The Pervasive Image PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Pervasive Image PDF full book. Access full book title The Pervasive Image by Robert Archer. Download full books in PDF and EPUB format.
Author: Robert Archer
Publisher: John Benjamins Publishing
ISBN: 9027217270
Category : Literary Criticism
Languages : en
Pages : 233
Get Book Here
Book Description
March's poetry provides a large and varied working context in which to approach the simile as a poetic instrument in its own right, and it is almost as much to this broad aim as to the more specific matter of the use and function of the similes and allied forms of analogy in March's work that this study is addressed.
Author: Robert Archer
Publisher: John Benjamins Publishing
ISBN: 9027217270
Category : Literary Criticism
Languages : en
Pages : 233
Get Book Here
Book Description
March's poetry provides a large and varied working context in which to approach the simile as a poetic instrument in its own right, and it is almost as much to this broad aim as to the more specific matter of the use and function of the similes and allied forms of analogy in March's work that this study is addressed.
Author: Alexandra Moschovi
Publisher: Leuven University Press
ISBN: 9058679756
Category : Art
Languages : en
Pages : 280
Get Book Here
Book Description
New insights into the shifting cultures of today’s ‘hypervisual’ digital universe With the advent of digital technologies and the Internet, photography can, at last, fulfill its promise and forgotten potential as both a versatile medium and an adaptable creative practice. This multidisciplinary volume provides new insights into the shifting cultures affecting the production, collection, usage, and circulation of photographic images on interactive World Wide Web platforms.
Author: Everardo Reyes-Garcia
Publisher: John Wiley & Sons
ISBN: 1119474973
Category : Computers
Languages : en
Pages : 227
Get Book Here
Book Description
Digital practices are shaped by graphical representations that appear on the computer screen, which is the principal surface for designing, visualizing, and interacting with digital information. Before any digital image or graphical interface is rendered on the screen there is a series of layers that affect its visual properties. To discover such processes it is necessary to investigate software applications, graphical user interfaces, programming languages and code, algorithms, data structures, and data types in their relationship with graphical outcomes and design possibilities. This book studies interfaces as images and images as interfaces. It offers a comprehensible framework to study graphical representations of visual information. It explores the relationship between visual information and its graphical supports, taking into account contributions from fields of visual computing. Graphical supports are considered as material but also as formal aspects underlying the representation of digital images on the digital screen.
Author: Andrea Resmini
Publisher: Elsevier
ISBN: 0123820952
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Get Book Here
Book Description
Pervasive Information Architecture explains the 'why' and 'how' of pervasive information architecture (IA) through detailed examples and real-world stories. It offers insights about trade-offs that can be made and techniques for even the most unique design challenges. The book will help readers master agile information structures while meeting their unique needs on such devices as smart phones, GPS systems, and tablets. The book provides examples showing how to: model and shape information to adapt itself to users' needs, goals, and seeking strategies; reduce disorientation and increase legibility and way-finding in digital and physical spaces; and alleviate the frustration associated with choosing from an ever-growing set of information, services, and goods. It also describes relevant connections between pieces of information, services and goods to help users achieve their goals. This book will be of value to practitioners, researchers, academics, andstudents in user experience design, usability, information architecture, interaction design, HCI, web interaction/interface designer, mobile application design/development, and information design. Architects and industrial designers moving into the digital realm will also find this book helpful. - Master agile information structures while meeting the unique user needs on such devices as smart phones, GPS systems, and tablets - Find out the 'why' and 'how' of pervasive information architecture (IA) through detailed examples and real-world stories - Learn about trade-offs that can be made and techniques for even the most unique design challenges
Author: J. Richard Middleton
Publisher: Brazos Press
ISBN: 1441242783
Category : Religion
Languages : en
Pages : 304
Get Book Here
Book Description
For two thousand years, Christians have been intrigued by the somewhat enigmatic Imago Dei references in the book of Genesis. Much theological ink has been spilled mulling over the significance and meaning of these words: "Let us make humanity in our image, according to our likeness . . . " In The Liberating Image, J. Richard Middleton takes on anew the challenge of interpreting the Imago Dei. Reflecting on the potential of the Imago Dei texts for developing an ethics of power rooted in compassion, he relates its significance to the Christian community's distinct calling in an increasingly violent world. The Liberating Image introduces a relevant, scholarly take on an important Christian doctrine. It will appeal to all Christians seeking to better understand what it means to be made in God's image.
