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Author: Liliane Louvel
Publisher: Routledge
ISBN: 0429941633
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
The Pictorial Third: An Essay into Intermedial Criticism examines the extent to which poetry intertwines with painting and the visual at large, and studies the singular relationship established between language and image, observesing the modalities and workings of what is termed ‘intermedial transposition‘. By following a critical method of the close analysis of texts, the book examines to what extent the "pictorial" tool may be of help to analyze literary texts and thus enlarge and enrich literary criticism. Examining the technical notions typical of the medium and its history, including perspective, framing, colour, anamorphosis, trompe-l’œil, Veronica veil, still life, portrait, figure, illusion, apparatus, genres and styles, this volume presents a pragmatics of image-in-text and of the visual-in-text as an operative tool. This "pictorial" reading necessarily includes synesthesia and the senses; it also functions as a reading event , or what happens to one when one unawares encounters a picture (be it present in the book or the object of an ekprhasis). Thus the body is eventually given back a role to play. The sensitive approach has its own resonances and the eye or the gaze sometimes sees double in such intermedially oriented texts. This volume proposes to identify the pictorial third as the phenomenon which can be apprehended in terms of effect or affect not only as a concept.
Author: Liliane Louvel
Publisher: Routledge
ISBN: 0429941633
Category : Literary Criticism
Languages : en
Pages : 371
Get Book Here
Book Description
The Pictorial Third: An Essay into Intermedial Criticism examines the extent to which poetry intertwines with painting and the visual at large, and studies the singular relationship established between language and image, observesing the modalities and workings of what is termed ‘intermedial transposition‘. By following a critical method of the close analysis of texts, the book examines to what extent the "pictorial" tool may be of help to analyze literary texts and thus enlarge and enrich literary criticism. Examining the technical notions typical of the medium and its history, including perspective, framing, colour, anamorphosis, trompe-l’œil, Veronica veil, still life, portrait, figure, illusion, apparatus, genres and styles, this volume presents a pragmatics of image-in-text and of the visual-in-text as an operative tool. This "pictorial" reading necessarily includes synesthesia and the senses; it also functions as a reading event , or what happens to one when one unawares encounters a picture (be it present in the book or the object of an ekprhasis). Thus the body is eventually given back a role to play. The sensitive approach has its own resonances and the eye or the gaze sometimes sees double in such intermedially oriented texts. This volume proposes to identify the pictorial third as the phenomenon which can be apprehended in terms of effect or affect not only as a concept.
Author: Robert Neumann
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Professor Liliane Louvel
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478890
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
Poetics of the Iconotext makes available for the first time in English the theories of the respected French text/image specialist, Professor Liliane Louvel. A consolidation of the most significant theoretical materials of Louvel's two acclaimed books, L'Oeil du Texte: Texte et image dans la littérature anglophone and Texte/Image: Images à lire, textes à voir, this newly conceived work introduces English readers to the most current thinking in French text/image theory and visual studies. Focusing on the full spectrum of text/image relations, from medieval illuminated manuscripts to digital books, Louvel begins by introducing key terms and situating her work in the context of significant debates in text/image studies. Part II introduces Louvel's s typology of pictorial saturation through which she establishes a continuum along which to measure the effect of the most figurative to the most literal images upon writerly and readerly textual 'spaces.' Part III adopts a phenomenological approach towards the reading-viewing experience as expressed in conceptual categories that include the trace, focal range, synesthesia, and rhythm and speed. The result is a provocative interplay of the categorical and the subjective that invites readers to think at once more precisely and more inventively about texts, images, and the intersections between the two.
Author: Laurence Petit
Publisher: Cambridge Scholars Publishing
ISBN: 1443859338
Category : Social Science
Languages : en
Pages : 560
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Book Description
Picturing the Language of Images is a collection of thirty-three previously unpublished essays that explore the complex and ever-evolving interaction between the verbal and the visual. The uniqueness of this volume lies in its bringing together scholars from around the world to provide a broad synchronic and diachronic exploration of the relationship between text and image, as well as a reflection on the limits of representation through a re-thinking of the very acts of reading and viewing. While covering a variety of media—such as literature, painting, photography, film and comics—across time—from the 18th century to the 21st century—this collection also provides a special focus on the work of particular authors, such as A. S. Byatt, W. G. Sebald, and Art Spiegelman.
Author: Thierry De Duve
Publisher: U of Minnesota Press
ISBN: 081664859X
Category : Art
Languages : en
Pages : 255
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Book Description
Reveals the invention of the readymade as a critical point in contemporary art.
