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Author: Kevin Crotty
Publisher: Cornell University Press
ISBN: 9780801429989
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
In this penetrating and compelling reinterpretation of the Iliad and the Odyssey, Kevin Crotty explores the connection between the "poetic" nature of supplication on the one hand, and, on the other, the importance of supplication in the structure and poetics of the two epics. The supplicant's attempt to rouse pity by calling to mind a vivid sense of grief, he says, is important for an understanding of the poems, which invite their audience to contemplate scenes of past grieving. A poetics of supplication, Crotty asserts, leads irresistibly to a poetics of the Homeric epic.
Author: Kevin Crotty
Publisher: Cornell University Press
ISBN: 9780801429989
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
In this penetrating and compelling reinterpretation of the Iliad and the Odyssey, Kevin Crotty explores the connection between the "poetic" nature of supplication on the one hand, and, on the other, the importance of supplication in the structure and poetics of the two epics. The supplicant's attempt to rouse pity by calling to mind a vivid sense of grief, he says, is important for an understanding of the poems, which invite their audience to contemplate scenes of past grieving. A poetics of supplication, Crotty asserts, leads irresistibly to a poetics of the Homeric epic.
Author: Alan J. M. Haffa
Publisher:
ISBN:
Category :
Languages : en
Pages : 706
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Book Description
Author: Suzanne Pinckney Stetkevych
Publisher: Indiana University Press
ISBN: 9780253215369
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
" . . . transcends the realm of literature and poetic criticism to include virtually every field of Arabic and Islamic studies." —Roger Allen Throughout the classical Arabic literary tradition, from its roots in pre-Islamic Arabia until the end of the Golden Age in the 10th century, the courtly ode, or qasida, dominated other poetic forms. In The Poetics of Islamic Legitimacy, Suzanne Stetkevych explores how this poetry relates to ceremony and political authority and how the classical Arabic ode encoded and promoted a myth and ideology of legitimate Arabo-Islamic rule. Beginning with praise poems to pre-Islamic Arab kings, Stetkevych takes up poetry in praise of the Prophet Mohammed and odes addressed to Arabo-Islamic rulers. She explores the rich tradition of Arabic praise poems in light of ancient Near Eastern rites and ceremonies, gender, and political culture. Stetkevych's superb English translations capture the immediacy and vitality of classical Arabic poetry while opening up a multifaceted literary tradition for readers everywhere.
Author: Leah Whittington
Publisher: Oxford University Press
ISBN: 0191081906
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Renaissance Suppliants studies supplication as a social and literary event in the long European Renaissance. It argues that scenes of supplication are defining episodes in a literary tradition stretching back to Greco-Roman antiquity, taking us to the heart of fundamental questions of politics and religion, ethics and identity, sexuality and family. As a perennial mode of asymmetrical communication in moments of helplessness and extreme need, supplication speaks to ways that people live together despite grave inequalities. It is a strategy that societies use to regulate and perpetuate themselves, to negotiate conflict, and to manage situations in which relationships threaten to unravel. All the writers discussed here--Vergil, Petrarch, Shakespeare, and Milton--find supplication indispensable for thinking about problems of antagonism, difference, and hierarchy, bringing the aesthetic resources of supplicatory interactions to bear on their unique literary and cultural circumstances. The opening chapters establish a conceptual framework for thinking about supplication as facilitating transitions between states of feeling and positions of relative status, beginning with Homer and classical literature. Vergil's Aeneid is paradigmatic instance in which literary and social structures of the ancient past are transformed to suit the needs of the present, and supplication becomes a figure for the act of cultural translation. Subsequent chapters take up different aspects of Renaissance supplicatory discourse, showing how postures of humiliation and abjection are appropriated and transformed in erotic poetry, drama, and epic. The book ends with Milton who invests gestures of self-abasement with unexpected dignity.
Author: Leah Whittington
Publisher: Oxford University Press
ISBN: 019106940X
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Renaissance Suppliants studies supplication as a social and literary event in the long European Renaissance. It argues that scenes of supplication are defining episodes in a literary tradition stretching back to Greco-Roman antiquity, taking us to the heart of fundamental questions of politics and religion, ethics and identity, sexuality and family. As a perennial mode of asymmetrical communication in moments of helplessness and extreme need, supplication speaks to ways that people live together despite grave inequalities. It is a strategy that societies use to regulate and perpetuate themselves, to negotiate conflict, and to manage situations in which relationships threaten to unravel. All the writers discussed here—Vergil, Petrarch, Shakespeare, and Milton—find supplication indispensable for thinking about problems of antagonism, difference, and hierarchy, bringing the aesthetic resources of supplicatory interactions to bear on their unique literary and cultural circumstances. The opening chapters establish a conceptual framework for thinking about supplication as facilitating transitions between states of feeling and positions of relative status, beginning with Homer and classical literature. Vergil's Aeneid is paradigmatic instance in which literary and social structures of the ancient past are transformed to suit the needs of the present, and supplication becomes a figure for the act of cultural translation. Subsequent chapters take up different aspects of Renaissance supplicatory discourse, showing how postures of humiliation and abjection are appropriated and transformed in erotic poetry, drama, and epic. The book ends with Milton who invests gestures of self-abasement with unexpected dignity.