Author: Barbara Hardy
Publisher: A&C Black
ISBN: 1472506235
Category : Literary Criticism
Languages : en
Pages : 229
Get Book Here
Book Description
In this substantial essay on the novel (first published in 1964) Barbara Hardy distinguishes three integral aspects of the art of fiction – story, the working-out of a moral problem, and “truthfulness”, defined as “the lively representation of reality”. From this standpoint she discusses and elucidates some characteristic excellences and limitations of a number of major novels and novelists, including Defoe, Charlotte Brontë, George Eliot, Meredith, James, Hardy, E. M. Forster, and D. H. Lawrence.
Author: Erica Levin
Publisher: University of Chicago Press
ISBN: 0226821951
Category : Art
Languages : en
Pages : 243
Get Book Here
Book Description
A fascinating look at artistic experiments with televisual forms. Following the integration of television into the fabric of American life in the 1950s, experimental artists of the 1960s began to appropriate this novel medium toward new aesthetic and political ends. As Erica Levin details in The Channeled Image, groundbreaking artists like Carolee Schneemann, Bruce Conner, Stan VanDerBeek, and Aldo Tambellini developed a new formal language that foregrounded television’s mediation of a social order defined by the interests of the state, capital, and cultural elites. The resulting works introduced immersive projection environments, live screening events, videographic distortion, and televised happenings, among other forms. For Levin, “the channeled image” names a constellation of practices that mimic, simulate, or disrupt the appearance of televised images. This formal experimentation influenced new modes of installation, which took shape as multi-channel displays and mobile or split-screen projections, or in some cases, experimental work produced for broadcast. Above all, this book asks how artistic experimentation with televisual forms was shaped by events that challenged television broadcasters’ claims to authority, events that set the stage for struggles over how access to the airwaves would be negotiated in the future.
Author: Andrew J. Huebner
Publisher: Univ of North Carolina Press
ISBN: 0807868213
Category : History
Languages : en
Pages : 384
Get Book Here
Book Description
Images of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon--the combat soldier. Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.
Author: Gillian Hannum
Publisher: Springer Nature
ISBN: 303109378X
Category : Social Science
Languages : en
Pages : 351
Get Book Here
Book Description
This book explores the work and careers of women, trans, and third-gender artists engaged in political activism. While some artists negotiated their own political status in their indigenous communities, others responded to global issues of military dictatorship, racial discrimination, or masculine privilege in regions other than their own. Women, trans, and third-gender artists continue to highlight and challenge the disturbing legacies of colonialism, imperialism, capitalism, communism, and other political ideologies that are correlated with patriarchy, primogeniture, sexism, or misogyny. The book argues that solidarity among such artists remains valuable and empowering for those who still seek legitimate recognition in art schools, cultural institutions, and the history curriculum.
Author: Charles E. Scott
Publisher: Indiana University Press
ISBN: 0253028272
Category : Philosophy
Languages : en
Pages : 207
Get Book Here
Book Description
“[Scott] argues that things have lives beyond our cognitive grasp but are nonetheless formative of memories . . . thought, language, and action” (Choice). In The Lives of Things, Charles E. Scott reconsiders our relationships with ordinary, everyday things and our capacity to engage them in their particularity. He takes up the Greek notion of phusis, or physicality, as a way to point out limitations in refined and commonplace views of nature and the body as well as a device to highlight the often-overlooked lives of things that people encounter. Scott explores questions of unity, purpose, coherence, universality, and experiences of wonder and astonishment in connection with scientific fact and knowledge. He develops these themes with lightness and wit, ultimately articulating a new interpretation of the appearances of things that are beyond the reach of language and thought. “Like Foucault and Levinas before him, though in very different ways, Scott makes an oblique incision into phenomenology . . . [it is] the kind of book to which people dazed by the specters of nihilism will be referred by those in the know.” —David Wood “Refreshing and original.” —Edward S. Casey “This new work situates Scott . . . as a leading American scholar in the Continental tradition. In this important new contribution, he argues that things have lives beyond our cognitive grasp but are nonetheless formative of memories (biological, institutional, and cultural), thought, language, and action. Scott’s argument underscores the importance of the physicality (phusis) of things, which has been sidelined in philosophical thought. Dewey’s and Heidegger’s consideration of physicality and the relation between the pragmatist and Continental traditions are built on to develop an account of phusis that emphasizes animation, lightness, density, and the thereness of physicality. Scott’s analysis of density, luminosity, and physicality in Foucault’s and Heidegger’s work and of the displacement of subjectivity is incisive and critical. His final chapter on nihilism is a significant contribution in rethinking nihilism’s negative connotations and resituating it as allowing for a multiplicity of discourses, for regions of recognition, and for life-affirming experiences. Scott’s wit and personal experiences are woven throughout the text. Highly recommended for upper-division undergraduates through faculty.” —N. A. McHugh, Choice
