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Author: Annette W. Balkema
Publisher: BRILL
ISBN: 9004664785
Category : Art
Languages : en
Pages : 191
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Book Description
This issue investigates the meaning of photographic image for contemporary art. In Malraux' dream, photography offers the ultimate guarantee for a coherent presentation of art. However, as Douglas Crimp has stated, the appearance and enhancement of photography as a form of art among other art forms disrupted the center of the art world. What does this mean for art and philosophy in our time? Various artists and theorists will delve into that question: Christian Boltanski, Benjamin H.D. Buchloh, Jean-François Chevrier, Douglas Crimp, Jos de Mul, Mirjam de Zeeuw, Rineke Dijkstra, Michael Gibbs, Rodney Graham, Gerald van der Kaap, Karen Knorr, Zoe Leonard, Ken Lum, Hermann Pitz, Liza-May Post, John Roberts, Allan Sekula, Andres Serrano, Jan Simons, Beat Streuli, John M. Swinnen, Renée van de Vall, Hilde van Gelder, Hripsimé Visser, Jeff Wall, Ian Wallace and Herta Wolf.
Author: Annette W. Balkema
Publisher: BRILL
ISBN: 9004664785
Category : Art
Languages : en
Pages : 191
Get Book Here
Book Description
This issue investigates the meaning of photographic image for contemporary art. In Malraux' dream, photography offers the ultimate guarantee for a coherent presentation of art. However, as Douglas Crimp has stated, the appearance and enhancement of photography as a form of art among other art forms disrupted the center of the art world. What does this mean for art and philosophy in our time? Various artists and theorists will delve into that question: Christian Boltanski, Benjamin H.D. Buchloh, Jean-François Chevrier, Douglas Crimp, Jos de Mul, Mirjam de Zeeuw, Rineke Dijkstra, Michael Gibbs, Rodney Graham, Gerald van der Kaap, Karen Knorr, Zoe Leonard, Ken Lum, Hermann Pitz, Liza-May Post, John Roberts, Allan Sekula, Andres Serrano, Jan Simons, Beat Streuli, John M. Swinnen, Renée van de Vall, Hilde van Gelder, Hripsimé Visser, Jeff Wall, Ian Wallace and Herta Wolf.
Author: Annette W. Balkema
Publisher: Rodopi
ISBN: 9789042001213
Category : Art
Languages : en
Pages : 214
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Book Description
Opstellen over de fotografie en fotografische zienswijzen als paradigma in de hedendaagse beeldende kunst.
Author: Daniel Rubinstein
Publisher: Routledge
ISBN: 100069920X
Category : Art
Languages : en
Pages : 230
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Book Description
Fragmentation of the Photographic Image in the Digital Age challenges orthodoxies of photographic theory and practice. Beyond understanding the image as a static representation of reality, it shows photography as a linchpin of dynamic developments in augmented intelligence, neuroscience, critical theory, and cybernetic cultures. Through essays by leading philosophers, political theorists, software artists, media researchers, curators, and experimental programmers, photography emerges not as a mimetic or a recording device but simultaneously as a new type of critical discipline and a new art form that stands at the crossroads of visual art, contemporary philosophy, and digital technologies.
Author: Hagi Kenaan
Publisher:
ISBN: 9781503611375
Category : Art
Languages : en
Pages : 248
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Book Description
"By looking at photographic practices and photographs from the origins of photography to today's selfies, Snapchat, and Google Street View, this book offers a fresh philosophical understanding of how photography has become an intrinsic condition of the human"--
Author: Allan Sekula
Publisher:
ISBN: 9781910164495
Category : Photography
Languages : en
Pages : 259
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Book Description
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent - women, labourers, minorities and the institutional structures that reinforce cultural biases. Allan Sekula (1951-2013) was an American artist, whose work spans multiple media: long form photographic series (Aerospace Folktales, 1973; School as a Factory,1980; War Without Bodies, 1991/96), critical texts (The Body and the Archive, 1986 and Debating Occupy, 2012) and film (The Forgotten Space, 2012).
Author: Vilém Flusser
Publisher: Reaktion Books
ISBN: 1780232446
Category : Photography
Languages : en
Pages : 96
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Book Description
Media philosopher Vilém Flusser proposed a revolutionary new way of thinking about photography. An analysis of the medium in terms of aesthetics, science and politics provided him with new ways of understanding both the cultural crises of the past and the new social forms nascent within them. Flusser showed how the transformation of textual into visual culture (from the linearity of history into the two-dimensionality of magic) and of industrial into post-industrial society (from work into leisure) went hand in hand, and how photography allows us to read and interpret these changes with particular clarity.
Author: Timothy Howard Thomas
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Studio practice: Definitions of photography whilst they include ideas oflight, optics and chemistry or digital sensors also emphasise a link to real objects in real spaces. Henry Fox Talbot published the results of his successful experiment in fixing images from a camera obscura as The Pencil of Nature (1844 -1846), suggesting that nature was drawing itself without human intervention. It is this physical link with the real that is the basis of photographic truth claims. The photograph is used as evidence that these things were in that space. More recently Patrick Maynard leverages this link with real things and describes photography as an Engine of Visualisation, adding how we use photographs to a definition of photography However computer 3D modeling software makes virtual spaces available and allows us to place virtual objects in those spaces. Virtual light can illuminate and a virtual camera can frame the object in the virtual space. Calculating the interaction of light, object and camera allows for a picture derived from the virtual space. It is hard not to think of these pictures as photographs yet doing so has implications for our understanding of photography. This studio-based study investigates the photographic paradigm by making photographs of virtual objects in a virtualenvironment and adds to a broader understanding of photography as practice independent of actual subjects and actual light. Dissertation Component: Study to test the proposition that a temporally discrete object such as a work of art may contain a story. When we look at a pictorial work of art we are presented with a composition that contains a number of spatial relationships. There is thespace bounded by the edges of the work that include the distribution of theart's compositional elements. This framed space is nested within the viewing space that is the space of the viewer as they look at the work of art. There is also picture space that is created in the picture that we use to organise the compositional elements on a depth axis. It is the created picture space that is made in response to our need to make sense of the picture that this dissertation uses to test the proposition that a temporally discrete objectsuch as a work of art may contain a story.
Author: Andrew E. Hershberger
Publisher: John Wiley & Sons
ISBN: 140519846X
Category : Photography
Languages : en
Pages : 476
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Book Description
Hershberger is the winner of a 2015 Insight Award from the Society for Photographic Education for his work on this book and for his overall contributions to the field! Photographic Theory: An Historical Anthology presents a compendium of readings spanning ancient times to the digital age that are related to the history, nature, and current status of debates in photographic theory. Offers an authoritative and academically up-to-date compendium of the history of photographic theory Represents the only collection to include ancient, Renaissance, and 19th-, 20th-, and 21st-century writings related to the subject Stresses the drama of historical and contemporary debates within theoretical circles Features comprehensive coverage of recent trends in digital photography Fills a much-needed gap in the existing literature
Author: Roland Barthes
Publisher: Macmillan
ISBN: 0374521344
Category : Philosophy
Languages : en
Pages : 134
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Book Description
"Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind."--Alibris.
Author: George Legrady
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
