mold a life. UGLY MUSIC emerges as a story of witness, a realization that even the strangest things exist on earth and deserve to live. "Diannely Antigua's UGLY MUSIC is a beautiful disturbance of erotic energy. This debut counters the pull of thanatos with the effervescent allure of pure imagination, and everything is dangerously alive. Antigua's seduction is both intellectual and physical, a force strong enough to counter the emotional pains recounted here--an abandoning father, trespassed bodies, pregnancies lost, wanted, feared. At times, the speaker of these poems trespasses on her own body, as if to say a body is both precious and to be ruined, used, used up. At its deepest song, this is a theological protest and investigation by a speaker wrestling with faith and fathers, with unapologetic desire. These poems have found a way to circumvent the most precarious silences, to boast and to rue." --Catherine Barnett
