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Author: Dionysios (of Fourna)
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 170
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Book Description
Author: Dionysios (of Fourna)
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 170
Get Book
Book Description
Author: Dionysios (of Fourna)
Publisher:
ISBN:
Category : Icon painting
Languages : en
Pages : 128
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Book Description
Author: Paul Hetherington
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Book Description
Author: Nira Stone
Publisher: BRILL
ISBN: 9004400508
Category : Art
Languages : en
Pages : 286
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Book Description
Nira Stone (1938-2013) contributed to the understanding of mediaeval Armenian art and painting. Her interest ranged over a millennium of artistic expression, and over such fields of creativity as manuscript painting, frescos, and mosaics. The volume contains her published papers and one made newly public.
Author: George Kakavas
Publisher:
ISBN: 9789080647688
Category :
Languages : en
Pages : 356
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Book Description
Author: Mateusz Jacek Ferens
Publisher:
ISBN: 9781339028958
Category : Icon painting
Languages : en
Pages : 155
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Book Description
In much of the recent scholarship on post-Byzantine art, a key role is played by the Hermeneia - a painter's manual written by Dionysius of Fourna around 1730. This manuscript outlines artistic practices of Greek Orthodox artists working on Mount Athos in the eighteenth century; it records their traditions and techniques, but it also relates certain ideological positions maintained by its author. Scholars in the past have emphasized traditionalistic qualities in the manuscript. This allowed them to describe Dionysius as a traditionalist - one who staunchly resisted modernization and one who defended Byzantine traditions against the growing cultural Europeanization of the Balkans in the eighteenth century. In the study at hand, I point out a number of elements that problematize this commonly maintained opinion of past scholars. By focusing on qualities in Dionysius's work that contradict his supposed traditionalistic inclinations, I demonstrate that the ideological position that Dionysius posited is more complex. I use the contents of the Hermeneia and Dionysius's paintings as evidence for determining his ideological and conceptual position on art - his artistic identity. I question the presumptions put forward in the past, and I reassess the possible motives that might have compelled Dionysius to write the Hermeneia. According to my findings, the preservation and the promotion of Byzantine artistic traditions of the past were not his primary objectives. In order to address the cultural crisis around him, Dionysius strategically incorporated select aspects of tradition, past and new practices, and contemporary ideas into his work. I attempt to show that Dionysius's artistic identity is characterized by conscious synthesis of modern practices with past traditions and by the fusion of contemporary currents with eighteenth-century Orthodox monastic culture in order to enrich and to contribute to the vibrancy of his artistic culture and to bring it up to date with contemporary artistic practices.
Author: Oleg Tarasov
Publisher: Reaktion Books
ISBN: 186189550X
Category : Art
Languages : en
Pages : 416
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Book Description
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Author: Mark J. Johnson
Publisher: Routledge
ISBN: 1351957643
Category : Architecture
Languages : en
Pages : 287
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Book Description
The fourteen essays in this collection demonstrate a wide variety of approaches to the study of Byzantine architecture and its decoration, a reflection of both newer trends and traditional scholarship in the field. The variety is also a reflection of Professor Curcic’s wide interests, which he shares with his students. These include the analysis of recent archaeological discoveries; recovery of lost monuments through archival research and onsite examination of material remains; reconsidering traditional typological approaches often ignored in current scholarship; fresh interpretations of architectural features and designs; contextualization of monuments within the landscape; tracing historiographic trends; and mining neglected written sources for motives of patronage. The papers also range broadly in terms of chronology and geography, from the Early Christian through the post-Byzantine period and from Italy to Armenia. Three papers examine Early Christian monuments, and of these two expand the inquiry into their architectural afterlives. Others discuss later monuments in Byzantine territory and monuments in territories related to Byzantium such as Serbia, Armenia, and Norman Italy. No Orthodox church being complete without interior decoration, two papers discuss issues connected to frescoes in late medieval Balkan churches. Finally, one study investigates the continued influence of Byzantine palace architecture long after the fall of Constantinople.
Author: Robert Mihajlovski
Publisher: BRILL
ISBN: 900446526X
Category : Art
Languages : en
Pages : 323
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Book Description
In this ground-breaking work on the Ottoman town of Manastir (Bitola), Robert Mihajlovski, provides a detailed account of the development of Islamic, Christian and Sephardic religious architecture and culture as it manifested in the town and precincts.
