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Author: Arnaud Schmitt
Publisher: Palgrave Macmillan
ISBN: 9783031088575
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This book explores hybrid memoirs, combining text and images, authored by photographers. It contextualizes this sub-category of life writing from a historical perspective within the overall context of life writing, before taking a structural and cognitive approach to the text/image relationship. While autobiographers use photographs primarily for their illustrative or referential function, photographers have a much more complex interaction with pictures in their autobiographical accounts. This book explores how the visual aspect of a memoir may drastically alter the reader’s response to the work, but also how, in other cases, the visual parts seem disconnected from the text or underused.
Author: Arnaud Schmitt
Publisher: Palgrave Macmillan
ISBN: 9783031088575
Category : Literary Criticism
Languages : en
Pages : 0
Get Book Here
Book Description
This book explores hybrid memoirs, combining text and images, authored by photographers. It contextualizes this sub-category of life writing from a historical perspective within the overall context of life writing, before taking a structural and cognitive approach to the text/image relationship. While autobiographers use photographs primarily for their illustrative or referential function, photographers have a much more complex interaction with pictures in their autobiographical accounts. This book explores how the visual aspect of a memoir may drastically alter the reader’s response to the work, but also how, in other cases, the visual parts seem disconnected from the text or underused.
Author:
Publisher:
ISBN: 9780992840747
Category :
Languages : en
Pages :
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Book Description
At nine years of age the author was robbed of her childhood when targeted by her abuser. Instead of going off the rails she buried herself in photography. Her camera became both friend and confidante. Years later it would help her to examine her painful past. A powerful story
Author: Arnaud Schmitt
Publisher: Springer Nature
ISBN: 3031088557
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
This book explores hybrid memoirs, combining text and images, authored by photographers. It contextualizes this sub-category of life writing from a historical perspective within the overall context of life writing, before taking a structural and cognitive approach to the text/image relationship. While autobiographers use photographs primarily for their illustrative or referential function, photographers have a much more complex interaction with pictures in their autobiographical accounts. This book explores how the visual aspect of a memoir may drastically alter the reader’s response to the work, but also how, in other cases, the visual parts seem disconnected from the text or underused.
Author: William Henry Jackson
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 404
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Book Description
Author: Linda Haverty Rugg
Publisher: University of Chicago Press
ISBN: 9780226731469
Category : Photography
Languages : en
Pages : 293
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Book Description
Photography has transformed the way we picture ourselves. Although photographs seem to "prove" our existence at a given point in time, they also demonstrate the impossibility of framing our multiple and fragmented selves. As Linda Haverty Rugg convincingly shows, photography's double take on self-image mirrors the concerns of autobiographers, who see the self as simultaneously divided (in observing/being) and unified by the autobiographical act. Rugg tracks photography's impact on the formation of self-image through the study of four literary autobiographers concerned with the transformative power of photography. Obsessed with self-image, Mark Twain and August Strindberg both attempted (unsuccessfully) to integrate photographs into their autobiographies. While Twain encouraged photographers, he was wary of fakery and kept a fierce watch on the distribution of his photographic image. Strindberg, believing that photographs had occult power, preferred to photograph himself. Because of their experiences under National Socialism, Walter Benjamin and Christa Wolf feared the dangerously objectifying power of photographs and omitted them from their autobiographical writings. Yet Benjamin used them in his photographic conception of history, which had its testing ground in his often-ignored Berliner Kindheit um 1900. And Christa Wolf's narrator in Patterns of Childhood attempts to reclaim her childhood from the Nazis by reconstructing mental images of lost family photographs. Confronted with multiple and conflicting images of themselves, all four of these writers are torn between the knowledge that texts, photographs, and indeed selves are haunted by undecidability and the desire for the returned glance of a single self.
Author: Dick Wylie
Publisher:
ISBN: 9780615126289
Category : Photographers
Languages : en
Pages : 332
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Book Description
Autobiography of author who started as a big-city news photographer at age 16 while a senior in high school. GE bought his first front page byline photo at 16 for national advertising, at 17 he won his first news photo award, and at 20 had a photo in LIFE magazine. In 20 years with the Gary, (IN) Post-Tribune and as Bureau Chief for NW Indiana for the Chicago Sun-Times, he covered the everyday tragedies of life and it took a toll on him. After surviving a near fatal accident himself in an on-the-job explosion which left him in a coma and had to learn to walk and talk again, he left newswork for a more personally rewarding profession in law enforcement where he sought to prevent people from becoming a subject for a newsman's camera. His very interesting and inspiring life experiences read like a fiction writer's dream as he recounts stories behind the events he covered, but at the end of each chapter the actual black and white photos taken on the scene give credence to the almost unbelieveable accounts. The 550 photos range from gruesome crime and accident scene to celebrities like Presidents Eisenhour, Kennedy, Nixon and Johnson;from beautiful scenics to animals and kids. A book that should be enjoyed by each member of a family, the reality of life in book form.
