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Author: John Dixon Hunt
Publisher:
ISBN: 9780500510858
Category : Architecture
Languages : en
Pages : 208
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Book Description
The "picturesque" or "natural" garden was the rage in eighteenth-century Europe. Inspired by painting, it also reflected changing attitudes to nature. Largely created and crafted in England, it was exported to other countries, which strove to adapt its forms to local conditions. This is the first book about that famous episode in garden history to look at the larger, European map of landscape design. The book traces the rise of the picturesque garden in England, exploring intricate dialogues between practical place-making and the theoretical formulations of the picturesque that began with Alexander Pope and Joseph Addison and ended with the writings of William Gilpin, Uvedale Price, and Richard Payne Knight in the 1790s. It surveys a wide range of sites -- Rousham, Stourhead, Kew, Hestercombe, The Leasowes, and Hafod, among others -- and the contributions to their creation by both amateurs and professionals. Europeans visited and wrote about many of these famous English landscapes. But the impact on European countries of the English example was complicated by the parallel rise of a picturesque garden in France, which had its own cultural direction even while it looked to England and China for inspiration. The French produced a crop of theoretical essays on the new "modern" garden as well as a set of astonishing designs -- Mereville, Desert de Retz, Monceau, Moulin-Joli, Ermenonville -- that were wholly and distinctly French, despite some superficial similarities with English creations. Finally, the book surveys the impact of English and French design upon other countries, in particular Sweden, the German-speaking lands, and Russia. The range of effect that could be created onEuropean sites is considerable and belies the notion that the picturesque was simply a process of making 3-D pictures in the landscape.
Author: John Dixon Hunt
Publisher:
ISBN: 9780500510858
Category : Architecture
Languages : en
Pages : 208
Get Book Here
Book Description
The "picturesque" or "natural" garden was the rage in eighteenth-century Europe. Inspired by painting, it also reflected changing attitudes to nature. Largely created and crafted in England, it was exported to other countries, which strove to adapt its forms to local conditions. This is the first book about that famous episode in garden history to look at the larger, European map of landscape design. The book traces the rise of the picturesque garden in England, exploring intricate dialogues between practical place-making and the theoretical formulations of the picturesque that began with Alexander Pope and Joseph Addison and ended with the writings of William Gilpin, Uvedale Price, and Richard Payne Knight in the 1790s. It surveys a wide range of sites -- Rousham, Stourhead, Kew, Hestercombe, The Leasowes, and Hafod, among others -- and the contributions to their creation by both amateurs and professionals. Europeans visited and wrote about many of these famous English landscapes. But the impact on European countries of the English example was complicated by the parallel rise of a picturesque garden in France, which had its own cultural direction even while it looked to England and China for inspiration. The French produced a crop of theoretical essays on the new "modern" garden as well as a set of astonishing designs -- Mereville, Desert de Retz, Monceau, Moulin-Joli, Ermenonville -- that were wholly and distinctly French, despite some superficial similarities with English creations. Finally, the book surveys the impact of English and French design upon other countries, in particular Sweden, the German-speaking lands, and Russia. The range of effect that could be created onEuropean sites is considerable and belies the notion that the picturesque was simply a process of making 3-D pictures in the landscape.
Author: John Dixon Hunt
Publisher: MIT Press
ISBN: 9780262581318
Category : Architecture
Languages : en
Pages : 414
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Book Description
A collection of Hunt's essays, many previously unpublished, dealing with the ways in which men and women have given meaning to gardens and landscapes, especially with the ways in which gardens have represented the world of nature "picturesquely".
Author: Thomas Henry Duke Turner
Publisher:
ISBN: 9780415518789
Category : Gardens
Languages : en
Pages : 0
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Book Description
Garden design began in West Asia and spread through Europe. This book tells how, in the British Isles, it flourished to an extraordinary degree. Following the historical method in Tom Turnere(tm)s books on Asian gardens (2010) and European gardens (2011), it uses almost 1000 colour photographs, plans and style diagrams to provide a word and image history of garden design. Individual chapters cover the Celtic, Roman, Medieval, Renaissance, Baroque, Neoclassical, Romantic, Arts and Crafts, Modern and Postmodern periods. Additional information about the gardens in the book is available on the Gardenvisit.com website, which the author edits eehttp://www.gardenvisit.com/history_theory/british_gardens_companion
Author: Stephen Groves
Publisher: Taylor & Francis
ISBN: 1000985911
Category : Art
Languages : en
Pages : 273
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Book Description
Revealing the connections between the veneration of national landscape and eighteenth- century English vocal music, this study restores English music’s relationship with the picturesque. In the eighteenth century, the emerging taste for the picturesque was central to British aesthetics, as poets and painters gained popularity by glorifying the local landscape in works concurrent with the emergence of native countryside tourism. Yet English music was seldom discussed as a medium for conveying national scenic beauty. Stephen Groves explores this gap, and shows how secular song, the glee, and national theatre music expressed a uniquely English engagement with landscape. Using an interdisciplinary approach, Groves addresses the apparent ‘silence’ of the English picturesque. The book draws on analysis of the visualisations present in the texts of English vocal music, and their musical treatment, to demonstrate how local composers incorporated celebrations of landscape into their works. The final chapter shows that the English picturesque was a crucial influence on Joseph Haydn’s oratorio The Seasons. Suitable for anyone with an interest in eighteenth- century music, aesthetics, and the natural environment, this book will appeal to a wide range of specialists and non- specialists alike.
