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Author: Malcolm R. Daniel
Publisher: Metropolitan Museum of Art
ISBN: 0810964872
Category : Architectural photography
Languages : en
Pages : 295
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Book Description
This book, the first to chronicle the life and career of this important artist, brings his work once more before the public.
Author: Malcolm R. Daniel
Publisher: Metropolitan Museum of Art
ISBN: 0810964872
Category : Architectural photography
Languages : en
Pages : 295
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Book Description
This book, the first to chronicle the life and career of this important artist, brings his work once more before the public.
Author: James A. Ganz
Publisher: Clark Art Institute
ISBN: 9780300103526
Category : Photography
Languages : en
Pages : 79
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Book Description
Édouard Baldus (18131889) was the most important French architectural photographer of the mid-nineteenth century.
Author: Malcolm Daniel
Publisher: Metropolitan Museum of Art New York
ISBN: 9780300086768
Category : Photography
Languages : en
Pages : 0
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Book Description
This is a study of landscape and architectural photographer, Edouard Baldus (1813-1889), a central figure in early French photography. His greatest achievements were his two railroad albums in which he addressed the influence of technology.
Author: Roger Taylor
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
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Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Author: Karen Hellman
Publisher: Getty Publications
ISBN: 1606065106
Category : Photography
Languages : en
Pages : 244
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Book Description
In the years following the announcement of the invention of photography in 1839, practitioners in France gave shape to this intriguing new medium through experimental printing techniques and innovative compositions. The rich body of work they developed proved foundational to the establishment of early photography, from the introduction of the paper negative in the late 1840s to the proliferation of more standardized equipment and photomechanical technology in the 1860s. The essays in this elegant volume investigate the early history of the medium when the ambiguities inherent in the photograph were ardently debated. Focusing on the French photographers who worked with paper negatives, especially the key figures Édouard Baldus, Gustave Le Gray, Henri Le Secq, and Charles Nègre, Real/Ideal explores photography’s status as either fine art or industrial product (or both), its repertoire of subject matter, its ideological functions, and even the ever-experimental photographic process itself.
Author: Ann Thomas
Publisher: 5Continents
ISBN: 9788874398027
Category : Photography
Languages : en
Pages : 333
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Book Description
This lavish book showcases the superb photography collection of the National Gallery of Canada, created over the past 50 years. In 1967, when the collection was established, the photography market was in its infancy, allowing the acquisition of works by pioneers of the medium such as Charles Nègre, William Henry Fox Talbot, Gustave Le Gray, and Roger Fenton, among others. Today the collection boasts an impressive array of works by world-renowned photographers. Ann Thomas chronicles the formative years of the collection under its founding curator, James Borcoman. She discusses the role of influential figures in the world of collecting and curating photographs, offering an insider's view of how the key collections entered the museum over the years. John McElhone takes a more technical approach in discussing how the photographic process has evolved, and helps clarify issues related to image appearance and identification.
Author: Sarah Kennel
Publisher: University of Chicago Press
ISBN: 9780226092782
Category : ART
Languages : en
Pages : 0
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Book Description
"Exhibition dates: National Gallery of Art, Washington, September 29, 2013-January 5, 2014, The Metropolitan Museum of Art, New York, January 27-May 4, 2014, National Gallery of Canada, Ottawa, June 13-September 14, 2014"--Title page verso.
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: Sabine Rewald
Publisher: Yale University Press
ISBN: 0300197012
Category : Art
Languages : en
Pages : 179
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Book Description
Explores the origins and permutations of Balthus's obsessions with adolescents and felines, addresses the crucial influence of such key figures as poet Rainer Maria Rilke, and provides the recollections and comments of the girl models.
Author: Richard Benson
Publisher: The Museum of Modern Art
ISBN: 9780870707216
Category : Art
Languages : en
Pages : 352
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Book Description
Relief printing : woodcut, metal type, and wood engraving -- Intaglio and planographic printing : engraving, etching, mezzotint, and lithography -- Color printing : hand coloring and multiple-impression color -- Bits and pieces : modern art prints, oddities, and photographic precursors -- Early photography in silver : daguerreotypes, early silver paper processes and tintypes -- Non-silver processes : carbon, blueprint, platinum, and a couple of others -- Modern photography : developing-out gelatin silver printing -- Color notes : primary colors and neutrality -- Color photography : separation-based processes and chromogenic prints -- Photography in ink : relief and intaglio printing : the letterpress halftone and gravure printing -- Photography in ink : planographic printing : collotype and photo offset lithography -- Digital processes : binary issues, inkjet, dye sublimation, and digital C-prints -- Where do we go from here? : some questions about the future
