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Author: James Robert Parish
Publisher:
ISBN: 9781515387053
Category :
Languages : en
Pages : 646
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Book Description
Part of the Encore Film Book Classics series, this is a reprint of the original text to The Paramount Pretties by James Robert Parish. In the heyday of Hollywood, every major studio had its own unique individuality. . . a personality defined by its films and its roster of stars. Thus Paramount Pictures was thought to be the haven of sophistication, style, and subtlety; its actresses the epitome of wit, intelligence, and beauty. The Paramount Pretties focuses on 16 of the most striking and celebrated of Paramount's actresses to illustrate the studio's distinctive identity. The result is a fascinating display of decades of filmmaking-and an eye-opening mirror of the changing tastes of American filmgoers and filmmakers. Here are the big screen queens of the Paramount lot, each ruling in turn as the American scene shifts from Prohibition, Depression, New Deal, World War II, the Cold War, and thereafter. Each actress reflects the dreams and the character of the era . . . as seen by Paramount Pictures. Detailed filmographies accompany the expansive narrative of each leading lady's impressive film career and her complex personal life: GLORIA SWANSON: Grand sophisticate with a flair for comedy . . . CLARA BOW: The troubled jazz baby . . . CLAUDETTE COLBERT: Tongue-in-cheek vivacity . . . CAROLE LOMBARD: Striking good looks and high spirits . . . MARLENE DIETRICH: The eternally feminine German import . . . MIRIAM HOPKINS: Cheeky chic from the Deep South . . . SYLVIA SIDNEY: Polished, dynamic, and dramatic . . . MAE WEST: The first truly Liberated Woman . . . DOROTHY LAMOUR: Manicured exoticism in a sarong . . . PAULETTE GODDARD: Saucy sparkle and radiant . . . VERONICA LAKE: Provocative lynx with the peek-a-boo hairstyle . . . DIANA LYNN: The precocious girl next door . . . BETTY HUTTON: Madcap Rosie the Riveter-on the town . . . JOAN CAULFIELD: Charming refinement . . . LIZABETH SCOTT: Vibrant toughness and icy allure . . . SHIRLEY MacLAINE: Piquant individualist with a range of talents Also included in The Paramount Pretties is an appendix summarizing the contributions of Paramount's moviemaking geniuses over the decades, including Cecil B. DeMille, Buddy De Sylva, Jesse L. Lasky, Ernst Lubitsch, B. P. Schulberg, Hal Wallis, and Adolph Zukor.
Author: James Robert Parish
Publisher:
ISBN: 9781515387053
Category :
Languages : en
Pages : 646
Get Book Here
Book Description
Part of the Encore Film Book Classics series, this is a reprint of the original text to The Paramount Pretties by James Robert Parish. In the heyday of Hollywood, every major studio had its own unique individuality. . . a personality defined by its films and its roster of stars. Thus Paramount Pictures was thought to be the haven of sophistication, style, and subtlety; its actresses the epitome of wit, intelligence, and beauty. The Paramount Pretties focuses on 16 of the most striking and celebrated of Paramount's actresses to illustrate the studio's distinctive identity. The result is a fascinating display of decades of filmmaking-and an eye-opening mirror of the changing tastes of American filmgoers and filmmakers. Here are the big screen queens of the Paramount lot, each ruling in turn as the American scene shifts from Prohibition, Depression, New Deal, World War II, the Cold War, and thereafter. Each actress reflects the dreams and the character of the era . . . as seen by Paramount Pictures. Detailed filmographies accompany the expansive narrative of each leading lady's impressive film career and her complex personal life: GLORIA SWANSON: Grand sophisticate with a flair for comedy . . . CLARA BOW: The troubled jazz baby . . . CLAUDETTE COLBERT: Tongue-in-cheek vivacity . . . CAROLE LOMBARD: Striking good looks and high spirits . . . MARLENE DIETRICH: The eternally feminine German import . . . MIRIAM HOPKINS: Cheeky chic from the Deep South . . . SYLVIA SIDNEY: Polished, dynamic, and dramatic . . . MAE WEST: The first truly Liberated Woman . . . DOROTHY LAMOUR: Manicured exoticism in a sarong . . . PAULETTE GODDARD: Saucy sparkle and radiant . . . VERONICA LAKE: Provocative lynx with the peek-a-boo hairstyle . . . DIANA LYNN: The precocious girl next door . . . BETTY HUTTON: Madcap Rosie the Riveter-on the town . . . JOAN CAULFIELD: Charming refinement . . . LIZABETH SCOTT: Vibrant toughness and icy allure . . . SHIRLEY MacLAINE: Piquant individualist with a range of talents Also included in The Paramount Pretties is an appendix summarizing the contributions of Paramount's moviemaking geniuses over the decades, including Cecil B. DeMille, Buddy De Sylva, Jesse L. Lasky, Ernst Lubitsch, B. P. Schulberg, Hal Wallis, and Adolph Zukor.