Author: Izaak Jozias Hulster
Publisher: Mohr Siebeck
ISBN: 9783161500299
Category : Philosophy
Languages : en
Pages : 376
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Book Description
Although scholars employ pictorial material in biblical exegesis, the question of how images from the Ancient Near East can contribute to a better understanding of the Bible has been left unanswered. This is the first monograph to outline a historical method for iconographic exegesis. The methodological study includes both responses to important theoretical questions such as What is an image? and What is culture? and an interdisciplinary exploration of issues of history, art history, archaeology and cultural anthropology. The three-stage method proposed is embedded in hermeneutical and exegetical reflections. The application of iconographical exegesis to the interpretation of metaphors is also considered. In demonstrating the method and its application, Izaak J. de Hulster focuses on Third Isaiah and develops three iconographical exegetical studies on yad in Isaiah 56:5, light in Isaiah 60 and grape processing in Isaiah 63.
Author: Neal Curtis
Publisher: Routledge
ISBN: 1317989015
Category : Art
Languages : en
Pages : 257
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Book Description
In 1992 W. J. T. Mitchell argued for a "pictorial turn" in the humanities, registering a renewed interest in and prevalence of pictures and images in what had been understood as an age of simulation, or an increasingly extensive and diverse visual culture. However, in what is often characterized as a society of the "spectacle" we still do not know exactly what pictures or images are, what their relation to language is, how they operate on observers and the world, how their history is to be understood, and what is to be done with or about them. In this seminal collection of essays, the first to be devoted to the "pictorial turn", theorists from across the humanities and social sciences, representing the disciplines of art history, philosophy, geography, media studies, visual studies and anthropology, are brought together with a paleontologist and practising artists to consider amongst other things the relation between pictures and images, the power of landscape, the nature of political images, the status of images in the natural sciences, the "life" of images, and the pictorial uncanny. With these topics in mind, picture theory and iconology exceed in scope the objects of visual culture conventionally understood. This book was published as a special issue of Culture, Theory and Critique.
Author: Darren Neely
Publisher: Pen and Sword Military
ISBN: 1526775522
Category : History
Languages : en
Pages : 531
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Book Description
Archival photos detailing the US Army division’s efforts during WWII, featuring accounts of the T-26 Pershing tank and its first use in combat. The Third Armored Division, famously known as the “Spearhead Division," had an illustrious combat career in WW2. One of only two “heavy armored” divisions of the war, the 3rd Armored joined the battle in the ETO in late June of 1944, was bloodied almost immediately and was at the front of the American advance through the hedgerows of Normandy and the rapid advance through France into Belgium by September 1944. The 3rd was one of the first units to breach the vaunted Siegfried Line and then fought a series of back and forth battles with the German army in the Autumn of 1944 as the weather conditions and determined tenacity of the German defenders produced an Autumn stalemate. The 3rd was rushed to the Ardennes front in December of 1944 in response to Hitler’s winter offensive and they famously fought battles at the defense of Hotton, Grandmenil and then pushed the Germans back to the border after vicious battles in places like Ottre, Lierneux, Cherain and Sterpigny. The early days of the Bulge battles would find the lost unit of Col Samuel Hogan’s 400 men who were surrounded for days and fought their way back to friendly lines. After a brief rest and being outfitted with 10 of the T-26 Pershing tanks, the 3rd was at the spearhead of the 1st Army advance into Germany, across the Rhine and into the Harz mountains and the liberation of the Nordhausen concentration camp. This final campaign would see the highpoint of the famous Cologne tank duel between a Pershing and German panther, made famous by the recent book Spearhead by Adam Makos. Then, just a few weeks later the beloved commander of the division, Major General Maurice Rose, was tragically shot by a German tank commander when trying to surrender Paderborn, Germany. The 3rd would end the war at the tip of the American advance into Germany before the war ended. “An armored division is more than just its tanks, and the author makes that clear by including numerous images of the unit’s infantry, reconnaissance artillery and support troops performing their duties. This book provides a wealth of details of how the men of this division lived and fought during the war.” —WWII History “Sometimes a pictorial history is a hundred times better than a textual history, and that’s certainly the case with the US 3rd Armored Division.” —Books Monthly
Author: Henry Brougham Baron Brougham and Vaux
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 488
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Book Description
Author: Langston Hughes
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 362
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Book Description
A "picture panorama, with text, of all axpects of American Negro life from African origins through slavey days to the present [integration efforts]. The pictures were collected ... from prints, engravings, woodcuts, photographs, paintings."
