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Author: James David Horan
Publisher: Garden City, N.Y. : Doubleday
ISBN:
Category : Photography
Languages : en
Pages : 358
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Book Description
"Timothy H. O'Sullivan was one of America's great photographers as the more than 400 superb examples of his art reproduced here testify.... Until recently, many of O'Sullivan's finest photographs have mistakenly been attributed to Matthew Brady, his friend and mentor. Novelist and historian James D. Horan here sets the record straight, and through more than a decade of painstaking research, reconstructed the obcscure but remarkable life of a man of great talent and courage."--Dust jacket.
Author: James David Horan
Publisher: Garden City, N.Y. : Doubleday
ISBN:
Category : Photography
Languages : en
Pages : 358
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Book Description
"Timothy H. O'Sullivan was one of America's great photographers as the more than 400 superb examples of his art reproduced here testify.... Until recently, many of O'Sullivan's finest photographs have mistakenly been attributed to Matthew Brady, his friend and mentor. Novelist and historian James D. Horan here sets the record straight, and through more than a decade of painstaking research, reconstructed the obcscure but remarkable life of a man of great talent and courage."--Dust jacket.
Author: Toby Jurovics
Publisher: Yale University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
The first major publication on O'Sullivan in more than 30 years, this book offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon.
Author: Keith F. Davis
Publisher: Nelson-Atkins Museum of Art
ISBN: 9780300179842
Category : Photography
Languages : en
Pages : 0
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Book Description
"Published to accompany an exhibition of the same name at the Art Institute of Chicago, Oct. 22, 2011-Jan. 15, 2012 and the Nelson-Atkins Museum of Art, Apr. 12-Aug. 26, 2012"--T.p. verso.
Author: Rick Dingus
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
Author: Joel Snyder
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 128
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Book Description
"One of the first photographers to cross the American frontier, Timothy H. O'Sullivan met the challenge of the West's grandeur and mystery by creating landscapes of compelling subtlety and original vision. From 1867 to 1874, as photographer to the King and Wheeler geological surveys, O'Sullivan traveled thousands of miles, from San Francisco to Colorado, from the Arizona Indian territory to Idaho's Snake River. He made more than one thousand photographs in the field, ranging from scenes of the deserts of Nevada and California, the heights of the Humboldt Mountains, and torrential waters of Shoshone Falls to pictures taken inside mines illuminated by magnesium flares. O'Sullivan's western photographs represent not only an explorer's first encounter with a startling new terrain, but also an artist's vision of the power of Nature, at once threatening and awesome ... American Frontiers includes more than 80 photographs, many of them published here for the first time. Other O'Sullivan negatives, never printed in the photographer's lifetime, are represented in prints made especially for this book at the National Archives in Washington, D.C. by the original albumen process. In Joel Snyder's insightful text reveals new research that sheds light on this little known but important figure and relates O'Sullivan's work to theories of esthetics and American culture of the nineteenth century"--Jacket flap.
Author: Alexander Gardner
Publisher: Ravenio Books
ISBN:
Category : History
Languages : en
Pages : 239
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Book Description
In presenting the Photographic Sketch Book of the War to the attention of the public, it is designed that it shall speak for itself. The omission, therefore, of any remarks by way of preface might well be justified; and yet, perhaps, a few introductory words may not be amiss. As mementoes of the fearful struggle through which the country has just passed, it is confidently hoped that the following pages will possess an enduring interest. Localities that would scarcely have been known, and probably never remembered, save in their immediate vicinity, have become celebrated, and will ever be held sacred as memorable fields, where thousands of brave men yielded up their lives a willing sacrifice for the cause they had espoused. Verbal representations of such places, or scenes, may or may not have the merit of accuracy; but photographic presentments of them will be accepted by posterity with an undoubting faith. During the four years of the war, almost every point of importance has been photographed, and the collection from which these views have been selected amounts to nearly three thousand.
Author: Eleanor Jones Harvey
Publisher: Yale University Press
ISBN: 0300187335
Category : Art
Languages : en
Pages : 353
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Book Description
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Author: Robin Kelsey
Publisher: Univ of California Press
ISBN: 0520249356
Category : Art
Languages : en
Pages : 288
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Book Description
"Archive Style successfully and beautifully reconciles, or rather intertwines, two viewpoints hitherto considered incompatible—the logic of the archive and the issue of individual style. Robin Kelsey shows, with great historical rigor, how the styles of illustrators Schott, O'Sullivan, and Jones emerged from the very necessities of survey work and from personal resistance to the social and political structures framing such work. Archive Style, visual history at its best, is a landmark study of nineteenth-century American visual and scientific culture."—François Brunet, Professor of American Art and Literature, Université Paris-Diderot-Paris 7, France "In this stunningly original book Robin Kelsey takes a fresh look at nineteenth-century survey prints and photographs. Insisting that the distinctive pictorial style of these pictures emerged in response to particular historical needs, he makes the case for a truly interdisciplinary approach to images. He combines an art historian's attention to artistic innovation with a historian's concern for the larger ambitions of the government surveys, to argue that aesthetic style is the product of both individual talent and larger cultural constraints."—Martha A. Sandweiss, Professor of American Studies and History at Amherst College "Robin Kelsey's Archive Style is by far the most stimulating, imaginative, and far-reaching study of nineteenth-century American visual culture I have come across in recent years. Drawing upon a wealth of research as well as recent advances in critical theory, Kelsey persuasively reconstructs the historical conditions that in large measure determined the production and reception of survey imagery."—Alan Wallach, Professor of Art and Art History and Professor of American Studies, The College of William and Mary
Author: Jeff L. Rosenheim
Publisher: Metropolitan Museum of Art
ISBN: 0300191804
Category : History
Languages : en
Pages : 290
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Book Description
Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.
Author: Joel Snyder
Publisher: Smart Museum of Art, the University of C
ISBN:
Category : Art
Languages : en
Pages : 122
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Book Description
Some of the most celebrated images of nineteenth-century American photography emerged from government-sponsored geological surveys whose purpose was to study and document western territories. Timothy H. O'Sullivan and William Bell, two survey photographers who joined expeditions in the 1860s and 1870s, opened the eyes of nineteenth-century Americans to the western frontier. Highlighting a recent Smart Museum of Art acquisition, One/Many brings together an exquisite group of photographs by Bell and O'Sullivan. Particularly noteworthy are their photographic panoramas, assemblages of individual images joined together to form a continuous, horizontal landscape view. These panoramas have not been exhibited in well over a century and have never before been published. For the first time, One/Many investigates their role and purpose both within and outside of the surveys, taking into account the larger context of nineteenth-century modes of viewing. The volume also allows the little-known Bell's work to be better understood next to that of his more famous colleague.