Author: Arthur Fellig
Publisher: DeVault-Graves Agency
ISBN: 9781942531166
Category :
Languages : en
Pages : 190
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Book Description
Weegee not only captured the gritty underbelly of New York City in his explosive photographs, but he lived it as well. This long out-of-print autobiography, brought back with complete and unabridged text by Devault-Graves Digital Editions, was written toward the end of Weegee's life before he was the photographic legend he is today. Here he tells the story of how an impoverished Jewish immigrant named Arthur Fellig from Zlothev, Austria, came to grips with one of the toughest cities in the world and made it his own. In wisecracking prose that is a match for his unblinking ferocity behind the camera, Weegee recounts his days of taking tintypes of kids on ponies and how this knowledge of the streets and neighborhoods of New York led to him being the first on the scene of the city's every murder, disaster, and heartbreak. In Weegee: The Autobiography the author candidly and without reserve tells readers about documenting the grisly street executions by Murder, Inc., tenements up in flames, child killers, lovers in the back rows of movie theaters, and the sexual misadventures of streetwalkers, pimps, and transsexuals, all in a voice that had seen it all and loved it all. Fans of Weegee's photography will not want to miss his story-told in the way only Weegee himself could tell. The new Devault-Graves Digital Editions version of Weegee: The Autobiography contains a wealth of new material for readers. An original Afterword by author and critic Ed Ward and extensive annotations and endnotes are included.
Author: Sally Hedges Greenwood
Publisher:
ISBN: 9780992840716
Category : Biography & Autobiography
Languages : en
Pages : 442
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Book Description
The concept of this book is unusual. 'With Photography' is impressive and claiming a missing place in the library about photography. Jane Clark, Amateur Photographer, Norway. 'An unexpected page-turner! Sontag-like observations, illustrated by fascinating images which depict a wide range of photographic expression and experimentation'. Jo Whitehead, Photographer. 'A writer relies heavily on observation and I am deeply grateful to Sally Hedges Greenwood for teaching me to look beyond the image. Her fascinating and compelling book has opened up a completely new dimension for me'. Camilla Ware, Author. With Photography explores the medium in daily lives from 19th - 21st centuries; semi-autobiographical exploring and musing about the many uses of photography including the use of the medium as a therapy. This is a second text-book quality edition (following on very quickly from the first edition: a high quality hardback limited to 200 copies). The author, Sally Hedges Greenwood, is an Associate of The Royal Photographic Society and has been taking photographs over a 50 year period. There are over 1300 full colour and black and white images that pepper the story throughout the book. Combining the photographs alongside and within relevant text on every page is what makes this book unusual. With Photography has taken eight years of planning, three years of writing and designing and, of course, a lifetime of experiences that the author shares.
Author: Erwin Blumenfeld
Publisher: Thames & Hudson
ISBN: 9780500019078
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
By turns acerbic, self-mocking, playful, even absurd, the autobiography of Erwin Blumenfeld, one of the century’s best-known photographers, is a compelling, virtuoso account of an extraordinary man. All his subjects - his Jewish family, the Germans, the Vichy French, his models, New York publishers - are dealt equal measures of wit, mockery and merciless irony. He spares himself least of all. Born in turn-of-the-century Berlin, Blumenfeld was drafted in to serve in the First World War, first as an ambulance driver (although he couldn’t drive), and then as a book-keeper at a field brothel. Between the wars he became part of an avant-garde circle that included such artists as George Grosz, and members of the Dada movement. During the Second World War, Blumenfeld was interned in a series of French camps, but eventually arrived in New York, where he found work with Vogue and Harper’s Bazaar, producing some of their most memorable covers and becoming fashion’s highest-paid photographer. By the creator of some of the most striking and influential photographs ever taken, Blumenfeld’s autobiography is a biting and iconoclastic take on the century. Gripping and full of insight, it is the story of an exceptional life.
Author: Alvin Langdon Coburn
Publisher: Courier Corporation
ISBN: 9780486236858
Category : Photography
Languages : en
Pages : 168
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Book Description
Revealing autobiography gives insider's version of Photo-Secession, plus comments on his own work. 71 photographs by Coburn.
