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Author: Wayne E. Franits
Publisher:
ISBN: 9789027249654
Category :
Languages : en
Pages : 0
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Book Description
Dirck van Baburen (1592/93-1624) ranks among the most influential Dutch followers of the famous Italian painter Caravaggio. After concluding his training in his native Utrecht, Van Baburen traveled to Italy where he would remain for about eight years. The young artist enjoyed great success there, working for such major patrons as Vicenzo Giustiniani and the Spanish diplomatic representative to the Papacy, Pietro Cussida. Upon Van Baburen's return to Utrecht in late 1620, he established himself as one of that city's major painters by producing engaging work that combined innovative subject matter and appropriations of contemporary Italian art. Franits's monograph is the first major study of the artist in nearly 50 years. It consists of a lengthy introduction that explores Van Baburen's development as an artist and the reception of his work among contemporaries, followed by a comprehensive catalogue raisonné of his 42 authentic paintings, the 29 associated with the artist and/or his workshop, 152 rejected works, 18 that are lost, and lastly, 5 drawings that have been linked to Van Baburen directly or related to his paintings. Consequently, this book provides a much-needed reassessment of Van Baburen's oeuvre, addressing, for example, new pictures that have appeared on the art market in recent decades and exploring his hitherto understudied yet critical Italian period.
Author: Wayne E. Franits
Publisher:
ISBN: 9789027249654
Category :
Languages : en
Pages : 0
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Book Description
Dirck van Baburen (1592/93-1624) ranks among the most influential Dutch followers of the famous Italian painter Caravaggio. After concluding his training in his native Utrecht, Van Baburen traveled to Italy where he would remain for about eight years. The young artist enjoyed great success there, working for such major patrons as Vicenzo Giustiniani and the Spanish diplomatic representative to the Papacy, Pietro Cussida. Upon Van Baburen's return to Utrecht in late 1620, he established himself as one of that city's major painters by producing engaging work that combined innovative subject matter and appropriations of contemporary Italian art. Franits's monograph is the first major study of the artist in nearly 50 years. It consists of a lengthy introduction that explores Van Baburen's development as an artist and the reception of his work among contemporaries, followed by a comprehensive catalogue raisonné of his 42 authentic paintings, the 29 associated with the artist and/or his workshop, 152 rejected works, 18 that are lost, and lastly, 5 drawings that have been linked to Van Baburen directly or related to his paintings. Consequently, this book provides a much-needed reassessment of Van Baburen's oeuvre, addressing, for example, new pictures that have appeared on the art market in recent decades and exploring his hitherto understudied yet critical Italian period.
Author: Debra Cashion
Publisher: BRILL
ISBN: 9004354123
Category : Art
Languages : en
Pages : 631
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Book Description
The Primacy of the Image in Northern Art 1400-1700: Essays in Honor of Larry Silver is an anthology of 42 essays written by distinguished scholars on current research and methodology in the art history of Northern Europe of the late medieval and early modern periods. Written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania, the topics are inspired by Professor Silver’s renowned scholarship in these areas: Early Netherlandish Painting and Prints; Sixteenth-Century Netherlandish Painting; Manuscripts, Patrons, and Printed Books; Dürer and the Power of Pictures; Prints and Printmaking; and Seventeenth-Century Painting. Studies of specific artists include Hans Memling, Albrecht Dürer, Hans Baldung Grien, Hieronymus Bosch, Pieter Bruegel, Hendrick Goltzius, and Rembrandt.
Author: Wayne Franits
Publisher: Routledge
ISBN: 135154621X
Category : Art
Languages : en
Pages : 599
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Book Description
Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.
Author: Anuradha Gobin
Publisher: University of Toronto Press
ISBN: 1487503806
Category : Art
Languages : en
Pages : 303
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Book Description
Bringing together themes in the history of art, punishment, religion, and the history of medicine, Picturing Punishment provides new insights into the wider importance of the criminal to civic life.
Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
ISBN: 1538111292
Category : Art
Languages : en
Pages : 692
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Book Description
This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.
Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588392732
Category : Painters
Languages : en
Pages : 1109
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Book Description
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Author: Annick Lemoine
Publisher: Metropolitan Museum of Art
ISBN: 1588396029
Category : Art
Languages : en
Pages : 290
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Book Description
Following Caravaggio's death in 1610, the French artist Valentin de Boulogne (1591-1632) emerged as one of the great champions of naturalistic painting. The eminent art historian Roberto Longhi honored him as "the most energetic and passionate of Caravaggio's naturalist followers." In Rome, Valentin—who loved the tavern as much as the painter's pallette—fell in with a rowdy confederation of artists but eventually received commissions from some of the city's most prominent patrons. It was in this artistically rich but violent metropolis that Valentin created such masterworks as a major altarpiece in Saint Peter's Basilica and superb renderings of biblical and secular subjects—until his tragic death at the age of forty-one cut short his ascendant career. With discussions of nearly fifty works, representing practically all of his painted oeuvre, Valentin de Boulogne: Beyond Caravaggio explores both the the artist's superlative depictions of daily life and the tumultuous context in which they were produced. Essays by a team of international scholars consider his key attributions to European painting, his devotion to everyday objects and models from life, his technique of staging pictures with the immediacy of unfolding drama, and his place in the pantheon of French artists. An extensive chronology surveys the rare extant documents that chronicle his biography, while individual entries help situate his works in the contexts of his times. Rich with incident and insight, and beautifully illustrated in Valentin's complex, suggestive paintings, Valentin de Boulogne: Beyond Caravaggio reveals a seminal artist, a practitioner of realism in the seventeenth century who prefigured the naturalistic modernism of Gustave Courbet and Edouard Manet two centuries later.
Author: Walter A. Liedtke
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 552
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Book Description
Author: Collezione Koelliker (Milan, Italy)
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 88
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Book Description
Author: Marten Jan Bok
Publisher: Hirmer Verlag GmbH
ISBN: 9783777431338
Category : Mannerism (Art)
Languages : en
Pages : 0
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Book Description
"What a shock it must have been for the Utrecht painters Hendrick ter Brugghen, Gerard van Honthorst and Dirck van Baburen when, in Rome, they first saw Caravaggio's breath-takingly unconventional paintings with their own eyes. Under the influence of this great, inspirational master and by exchanging ideas wih the many young artists who poured into the pulsating Italian metropolis around the year 1600, these three men of Utrecht developed their very own, distinctive style by propelling Caravaggio's radical realism to its culmination."--from back cover
