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Author:
Publisher: Penn State Press
ISBN: 0271048344
Category :
Languages : en
Pages : 308
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Book Description
Author:
Publisher: Penn State Press
ISBN: 0271048344
Category :
Languages : en
Pages : 308
Get Book Here
Book Description
Author: Marcia Ann Kupfer
Publisher: Penn State Press
ISBN: 9780271033075
Category : Religion
Languages : en
Pages : 320
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Book Description
"The incidence of Passion imagery in diverse media is fundamental to the histories of Christian piety, church politics, and art in European and American societies. At the same time, the visualization and reenactment of Christ's suffering has for centuries been the principal engine generating popular perceptions of Jews and Judaism. The essays collected in this book, written by eminent scholars with an eye toward the nonspecialist reader, broadly survey the depiction and dramatization of the Passion and consider the significance of this representational focus for both Christians and Jews. This anthology provides a unique, multifaceted overview of a subject of enduring importance in today's religiously pluralistic societies."--BOOK JACKET.
Author: Richard Viladesau
Publisher:
ISBN: 0197516521
Category : Art
Languages : en
Pages : 433
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Book Description
"This volume is the fifth in a series dealing with the passion and death of Christ - symbolized by "the cross" -- in Christian theology and the arts. It examines the way the passion of Christ has been thought about by theologians and portrayed by artists and musicians in the modern and contemporary world. It examines the traditional approaches to soteriology in contrast to revisionist theologies that take up the challenge of understanding the meaning of the cross in the light of critical historical studies and modern science"--
Author: David Morgan
Publisher: Routledge
ISBN: 1000158306
Category : Religion
Languages : en
Pages : 348
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Book Description
This is the history of the relationship between mass produced visual media and religion in the United States. It is a journey from the 1780s to the present - from early evangelical tracts to teenage witches and televangelists, and from illustrated books to contemporary cinema. David Morgan explores the cultural marketplace of public representation, showing how American religionists have made special use of visual media to instruct the public, to practice devotion and ritual, and to form children and converts. Examples include: studying Jesus as an American idol Jewish kitchens and Christian Parlors Billy Sunday and Buffy the Vampire Slayer Uncle Tom’s Cabin and the anti-slavery movement. This unique perspective reveals the importance of visual media to the construction and practice of sectarian and national community in a nation of immigrants old and new, and the tensions between the assimilation and the preservation of ethnic and racial identities. As well as the contribution of visual media to the religious life of Christians and Jews, Morgan shows how images have informed the perceptions and practices of other religions in America, including New Age, Buddhist and Hindu spirituality, and Mormonism, Native American Religions and the Occult.
Author: Ben Pugh
Publisher: Wipf and Stock Publishers
ISBN: 1532610572
Category : Religion
Languages : en
Pages : 203
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Book Description
A lot has been said about the atonement theology of the theologians, but what of ordinary believers and their church leaders? What, if anything, have they done with "penal substitution" or with "Christus Victor"? How, if at all, have these doctrinal approaches helped ordinary Christians to live more devoted lives or lead good church services? Ben Pugh takes the temperature of the church at various points in its history right up to the present day, noting particular emphases that can be detected in various expressions of personal and corporate faith--whether these be hymns, sermons, magazines, or devotional texts. The book aims not only to describe what the implied atonement theologies of the church have in reality been but also to explore why these have taken the forms that they have. This exploration will shed some fresh light on current debates, building on the findings of the author's earlier work, Atonement Theories: A Way through the Maze.
Author: Ivan G. Marcus
Publisher: Princeton University Press
ISBN: 0691258201
Category : History
Languages : en
Pages : 384
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Book Description
An examination of how the Jews—real and imagined—so challenged the Christian majority in medieval Europe that it became a society that was religiously and culturally antisemitic in new ways In medieval Europe, Jews were not passive victims of the Christian community, as is often assumed, but rather were startlingly assertive, forming a Jewish civilization within Latin Christian society. Both Jews and Christians considered themselves to be God’s chosen people. These dueling claims fueled the rise of both cultures as they became rivals for supremacy. In How the West Became Antisemitic, Ivan Marcus shows how Christian and Jewish competition in medieval Europe laid the foundation for modern antisemitism. Marcus explains that Jews accepted Christians as misguided practitioners of their ancestral customs, but regarded Christianity as idolatry. Christians, on the other hand, looked at Jews themselves—not Judaism—as despised. They directed their hatred at a real and imagined Jew: theoretically subordinate, but sometimes assertive, an implacable “enemy within.” In their view, Jews were permanently and physically Jewish—impossible to convert to Christianity. Thus Christians came to hate Jews first for religious reasons, and eventually for racial ones. Even when Jews no longer lived among them, medieval Christians could not forget their former neighbors. Modern antisemitism, based on the imagined Jew as powerful and world dominating, is a transformation of this medieval hatred. A sweeping and well-documented history of the rivalry between Jewish and Christian civilizations during the making of Europe, How the West Became Antisemitic is an ambitious new interpretation of the medieval world and its impact on modernity.
Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 0190876018
Category : Religion
Languages : en
Pages : 281
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Book Description
The Folly of the Cross is the fourth book in Richard Viladesau's series examining the aesthetics and theology of the cross through Christian history. Previous volumes have brought the story up through the Baroque era. This new book examines the reception of the message of the cross from the European Enlightenment to the turn of the twentieth century. The opening chapters set the stage in the transition from the Baroque to the Classical eras, describing the changing intellectual and cultural paradigms of the time. Viladesau examines the theology of the cross in the eighteenth and nineteenth centuries, and the aesthetic mediation of the cross in music and the visual arts. He shows how in the post-Enlightenment era the aesthetic treatment of the cross widely replaced the dogmatic treatment, and how this thought was translated into popular spirituality, piety, and devotion. The Folly of the Cross shows how classical theology responded to the critiques of modern science, history, Biblical scholarship, and philosophy, and how both classical and modern theology served as the occasions for new forms of representation of Christ's passion in the arts and music.
Author: Allie Terry-Fritsch
Publisher: Routledge
ISBN: 1351574248
Category : Art
Languages : en
Pages : 298
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Book Description
Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?
Author: Anne Kirkham
Publisher: Routledge
ISBN: 1134786190
Category : History
Languages : en
Pages : 271
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Book Description
Wounds were a potent signifier reaching across all aspects of life in Europe in the middle ages, and their representation, perception and treatment is the focus of this volume. Following a survey of the history of medical wound treatment in the middle ages, paired chapters explore key themes situating wounds within the context of religious belief, writing on medicine, status and identity, and surgical practice. The final chapter reviews the history of medieval wounding through the modern imagination. Adopting an innovative approach to the subject, this book will appeal to all those interested in how past societies regarded health, disease and healing and will improve knowledge of not only the practice of medicine in the past, but also of the ethical, religious and cultural dimensions structuring that practice.
Author: Robert L. Kendrick
Publisher: Indiana University Press
ISBN: 0253011620
Category : Music
Languages : en
Pages : 351
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Book Description
A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics led to an eventual decline of its importance. By considering such issues as stylistic traditions, trends in scriptural exegesis, performance space, and customs of meditation and expression, Kendrick enables us to imagine the music in the places where it was performed.
