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Author: Nenette Luarca-Shoaf
Publisher: Other Distribution
ISBN: 9780300206708
Category : Art
Languages : en
Pages : 0
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Book Description
A new look at George Caleb Bingham's iconic river paintings and his creative process in making them George Caleb Bingham (1811-1879) moved to Missouri as a child and began painting the scenes of Missouri life for which he is now famous in the 1840s. Navigating the West explores how Bingham's iconic river paintings reveal the cultural and economic significance of the massive Mississippi and Missouri waterways to mid-19th-century society. Focusing on the artist's working methods and preparatory drawings, the book also explores Bingham's representations of people and places and situates these images in a dialogue with other contemporary depictions of the region. Of particular note are two landmark essays investigating Bingham's creative process through comparisons of infrared images of 17 of his paintings with both his preparatory drawings and the completed works, casting new light on his previously understudied process. Technical analysis of the artist's lauded masterpiece, Fur Traders Descending the Missouri, reveals Bingham's considerable revisions to the painting. In the concluding essay, the 20th-century revival of the artist's work is discussed within the context of American Regionalism and in light of a shifting sequence of narratives about the nation's past and future. Distributed for the Amon Carter Museum of American Art and the Saint Louis Art Museum Exhibition Schedule: Amon Carter Museum of American Art (10/04/14-01/04/15) Saint Louis Art Museum (02/22/15-05/17/15) The Metropolitan Museum of Art (06/22/15-09/20/15)
Author: Nenette Luarca-Shoaf
Publisher: Other Distribution
ISBN: 9780300206708
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
A new look at George Caleb Bingham's iconic river paintings and his creative process in making them George Caleb Bingham (1811-1879) moved to Missouri as a child and began painting the scenes of Missouri life for which he is now famous in the 1840s. Navigating the West explores how Bingham's iconic river paintings reveal the cultural and economic significance of the massive Mississippi and Missouri waterways to mid-19th-century society. Focusing on the artist's working methods and preparatory drawings, the book also explores Bingham's representations of people and places and situates these images in a dialogue with other contemporary depictions of the region. Of particular note are two landmark essays investigating Bingham's creative process through comparisons of infrared images of 17 of his paintings with both his preparatory drawings and the completed works, casting new light on his previously understudied process. Technical analysis of the artist's lauded masterpiece, Fur Traders Descending the Missouri, reveals Bingham's considerable revisions to the painting. In the concluding essay, the 20th-century revival of the artist's work is discussed within the context of American Regionalism and in light of a shifting sequence of narratives about the nation's past and future. Distributed for the Amon Carter Museum of American Art and the Saint Louis Art Museum Exhibition Schedule: Amon Carter Museum of American Art (10/04/14-01/04/15) Saint Louis Art Museum (02/22/15-05/17/15) The Metropolitan Museum of Art (06/22/15-09/20/15)
Author: George Caleb Bingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 30
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Book Description
Author: E. Maurice Bloch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
Author: Michael Edward Shapiro
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
George Caleb Bingham was one of Missouri's and one of American's greatest artists. Raised in central Missouri, he lived as an itinerant painter in St. Louis and, as a mature artist, in Independence and Kansas City. Working before America's vastness was made manageable by a web of roads and railways, Bingham found his subjects in the trappers and boatmen who populated his state's great rivers, the Missouri and the Mississippi. He also depicted social and political life of what was then still the frontier, preserving with timeless, classic dignity the features and spirit of the American democracy.
Author: Albert Christ-Janer
Publisher:
ISBN:
Category : Frontier and pioneer life
Languages : en
Pages : 200
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Book Description
Presents the life of George Caleb Bingham and a selection of 177 of his works. -- Dust jacket.
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : Missouri in art
Languages : en
Pages : 40
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Book Description
Author: Fern Helen Rusk
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 206
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Book Description
Author: George Caleb Bingham
Publisher:
ISBN: 9780981693927
Category : Biography
Languages : en
Pages : 564
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Book Description
George Caleb Bingham, who earned the sobriquet of "the Missouri artist," evolved from a locally known portrait painter to an artist of national renown. His letters illuminate the complex personality of a man actively involved in the political, social, and cultural life of nineteenth-century America -- an eyewitness to westward expansion, a firsthand observer of river and rail commerce, and a participant in the Civil War. [...] In a fascinating introduction, Joan Stack summarizes Bingham's artistic career. She focuses on the artist's efforts to market himself as a "western" painter and finds that much of his national reputation in the nineteenth century derived from the genre and political paintings of the 1840s and 1850s, particularly those from which prints were made and widely distributed. Readers interested in nineteenth-century Missouri will find these letters from the pen of an artist who maintained a keen connection to the political affairs of his time truly engaging.
Author: George Caleb Bingham
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 112
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Book Description
Author: Elizabeth Johns
Publisher: Yale University Press
ISBN: 9780300057546
Category : Art
Languages : en
Pages : 292
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Book Description
American genre painting flourished in the thirty years before the Civil War, a period of rapid social change that followed the election of President Andrew Jackson. It has long been assumed that these paintings--of farmers, western boatmen and trappers, blacks both slave and free, middle-class women, urban urchins, and other everyday folk--served as records of an innocent age, reflecting a Jacksonian optimism and faith in the common man. In this enlightening book Elizabeth Johns presents a different interpretation--arguing that genre paintings had a social function that related in a more significant and less idealistic way to the political and cultural life of the time. Analyzing works by William Sidney Mount, George Caleb Bingham, David Gilmore Blythe, Lilly Martin Spencer, and others, Johns reveals the humor and cynicism in the paintings and places them in the context of stories about the American character that appeared in sources ranging from almanacs and newspapers to joke books and political caricature. She compares the productions of American painters with those of earlier Dutch, English, and French genre artists, showing the distinctive interests of American viewers. Arguing that art is socially constructed to meet the interests of its patrons and viewers, she demonstrates that the audience for American genre paintings consisted of New Yorkers with a highly developed ambition for political and social leadership, who enjoyed setting up citizens of the new democracy as targets of satire or condescension to satisfy their need for superiority. It was this network of social hierarchies and prejudices--and not a blissful celebration of American democracy--that informed the look and the richly ambiguous content of genre painting.