Author: Marie-Luise Gothein
Publisher: Gardenvisit.com
ISBN:
Category :
Languages : en
Pages : 783
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Book Description
Marie-Luise Gothein's History of garden art was first published in German 1913. It was re-published in English in 1928, with two extra chapter. This edition (first published as a CD in 2002) has been edited and revised by Tom Turner. It is now supplied as a pdf.
Author: Thomas Whately
Publisher:
ISBN:
Category : Gardening
Languages : en
Pages : 280
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Book Description
Author: Katarina Gephardt
Publisher: Routledge
ISBN: 1317028112
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
The nineteenth century was the heyday of travel, with Britons continually reassessing their own culture in relation to not only the colonized but also other Europeans, especially the ones that they encountered on the southern and eastern peripheries of the continent. Offering illustrative case studies, Katarina Gephardt shows how specific rhetorical strategies used in contemporary travel writing produced popular fictional representations of continental Europe in the works of Ann Radcliffe, Lord Byron, Charles Dickens, and Bram Stoker. She examines a wide range of autobiographical and fictional travel narratives to demonstrate that the imaginative geographies underpinning British ideas of Europe emerged from the spaces between fact and fiction. Adding texture to her study are her analyses of the visual dimensions of cross-cultural representation and of the role of evolving technologies in defining a shared set of rhetorical strategies. Gephardt argues that British writers envisioned their country simultaneously as distinct from the Continent and as a part of Europe, anticipating the contradictory British discourse around European integration that involves both fear that the European super-state will violate British sovereignty and a desire to play a more central role in the European Union.
Author: Raffaella Fabiani Giannetto
Publisher: University of Virginia Press
ISBN: 0813939143
Category : Architecture
Languages : en
Pages : 388
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Book Description
Foreign Trends in American Gardens addresses the influence of foreign, designed landscapes on the development of their American counterparts. Including essays from an array of significant scholars in landscape studies, this collection examines topics ranging from the importation of Western and Eastern styles of design and theoretical literature to the adaptation of specific plant types. As the variety of topics and influences discussed demonstrates, the essence of American gardens defies simple definition. Examining the translation, imitation, adaptation, and naturalization of stylistic trends and horticultural specimens into American gardens, the book also dwells on the juxtaposition of the foreign and the native. The volume’s contributors consider the experiences both of immigrants, who contributed through their writing, planting, and design efforts to enhance the character of regional gardens, and of Americans, who traveled abroad and brought back with them a passion for naturalizing exotics for scientific as well as aesthetic reasons. The complexity of American gardens—their combination of the historic and the modern, and of foreign cultures and local values—is also their most distinctive characteristic.
Author: Kate Felus
Publisher: Bloomsbury Publishing
ISBN: 1786720078
Category : History
Languages : en
Pages : 277
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Book Description
Georgian landscape gardens are among the most visited and enjoyed of the UK's historical treasures The Georgian garden has also been hailed as the greatest British contribution to European Art, seen as a beautiful composition created from grass, trees and water – a landscape for contemplation. But scratch below the surface and history reveals these gardens were a lot less serene and, in places, a great deal more scandalous. Beautifully illustrated in colour and black & white, this book is about the daily life of the Georgian garden. It reveals its previously untold secrets from early morning rides through to evening amorous liaisons. It explains how by the eighteenth century there was a desire to escape the busy country house where privacy was at a premium, and how these gardens evolved aesthetically, with modestly-sized, far-flung temples and other eye-catchers, to cater for escape and solitude as well as food, drink, music and fireworks. Its publication coincides with the 2016 tercentenary of the birth of Lancelot 'Capability' Brown, arguably Britain's greatest ever landscape gardener, and the book is uniquely positioned to put Brown's work into its social context.
Author: Michael G. Lee
Publisher: Routledge
ISBN: 1000143813
Category : Philosophy
Languages : en
Pages : 276
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Book Description
In the 1790s, a close-knit group of German philosophers published several garden theory texts. These works are unique in that a close-knit group of philosophers had never before--and has not since--produced so many works on the topic of garden design. In essence, this cohort sought to imbue the most visionary concepts that had been inherited from the German garden tradition with the intellectual resources that were newly available through Kant’s critical philosophy. The most important of these concepts was the prescription for a new Mittelweg, or "middle path," garden that would mediate between the perceived excesses of French formalism and the English picturesque. In close analysis, the author demonstrates that Kant used similar "middle path" techniques in the design of his own "critical path" between dogmatism and skepticism. This similarity is most apparent when he uses topographical metaphors to describe the organizational principles of his system. By interpreting Kant’s topographical metaphors in relation to contemporary garden theories, this book offers new insights into the structural similarities between his "critical path" and the German garden’s "middle path" between French formalism and the English picturesque.