Author: James Robert Parish
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 600
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Book Description
From the Peter Neil Issacs collection.
Author: Gregory D. Black
Publisher: Cambridge University Press
ISBN: 9780521565929
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
After a series of sex scandals rocked the film industry in 1922, movie moguls hired Will Hays to clear the image of movies. Hays tried a variety of ways to regulate movies before adopting what became known as the production code. Written in 1930 by a St Louis priest, the code stipulated that movies stress proper behaviour, respect for government, and 'Christian values'. The Catholic Church reinforced these efforts by launching its Legion of Decency in 1934. Intended to force Hays and Hollywood to censor films, the Legion of Decency engineered the appointment of Joseph Breen as head of the Production Code Administration. For the next three decades, Breen, Hays, and the Catholic Legion of Decency virtually controlled the content of all Hollywood films.
Author: Allan R. Ellenberger
Publisher: University Press of Kentucky
ISBN: 0813174325
Category : Performing Arts
Languages : en
Pages : 425
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Book Description
Miriam Hopkins (1902–1972) first captured moviegoers' attention in daring precode films such as Dr. Jekyll and Mr. Hyde (1931), The Story of Temple Drake (1933), and Ernst Lubitsch's Trouble in Paradise (1932). Though she enjoyed popular and critical acclaim in her long career—receiving an Academy Award nomination for Becky Sharp (1935) and a Golden Globe nomination for The Heiress (1949)—she is most often remembered for being one of the most difficult actresses of Hollywood's golden age. Whether she was fighting with studio moguls over her roles or feuding with her avowed archrival, Bette Davis, her reputation for temperamental behavior is legendary. In the first comprehensive biography of this colorful performer, Allan R. Ellenberger illuminates Hopkins's fascinating life and legacy. Her freewheeling film career was exceptional in studio-era Hollywood, and she managed to establish herself as a top star at Paramount, RKO, Goldwyn, and Warner Bros. Over the course of five decades, Hopkins appeared in thirty-six films, forty stage plays, and countless radio programs. Later, she emerged as a pioneer of TV drama. Ellenberger also explores Hopkins's private life, including her relationships with such intellectuals as Theodore Dreiser, Dorothy Parker, Gertrude Stein, and Tennessee Williams. Although she was never blacklisted for her suspected Communist leanings, her association with these freethinkers and her involvement with certain political organizations led the FBI to keep a file on her for nearly forty years. This skillful biography treats readers to the intriguing stories and controversies surrounding Hopkins and her career, but also looks beyond her Hollywood persona to explore the star as an uncompromising artist. The result is an entertaining portrait of a brilliant yet underappreciated performer.
Author: Margaret M. Miles
Publisher: Univ of California Press
ISBN: 0520950267
Category : History
Languages : en
Pages : 250
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Book Description
Cleopatra—a brave, astute, and charming woman who spoke many languages, entertained lavishly, hunted, went into battle, eliminated siblings to consolidate her power, and held off the threat of Imperial Rome to protect her country as long as she could—continues to fascinate centuries after she ruled Egypt. These wide-ranging essays explore such topics as Cleopatra’s controversial trip to Rome, her suicide by snake bite, and the afterlife of her love potions. They view Cleopatra from the Egyptian perspective, and examine the reception in Rome of Egyptian culture, especially of its religion and architecture. They discuss films about her, and consider what inspired Egyptomania in early modern art. Together, these essays illuminate Cleopatra’s legacy and illustrate how it has been used and reused through the centuries.
Author: David Bordwell
Publisher: Routledge
ISBN: 1134988095
Category : History
Languages : en
Pages : 791
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Book Description
Acclaimed for its breakthrough approach and its combination of theoretical analysis and empirical evidence, this is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s.
