The Performance of English Song PDF Download
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Author: Edward Huws Jones
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 464
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Book Description
Author: Edward Huws Jones
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 464
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Book Description
Author: Gordon J. Callon
Publisher: A-R Editions, Inc.
ISBN: 0895794616
Category : Music
Languages : en
Pages : 162
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Book Description
Author: Trevor Hold
Publisher: Boydell Press
ISBN: 9781843831747
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
"Each chapter begins with a discussion of its composer's song-output and of the poets and poetry he sets, and goes on to give an account of the influences on him and the hallmarks of his style; the songs are then discussed in detail, focusing on the major works. The text is illustrated with musical examples and there is a comprehensive bibliography and index"--Jacket.
Author: Tracey Moore
Publisher: Simon and Schuster
ISBN: 1621535754
Category : Music
Languages : en
Pages : 193
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Book Description
Used in tandem with Acting the Song: Performance for the Musical Theatre, this Student Companion Ebook guides students through three semesters (beginning, intermediate, and advanced) of musical theatre song study. It answers the many questions students using this method may have, including some that they may be reluctant to ask—about fear, handling criticism, understanding their type, dealing with bad auditions, and the best use of social media, among others. Worksheets completed by real-life students can be used as models of best practice and will serve to inspire students to dig deeply and explore their own thoughts about the songs. Teachers using Acting the Song will find this ebook companion indispensable, and students will come to class more prepared, ready to work, and more open to learning.
Author: Matthew Spring
Publisher: Oxford University Press, USA
ISBN: 9780195188387
Category : Language Arts & Disciplines
Languages : en
Pages : 576
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Book Description
"Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.
Author: Linda Marie Zaerr
Publisher: DS Brewer
ISBN: 1843843234
Category : History
Languages : en
Pages : 298
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Book Description
An examination of if and how medieval romance was performed, uniquely uniting the perspective of a scholar and practitioner. Although English medieval minstrels performed gestes, a genre closely related to romance, often playing the harp or the fiddle, the question of if, and how, Middle English romance was performed has been hotly debated. Here, the performance tradition is explored by combining textual, historical and musicological scholarship with practical experience from a noted musician. Using previously unrecognised evidence, the author reconstructs a realistic model of minstrel performance, showing how a simple melody can interact with the text, and vice versa. She argues that elements in Middle English romance which may seem simplistic or repetitive may in fact be incomplete, as missing an integral musical dimension; metrical irregularities, for example, may be relics of sophisticated rhythmic variation that make sense only with music. Overall, the study offers both a more accurate comprehension of minstrel performance, and a deeper appreciation of the romances themselves. Linda Marie Zaerr is Professor of Medieval Studies at Boise State University.
Author: Heiko Motschenbacher
Publisher: John Benjamins Publishing Company
ISBN: 9027270996
Category : Language Arts & Disciplines
Languages : en
Pages : 263
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Book Description
This volume complements earlier work on English as a lingua franca (ELF) by providing an in-depth study of the phenomenon from a decidedly European perspective. Distancing itself from more traditional approaches to the study of English in Europe (linguistic imperialism and “Euro-English”), the study is theoretically grounded in more recent approaches, namely the ELF paradigm and the postmodernist conceptualisation of “English”. Methodologically speaking, the study analyses language use in Eurovision Song Contest press conferences as a community of practice of European salience. The ethnographically based analyses focus on various linguistic levels, thereby producing a comprehensive picture of European ELF as a discursive formation. Various qualitative and quantitative methods are used to shed light on the following aspects: code-choice practices in ELF talk, participants’ metalinguistic comments on the use of ELF, complimenting behaviour via ELF and relativisation patterns. On the basis of this data, the concluding section advances discussions revolving around the conceptualisation of ELF in general, the connection between ELF and Europeanness, and implications for European language policies.
Author: Sabine Baring-Gould
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 168
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Book Description
Author: H. C. Colles
Publisher: Read Books Ltd
ISBN: 1473341027
Category : Music
Languages : en
Pages : 193
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Book Description
This vintage book contains an analyses of English song, with a focus on the work of Henry Purcell. It is based on a course of ten lectures delivered by the author at Glasgow University in 1927. A fascinating and informative treatise, this volume is highly recommended for those with an interest in singing and verse, especially in relation to English song. Contents include: "The Nature of the Case", "The Emergence of the Vernacular", "'Stile Reppresentativo'", "Towards English Opera", "Henry Purcell-Life and Times", "Purcell to-day", "Handel in London", "The Oratorio", "The British Renaissance", and "Open Questions". Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with its original artwork and text.
Author: Lisa Colton
Publisher: Routledge
ISBN: 131718114X
Category : Music
Languages : en
Pages : 214
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Book Description
Although medieval English music has been relatively neglected in comparison with repertoire from France and Italy, there are few classical musicians today who have not listened to the thirteenth-century song ‘Sumer is icumen in’, or read of the achievements and fame of fifteenth-century composer John Dunstaple. Similarly, the identification of a distinctively English musical style (sometimes understood as the contenance angloise) has been made on numerous occasions by writers exploring the extent to which English ideas influenced polyphonic composition abroad. Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces, composers and practices, each of which offers opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.
