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Author: R. S.
Publisher: Harvard University Press
ISBN: 9780674666108
Category : History
Languages : en
Pages : 294
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Book Description
A reissue of a volume published in 1931. Originally published in 1593, this book is one of the best of the many Elizabethan anthologies and includes poems of such fine writers as Thomas Lodge, Nicholas Breton, Sir Walter Raleigh, George Peele, and Robert Greene.
Author: R. S.
Publisher: Harvard University Press
ISBN: 9780674666108
Category : History
Languages : en
Pages : 294
Get Book Here
Book Description
A reissue of a volume published in 1931. Originally published in 1593, this book is one of the best of the many Elizabethan anthologies and includes poems of such fine writers as Thomas Lodge, Nicholas Breton, Sir Walter Raleigh, George Peele, and Robert Greene.
Author: Hyder Edward Rollins
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 241
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Book Description
Author: Arthur Henry Bullen
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 244
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Book Description
Author: Arthur F. Kinney
Publisher: Routledge
ISBN: 1136745297
Category : History
Languages : en
Pages : 1747
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Book Description
This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays.Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux fami
Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 338
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Book Description
Author: Andrew Hadfield
Publisher: Oxford University Press, USA
ISBN: 0198703007
Category : Biography & Autobiography
Languages : en
Pages : 647
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Book Description
"The first biography in sixty years of the most important non-dramatic poet of the English Renaissance"--From publisher description.
Author: Michelle O'Callaghan
Publisher: Cambridge University Press
ISBN: 1108869939
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
The printed poetry anthologies first produced in sixteenth-century England have long been understood as instrumental in shaping the history of English poetry. This book offers a fresh approach to this history by turning attention to the recreative properties of these books, both in the sense of making again, of crafting and recrafting, and of poetry as a pleasurable pastime. The model of materiality employed extends from books-as-artefacts to their embodiedness - their crafted, performative, and expressive capacities. Publishers invariably advertised the recreational uses of anthologies, locating these books in early modern performance cultures in which poetry was read, silently and in company, sometimes set to music, and re-crafted into other forms. Engaging with studies of material cultures, including work on craft, households, and soundscapes, Crafting Poetry Anthologies argues for a domestic Renaissance in which anthologies travelled across social classes, shaping recreational cultures that incorporated men and women in literary culture.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 972
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Book Description
Author: Edmund Gosse
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 414
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Book Description
Author: Arthur F. Marotti
Publisher: Cornell University Press
ISBN: 1501728504
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
The last of the literary genres to be incorporated into print culture, verse in the English Renaissance not only was published in anthologies, pamphlets, and folio editions, it was also circulated in manuscript. In this ground-breaking historical and cultural study of sixteenth- and early seventeenth-century lyric poetry, Marotti examines the interrelationship between the two systems of literary transmission and shows how in England manuscript and print publication together shaped the emerging institution of literature. Surveying a wide range of manuscript and print poetry of the period, Marotti outlines the different social and institutional contexts in which poems were collected and transmitted. He focuses on the two kinds of verse that were circulated more commonly in manuscript than in print—the obscene and the political—and he considers the contributions of scribes and compilers, particularly in composing "answer poetry" and other verse. Analyzing the process through which print gradually replaced manuscript as the standard medium for lyric verse, he identifies four crucial events in the history of publication in England: the appearances of Tottel's Miscellany ( (1557), Sir Philip Sidney's works in the 1590s, Ben Jonson's folio Workes (1616), and the posthumous editions of the poems of Donne and of Herbert (both 1633). Marotti also considers how certain material features of the book determined the reception of poetry, and he explores how poets attempted to establish their authority in print in relation to publishers, patrons, and readers.