Author: Frank Krutnik
Publisher: Routledge
ISBN: 1134973187
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
Taking issue with many orthodox views of Film Noir, Frank Krutnik argues for a reorientation of this compulsively engaging area of Hollywood cultural production. Krutnik recasts the films within a generic framework and draws on recent historical and theoretical research to examine both the diversity of film noir and its significance within American popular culture of the 1940s. He considers classical Hollywood cinema, debates on genre, and the history of the emergence of character in film noir, focusing on the hard-boiled' crime fiction of Dashiell Hammett, Raymond Chandler and James M. Cain as well as the popularisationof Freudian psychoanalysis; and the social and cultural upheavals of the 1940s. The core of this book however concerns the complex representationof masculinity in the noir tough' thriller, and where and how gender interlocks with questions of genre. Analysing in detail major thrillers like The Maltese Falcon, Double Indemnity, Out of the Past and The Killers , alongside lesser known but nonetheless crucial films as Stranger on the Third Floor, Pitfall and Dead Reckoning Krutnik has produced a provocative and highly readable study of one of Hollywood most perennially fascinating groups of films.
Author: Sam Staggs
Publisher: Macmillan + ORM
ISBN: 1466830468
Category : Performing Arts
Languages : en
Pages : 508
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Book Description
Billy Wilder's Sunset Boulevard, a classic film noir and also a damning dissection of the Hollywood dream factory, evokes the glamour and ruin of the stars who subsist on that dream. It's also one long in-joke about the movie industry and those who made it great-and who were, in turn, destroyed by it. One of the most critically admired films of the twentieth century, Sunset Boulevard is also famous as silent star Gloria Swanson's comeback picture. Sam Staggs's Close-Up On Sunset Boulevard tells the story of this extravagant work, from the writing, casting and filming to the disastrous previews that made Paramount consider shelving it. It's about the writing team of Billy Wilder and Charles Brackett-sardonically called "the happiest couple in Hollywood"-and their raucous professional relationship. It's about the art direction and the sets, the costumes, the props, the lights and the cameras, and the personalities who used those tools to create a cinematic work of art. Staggs goes behind the scenes to reveal: William Holden, endlessly attacked by his bitter wife and already drinking too much; Nancy Olson, the cheerful ingenue who had never heard of the great Gloria Swanson; the dark genius Erich von Stroheim; the once famous but long-forgotten "Waxworks"; and of course Swanson herself, who-just like Norma Desmond-had once been "the greatest star of them all." But the story of Sunset Boulevard doesn't end with the movie's success and acclaim at its release in 1950. There's much more, and Staggs layers this stylish book with fascinating detail, following the actors and Wilder into their post-Sunset careers and revealing Gloria Swanson's never-ending struggle to free herself from the clutches of Norma Desmond. Close-Up On Sunset Boulevard also chronicles the making of Andrew Lloyd Webber's musical production of Sunset Boulevard and the explosive diva controversies that dogged it. The book ends with a shocking example of Hollywood life imitating Hollywood art. By the last page of this rich narrative, readers will conclude: We are those "wonderful people out there in the dark."
Author: Stephen Michael Shearer
Publisher: Macmillan
ISBN: 1250001552
Category : Biography & Autobiography
Languages : en
Pages : 529
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Book Description
A portrait of the 1920s glamour queen offers insight into how her early decision to take control over her career shaped her box-office stardom, iconic fashions, and extravagant lifestyle.
Author: Jaeckle Jeff Jaeckle
Publisher: Edinburgh University Press
ISBN: 1474406572
Category : Performing Arts
Languages : en
Pages : 493
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Book Description
Director, screenwriter and comic genius, Preston Sturges has been an influence on filmmakers ranging from Orson Welles to the Coen brothers. The first person to win an Oscar for Best Original Screenplay, he wrote and directed some of the most bizarre, controversial, and downright hilarious comedies of the 1940s, including Sullivan's Travels and Hail the Conquering Hero. He may be the most talented Hollywood filmmaker yet to receive the critical recognition he deserves. The Films of Preston Sturges is a pioneering collection of essays by world-famous scholars that chart Sturges' contributions to Hollywood cinema, revealing his pivotal status as an early writer-director, exploring his inimitable style, and making a bold case for his ongoing influence today. Reawakening interest in this filmmaker's life and works, this book will remind readers why Sturges' movies remain not only immensely enjoyable, but of great cultural significance as well.
