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Author: Adam (de La Halle)
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 168
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Book Description
The Play of Madness is a thirteenth-century French medieval play, often puzzling and full of innuendoes and allusions that are not always clear to the twentieth-century public. However, thanks to the comic genius of the author, this is a play that we can enjoy and laugh at today. Most of the characters are represented in a caricatured manner for the sake of satire and their traits are as universal as they are timeless. The author-actor, master Adam, is the play's authentic eye judging objectively, and not without a certain amused kindness, the citizens of Hell, the burghers of his town - Arras in N.E. France. The Play of Madness, until now generally called Jeu de la Feuillée, reminds us of some famous modern plays such as Sartre's No Exit, Pirandello's Six Characters in Search of an Author, or Beckett's Waiting for Godot. So that modern readers who are not familiar with the Old French language can enjoy this fascinating medieval comic drama, we have translated the Old French text into English prose, including on each facing page the Old French text we edited from the manuscripts, using P as base with corrections from the two other manuscripts, Pb and V.
Author: Adam (de La Halle)
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 168
Get Book Here
Book Description
The Play of Madness is a thirteenth-century French medieval play, often puzzling and full of innuendoes and allusions that are not always clear to the twentieth-century public. However, thanks to the comic genius of the author, this is a play that we can enjoy and laugh at today. Most of the characters are represented in a caricatured manner for the sake of satire and their traits are as universal as they are timeless. The author-actor, master Adam, is the play's authentic eye judging objectively, and not without a certain amused kindness, the citizens of Hell, the burghers of his town - Arras in N.E. France. The Play of Madness, until now generally called Jeu de la Feuillée, reminds us of some famous modern plays such as Sartre's No Exit, Pirandello's Six Characters in Search of an Author, or Beckett's Waiting for Godot. So that modern readers who are not familiar with the Old French language can enjoy this fascinating medieval comic drama, we have translated the Old French text into English prose, including on each facing page the Old French text we edited from the manuscripts, using P as base with corrections from the two other manuscripts, Pb and V.
Author: Duncan Salkeld
Publisher: Manchester University Press
ISBN: 9780719045882
Category : Drama
Languages : en
Pages : 180
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Book Description
Author: Alan Bennett
Publisher: Screenplays
ISBN: 9780571176168
Category : Drama
Languages : en
Pages : 74
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Book Description
30 years into his reign, the King of England starts to go a little mad; his court hires a new, radical doctor to try to cure him, but what he really needs in the love of a good queen.
Author: Wouter Kusters
Publisher: MIT Press
ISBN: 0262044285
Category : Philosophy
Languages : en
Pages : 769
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Book Description
The philosophy of psychosis and the psychosis of philosophy: a philosopher draws on his experience of madness. In this book, philosopher and linguist Wouter Kusters examines the philosophy of psychosis—and the psychosis of philosophy. By analyzing the experience of psychosis in philosophical terms, Kusters not only emancipates the experience of the psychotic from medical classification, he also emancipates the philosopher from the narrowness of textbooks and academia, allowing philosophers to engage in real-life praxis, philosophy in vivo. Philosophy and madness—Kusters's preferred, non-medicalized term—coexist, one mirroring the other. Kusters draws on his own experience of madness—two episodes of psychosis, twenty years apart—as well as other first-person narratives of psychosis. Speculating about the maddening effect of certain words and thought, he argues, and demonstrates, that the steady flow of philosophical deliberation may sweep one into a full-blown acute psychotic episode. Indeed, a certain kind of philosophizing may result in confusion, paradoxes, unworldly insights, and circular frozenness reminiscent of madness. Psychosis presents itself to the psychotic as an inescapable truth and reality. Kusters evokes the mad person's philosophical or existential amazement at reality, thinking, time, and space, drawing on classic autobiographical accounts of psychoses by Antonin Artaud, Daniel Schreber, and others, as well as the work of phenomenological psychiatrists and psychologists and such phenomenologists as Edmund Husserl and Maurice Merleau-Ponty. He considers the philosophical mystic and the mystical philosopher, tracing the mad undercurrent in the Husserlian philosophy of time; visits the cloud castles of mystical madness, encountering LSD devotees, philosophers, theologians, and nihilists; and, falling to earth, finds anxiety, emptiness, delusions, and hallucinations. Madness and philosophy proceed and converge toward a single vanishing point.
Author: Femi Oyebode
Publisher: RCPsych Publications
ISBN: 9781908020420
Category : Medical
Languages : en
Pages : 114
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Book Description
Madness at the Theatre studies the theatrical representation of madness from the classical Greek period through to the 21st century. Professor Oyebode charts the portrayal of madness by the world's great playwrights across the centuries and argues that whereas acts of madness are described but unseen in Greek drama, Shakespeare brought these behaviours to centre stage. In the nineteenth and early twentieth centuries aberrant behaviour was portrayed in domestic settings by Ibsen - theatrical madness became a family drama. Tennessee Williams and Eugene O'Neill drew on their own families for their explorations of madness and addiction. Pinter's masterful use of the ambiguity of language finds strong echoes in the psychiatric clinic. Soyinka emphasised the social context - the personal malady as reflection of a greater malaise in society. Finally, Sarah Kane created plays that were the physical embodiment of her inner world. This book will be essential reading for anyone interested in the language of drama, the depiction of mental illness, and in the wider place of madness as a concept within society.
Author: Jacqueline O'Connor
Publisher: Popular Press
ISBN: 9780879727420
Category : Drama
Languages : en
Pages : 132
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Book Description
Rather than attempting to psychoanalyze the characters, the author uses the social situations within the dramas themselves to define the terms of her argument. Her analysis of the plays is organized according to the recurring themes of confinement, women, language, and artists, and draws upon a variety of psychological, literary, and biographical sources to examine Williams's preoccupation with the mentally ill and society's treatment of them. Annotation copyrighted by Book News, Inc., Portland, OR
Author: John H. Newmeir
Publisher:
ISBN: 9780573033858
Category : Drama
Languages : en
Pages : 34
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Book Description
Three women in a psychiatric hospital meet for a therapeutic drama lesson. Jones, an ex-professional actress, adopts the role of teacher. The ease with which she slips between three other "characters" the other two women - Dawn, a neurotic day-dreamer, and Hannah, an apparently "normal" is both frightening and baffling. Are they, as she claims, just characters she has dramatically created, or in fact, as the doctors believe, schizophrenic personalities?-3 women
Author: Emeka Nwabueze
Publisher:
ISBN:
Category :
Languages : en
Pages : 53
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Book Description
Author: Frederick Burwick
Publisher: Penn State Press
ISBN: 0271042966
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Author: Nicolette Deister
Publisher: GRIN Verlag
ISBN: 3640797450
Category : Literary Criticism
Languages : en
Pages : 10
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Book Description
Essay from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,3, Johannes Gutenberg University Mainz (Department of English and Linguistics), course: Introduction to Literary Studies, language: English, abstract: In this essay I shall try to depict King Lear's madness, how it is displayed, the effect it has on Lear and other characters and what function it serves in the play. First several scenes have to be discussed at what point Lear's madness possibly begins. Secondly, other people's reactions to his madness will be examined. Finally, I will analyse the function his insanity has in the play.