Author: John Wieners
Publisher:
ISBN: 9781910392232
Category : American poetry
Languages : en
Pages : 0
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Book Description
Author: Dale Launderville
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802845053
Category : History
Languages : en
Pages : 426
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Book Description
Ancient kings who did not honor the gods overlooked an indispensable means for ruling effectively in their communities. In many traditional societies royal authority was regarded as a divine gift bestowed according to the quality of the relationship of the king both to God or the gods and to the people. The tension and the harmony within these human and divine relationships demanded that the king repeatedly strive to integrate the community's piety with his political strategies. This fascinating study explores the relationship between religion and royal authority in three of history's most influential civilizations: Homeric Greece, biblical Israel, and Old Babylonian Mesopotamia. Dale Launderville identifies similar, contrasting, and analogous ways that piety functioned in these distinct cultures to legitimate the rule of particular kings and promote community well-being. Key to this religiopolitical dynamic was the use of royal rhetoric, which necessarily took the form of political theology. By examining a host of ancient texts and drawing on the insights of philosophers, poets, historians, anthropologists, social theorists, and theologians, Launderville shows how kings increased their status the more they demonstrated through their speech and actions that they ruled on behalf of God or the gods. Launderville's work also sheds light on a number of perennial questions about ancient political life. How could the people call the king to account? Did the people forfeit too much of their freedom and initiative by giving obedience to a king who symbolized their unity as a community? How did the religious traditions serve as a check on the king's power and keep alive the voice of the people? This study in comparative political theology elucidates these engaging concerns from multiple perspectives, making Piety and Politics of interest to readers in fields ranging from biblical studies and theology to ancient history and political science.
Author: Kostas Myrsiades
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642195
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
These nine new essays on Homer's epics deal not only with major Homeric themes of time (honor), kleos (fame), geras (rewards), the psychology of Homeric warriors, and the re-evaluation of type scenes, but also with Homer's influence on contemporary film. Following the introduction and an essay which sets the historical background for the epics, four essays are devoted to fresh analysis of key passages and themes while another four turn to a discussion of the film Troy and Homer's influence on two other genres of American cinema.
Author: Nitzan
Publisher: BRILL
ISBN: 9004350136
Category : Religion
Languages : en
Pages : 439
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Book Description
Qumran Prayer and Religious Poetry represents the first attempt to undertake a systematic, comprehensive study of the liturgical and poetic texts which were discovered among the Dead Sea Scrolls from Qumran. The collections of prayers, blessings and hymns indicate that fixed prayers were already customary within Judaism during the period of the Second Temple within sectarian circles. In the light of the prayer texts from Qumran the author conducts a systematic study of Jewish prayer beginning with its biblical traditions, through its development during the Second Temple period, and down to rabbinic prayer. By means of comparative literary analysis, the author is able to elucidate the relationship of the Qumran texts to forms and motifs found in parallel text types from various periods and circles within Judaism. This volume provides the reader with tools for a renewed study of the history of prayer in Judaism in the light of new textual evidence from the Second Temple period.
Author: Christopher Stokes
Publisher: Oxford University Press
ISBN: 0192599666
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Whilst religion and the secular have been continually debated contexts for literature of the Romantic era, the dominant scholarly focus has been on doctrines and denominations. In analysing the motif of devotion, Romantic Prayer shifts attention to the quintessential articulation of religion as lived experience, as practice, and as a performative rather than descriptive phenomenon. In an era when the tenability and rationality of prayer was much contested, poetry--a form with its own interlinked history with prayer--was a unique place to register what prayer meant in modernity. This study illustrates how the discourse of prayer continually intervened in the way that poetic practices evolved and responded to the religious and secular questions of the eighteenth and nineteenth-century moment. After laying out the details of prayer's historical position in the Romantic era across a spread of religious traditions, Romantic Prayer turns to a range of writers, from the identifiably religious to the staunchly sceptical. William Cowper and Anna Letitia Barbauld are shown to use poetry to reflect and reinvent the ideals of prayer inherited from their own denominational histories. Samuel Taylor Coleridge's work is analysed as part of a long engagement with the rationality of prayer, culminating in an explicit 'philosophy' of prayer; William Wordsworth--by contrast--keeps prayer at an aesthetic distance, continually alluding to prayerful language but rarely committing to devotional voice itself. John Keats, Percy Bysshe Shelley, and Lord Byron are treated in the context of departing from Christianity, under the influence of Enlightenment, materialist, and atheist critiques--what happens to prayer in poetry when prayer as a language traditionally conceived is becoming impossible to maintain?
