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Author: Karl Axelsson
Publisher: Peter Lang
ISBN: 9783039111077
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The appeal of the sublime in the minds of British critics and poets during the eighteenth century holds a unique position in the history of aesthetics. At no other time has aesthetics displayed a similar interest in the experience of the sublime. This book explores the impulses behind the fascination for that experience. The Greek treatise Peri Hupsous by Longinus constitutes the earliest source for the experience of the sublime, and as such it shaped much of British eighteenth-century criticism. But the attraction of the sublime received stimulus from other sources as well. In the effort to expand the context of the sublime, the author considers the incentives provided not only by Longinus, but also by the criticism of intellectual literature during the second half of the seventeenth century; a body of criticism that was not primarily concerned with the sublime, but which nevertheless served as an important link to its subsequent appeal.
Author: Karl Axelsson
Publisher: Peter Lang
ISBN: 9783039111077
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The appeal of the sublime in the minds of British critics and poets during the eighteenth century holds a unique position in the history of aesthetics. At no other time has aesthetics displayed a similar interest in the experience of the sublime. This book explores the impulses behind the fascination for that experience. The Greek treatise Peri Hupsous by Longinus constitutes the earliest source for the experience of the sublime, and as such it shaped much of British eighteenth-century criticism. But the attraction of the sublime received stimulus from other sources as well. In the effort to expand the context of the sublime, the author considers the incentives provided not only by Longinus, but also by the criticism of intellectual literature during the second half of the seventeenth century; a body of criticism that was not primarily concerned with the sublime, but which nevertheless served as an important link to its subsequent appeal.
Author: Emma Clery
Publisher: Manchester University Press
ISBN: 9780719040276
Category : Fiction
Languages : en
Pages : 322
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Book Description
In the 1790s, while across the Channel a political revolution raged, Britain was struck by a reading revolution, a taste for terror fiction that seemed to know no bounds. Ann Radcliffe and "Monk" Lewis were only the most celebrated of a host of writers purveying a new brand of "Gothic" literature. How is it that the age of Enlightenment gave rise to the genre of the literary ghost story? This is a landmark in the study of Gothic writing: nowhere else is the historical location of Gothic more richly or vividly illustrated.
Author: E. J. Clery
Publisher: Manchester University Press
ISBN: 1526125676
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
How is it that the age of Enlightenment gave rise to the genre of the literary ghost story? What did the term 'Gothic' mean, when Horace Walpole used it in the subtitle of his experimental novel The Castle of Otranto? How did a type of writing which broke. Based on intensive research, it demonstrates the importance of a historical understanding of the genre, and will be influential in the development of Gothic studies.. It is prestigious and timely: Gothic is a highly active research area and has a growing presence in the university syllabus.. Clery and Miles are well-respected and much cited critics who have alredy published widely in this field.. This is a unique anthology filling an important gap in the market; an indispensible resource for students, teachers and scholars.
Author: James Harris
Publisher: Andrews UK Limited
ISBN: 1845404475
Category : Philosophy
Languages : en
Pages : 232
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Book Description
James Beattie (1735-1803) was appointed professor of moral philosophy and logic at Marischal College, Aberdeen, Scotland at the age of twenty-five. Though more fond of poetry than philosophy, he became part of the Scottish 'Common Sense' school of philosophy that included Thomas Reid and George Campbell. In 1770 Beattie published the work for which he is best known, An Essay on Truth, an abrasive attack on 'modern scepticism' in general, and on David Hume in particular, subsequently and despite Beattie's attack, Scotland's most famous philosopher. The Essay was a great success, earning its author an honorary degree from Oxford and an audience with George III. Samuel Johnson declared in 1772 that 'We all love Beattie'. Hume, on the other hand, described the Essay as 'a horrible large lie in octavo', and dismissed its author as a 'bigotted silly Fellow'. Although Beattie is no match for Hume as a philosopher, the success of the Essay suggests that, unlike Hume, Beattie voices the characteristic assumptions, and anxieties, of his age. The first part of this selection—the first ever made from Beattie's prose writings—includes several key chapters from the Essay on Truth, along with extracts from all of Beattie's other works on moral philosophy. The topics treated include memory, the existence of God, the nature of virtue, and slavery. The second part of the selection is devoted to Beattie's contributions to literary criticism and aesthetics. Beattie's studies of poetry, music, taste, and the sublime are vital to the understanding of the literary culture out of which developed the early Romanticism of Wordsworth and Coleridge.
Author: Literary and Philosophical Society (NEWCASTLE-UPON-TYNE)
Publisher:
ISBN:
Category :
Languages : en
Pages : 900
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Book Description
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 588
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Book Description
Author: Joseph W. Donohue Jr.
Publisher: Princeton University Press
ISBN: 1400873029
Category : Performing Arts
Languages : en
Pages : 447
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Book Description
This was the age of the star. For the first time in the history of the theater, the playwright took second place to the actor; the interpretation of the role assumed primary importance in a assessing a performance. It was Mr. Kean's Hamlet first, and Mr. Shakespeare's second. What effects did this highly subjective, interpretive emphasis have on the drama? Where did it originate and how did it evolve? These questions are considered at length in the author's analysis of the nature of Romanticism itself as revealed in essays, novels, criticism, and by the actors themselves. The Jacobean origins of this revolutionary period are reviewed, followed by a close scrutiny of the critical writing of such contemporary thinkers as Hazlitt, Coleridge, Shelley, and Keats. This entirely new concept provides an important link between the practical theater and the contemporary philosophical thought of the time. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Carol Stewart
Publisher: Routledge
ISBN: 1317034503
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Linking the decline in Church authority in the late seventeenth and early eighteenth centuries with the increasing respectability of fiction, Carol Stewart provides a new perspective on the rise of the novel. The resulting readings of novels by authors such as Samuel Richardson, Sarah Fielding, Frances Sheridan, Charlotte Lennox, Tobias Smollett, Laurence Sterne, William Godwin, and Jane Austen trace the translation of ethical debate into secular and gendered terms. Stewart argues that the seventeenth-century debate about ethics that divided Latitudinarians and Calvinists found its way into novels of the eighteenth century. Her book explores the growing belief that novels could do the work of moral reform more effectively than the Anglican Church, with attention to related developments, including the promulgation of Anglican ethics in novels as a response to challenges to Anglican practice and authority. An increasingly legitimate genre, she argues, offered a forum both for investigating the situation of women and challenging patriarchal authority, and for challenging the dominant political ideology.
Author: David Allan
Publisher: Edinburgh University Press
ISBN: 0748673881
Category : History
Languages : en
Pages : 285
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Book Description
This is a reassessment of the moral and theological foundations of modern Europe. It challenges a number of deeply rooted assumptions about the basis of both Scottish culture and of Enlightenments in general. It argues that the formidable dual influences of humanism and Calvinism forced a discussion about the essentially moral function of scholarship and learning to the very centre of intellectual debate in early modern Scotland, and that this in turn led to the growth of an "e;enlightened"e; community amongst the Scottish literati. As such, the text is a direct challenge to conventional accounts of the Scottish Enlightenment as an unanticipated, short-lived explosion of ideas.
Author: Stephen Bygrave
Publisher: Springer
ISBN: 1349180858
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
