Author: James Cahill
Publisher: Columbia University Press
ISBN: 9780231081818
Category : Art
Languages : en
Pages : 218
Book Description
His work fills in the hitherto unexplored social and economic contexts in which painters worked, revealing the details of how painters in China actually made their living from the sixteenth century onward.
The Painter's Practice
Author: James Cahill
Publisher: Columbia University Press
ISBN: 9780231081818
Category : Art
Languages : en
Pages : 218
Book Description
His work fills in the hitherto unexplored social and economic contexts in which painters worked, revealing the details of how painters in China actually made their living from the sixteenth century onward.
Publisher: Columbia University Press
ISBN: 9780231081818
Category : Art
Languages : en
Pages : 218
Book Description
His work fills in the hitherto unexplored social and economic contexts in which painters worked, revealing the details of how painters in China actually made their living from the sixteenth century onward.
The Practice of Oil Painting and of Drawing as Associated with it
Author: Solomon Joseph Solomon
Publisher:
ISBN:
Category : Figure drawing
Languages : en
Pages : 406
Book Description
Publisher:
ISBN:
Category : Figure drawing
Languages : en
Pages : 406
Book Description
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Color in Contemporary Painting
Author: Charles Le Clair
Publisher:
ISBN: 9780823007417
Category : Art
Languages : en
Pages : 224
Book Description
Aimed at professionals and students, this book explains how to make use ofolour in various types of painting. Colour theories are outlined, but theain emphasis of the book is the way contemporary artists such as Jasperohns and Milton Avery, actually use colour.
Publisher:
ISBN: 9780823007417
Category : Art
Languages : en
Pages : 224
Book Description
Aimed at professionals and students, this book explains how to make use ofolour in various types of painting. Colour theories are outlined, but theain emphasis of the book is the way contemporary artists such as Jasperohns and Milton Avery, actually use colour.
The Painter's Practice in Renaissance Tuscany
Author: Anabel Thomas
Publisher:
ISBN: 9780521445641
Category : Art
Languages : en
Pages : 398
Book Description
An illustrated account of the way in which a Renaissance artist's workshop operated.
Publisher:
ISBN: 9780521445641
Category : Art
Languages : en
Pages : 398
Book Description
An illustrated account of the way in which a Renaissance artist's workshop operated.
Target Practice
Author: Michael Darling
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
Edited by Michael Darling. Text by Graham Bader, Michael Darling, Elizabeth Mangini, Mika Yoshitake.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
Edited by Michael Darling. Text by Graham Bader, Michael Darling, Elizabeth Mangini, Mika Yoshitake.
A compendium of the theory and practice of drawing and painting, etc
Author: Richard DAGLEY
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
Book Description
A Compendium of the Theory and Practice of Drawing and Painting ... adapted to the earliest state of instruction ... Second edition, with additions
Author: Richard DAGLEY
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
Book Description
The Practice of Tempera Painting
Author: Daniel V. Thompson
Publisher: Courier Corporation
ISBN: 0486141640
Category : Art
Languages : en
Pages : 175
Book Description
Tempera painting, the method in which colors are mixed with some binding material other than oil (primarily egg yolk), is the earliest type of painting known to man. The wall paintings of ancient Egypt and Babylon are tempera, as are many of the paintings of Giotto, Lippi, Botticelli, Raphael, Titian, Tintoretto, and many other masters. But in spite of the time-proven excellence of this technique — which boasts many clear advantages over oil paint — it does not receive the degree of attention from modern painters that it deserves. Part of the explanation for this neglect, surely, is the absence of sufficient information about the materials and procedures involved in tempera painting. The present volume, in fact, is virtually the only complete, authoritative, step-by-step treatment of the subject in the English language, D.V. Thompson wrote this book after an exhaustive study, over many years, of countless medieval and Renaissance manuscripts in the British Museum and elsewhere, and is unquestionably the world's leading authority on tempera materials and processes. Beginning with an introductory chapter on the uses and limitations of tempera, the author covers such topics as the choice of material for the panel; propensities of various woods; preparing the panel for gilding; making the gesso mixture; methods of applying the gesso; planning the design of a tempera painting; use of tinted papers; application of metals to the panel; tools for gliding; handling and laying gold; combination gold and silver leafing; pigments and brushes; choice of palette; mixing the tempera; tempering and handling the colors; techniques of the actual painting; mordant gilding; permanence of tempera painting; varnishing; and artificial emulsion painting. The drawings and diagrams, illustrating the various materials and techniques, infinitely increase the clarity of the discussions. As a careful exposition of all aspects of authentic tempera painting, including many of the possible modern uses for this ancient method, this book actually stands alone. No one who is interested in tempera painting as a serious pursuit can afford to be without it.
Publisher: Courier Corporation
ISBN: 0486141640
Category : Art
Languages : en
Pages : 175
Book Description
Tempera painting, the method in which colors are mixed with some binding material other than oil (primarily egg yolk), is the earliest type of painting known to man. The wall paintings of ancient Egypt and Babylon are tempera, as are many of the paintings of Giotto, Lippi, Botticelli, Raphael, Titian, Tintoretto, and many other masters. But in spite of the time-proven excellence of this technique — which boasts many clear advantages over oil paint — it does not receive the degree of attention from modern painters that it deserves. Part of the explanation for this neglect, surely, is the absence of sufficient information about the materials and procedures involved in tempera painting. The present volume, in fact, is virtually the only complete, authoritative, step-by-step treatment of the subject in the English language, D.V. Thompson wrote this book after an exhaustive study, over many years, of countless medieval and Renaissance manuscripts in the British Museum and elsewhere, and is unquestionably the world's leading authority on tempera materials and processes. Beginning with an introductory chapter on the uses and limitations of tempera, the author covers such topics as the choice of material for the panel; propensities of various woods; preparing the panel for gilding; making the gesso mixture; methods of applying the gesso; planning the design of a tempera painting; use of tinted papers; application of metals to the panel; tools for gliding; handling and laying gold; combination gold and silver leafing; pigments and brushes; choice of palette; mixing the tempera; tempering and handling the colors; techniques of the actual painting; mordant gilding; permanence of tempera painting; varnishing; and artificial emulsion painting. The drawings and diagrams, illustrating the various materials and techniques, infinitely increase the clarity of the discussions. As a careful exposition of all aspects of authentic tempera painting, including many of the possible modern uses for this ancient method, this book actually stands alone. No one who is interested in tempera painting as a serious pursuit can afford to be without it.
The Painters Magazine and Paint and Wall Paper Dealer
Author:
Publisher:
ISBN:
Category : Interior decoration
Languages : en
Pages : 726
Book Description
Publisher:
ISBN:
Category : Interior decoration
Languages : en
Pages : 726
Book Description