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Author: John Boardman
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 452
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Book Description
The art and architecture of Greece and Rome lie at the heart of the classical tradition of the western world and their legacy is so familiar as to have become commonplace. The legacy may appear simple, but the development of classical art in antiquity was complex and remarkably swift. It ran from near abstraction in eighth-century BC Greece, through years of observation and learning from the arts of the non-Greek world to the east and in Egypt, to the brilliance of the classical revolution of the fifth century, which revealed attitudes and styles undreamt of by other cultures. After Alexander the Great this became the art of an empire, readily learned by Rome and further developed according to the Romans' special character and needs until it provided the idiom for the imaging of Christianity. In this book the story of this pageant of the arts over some 1500 years is told by five leading scholars. Their aim has been to demonstrate how the arts served very different societies and patrons - tyrannies, democracies, empires; the roles and objectives of the artists; the way in which the classical style was disseminated far beyond the borders of the Greek and Roman world; but especially the splendour and quality of the arts themselves. And their method is to engage the interest of the reader by a rich succession of illustrations on to which the narrative is woven.
Author: John Boardman
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 452
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Book Description
The art and architecture of Greece and Rome lie at the heart of the classical tradition of the western world and their legacy is so familiar as to have become commonplace. The legacy may appear simple, but the development of classical art in antiquity was complex and remarkably swift. It ran from near abstraction in eighth-century BC Greece, through years of observation and learning from the arts of the non-Greek world to the east and in Egypt, to the brilliance of the classical revolution of the fifth century, which revealed attitudes and styles undreamt of by other cultures. After Alexander the Great this became the art of an empire, readily learned by Rome and further developed according to the Romans' special character and needs until it provided the idiom for the imaging of Christianity. In this book the story of this pageant of the arts over some 1500 years is told by five leading scholars. Their aim has been to demonstrate how the arts served very different societies and patrons - tyrannies, democracies, empires; the roles and objectives of the artists; the way in which the classical style was disseminated far beyond the borders of the Greek and Roman world; but especially the splendour and quality of the arts themselves. And their method is to engage the interest of the reader by a rich succession of illustrations on to which the narrative is woven.
Author: John Henderson
Publisher: Oxford University Press, USA
ISBN: 9780192842374
Category : Art
Languages : en
Pages : 298
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Book Description
'The book is part of a series of introductory studies intended to bring the latest developments in art history to students and general readers. But it offers something new to the specialist reader too [...] the quantity of illustrations is impressive for such a slim and inexpensive book ...Classical Art is illuminating, playful, provocative, and often (literally) iconoclastic' -Times Higher Education Supplement
Author: Caroline Vout
Publisher: Princeton University Press
ISBN: 1400890276
Category : Art
Languages : en
Pages : 375
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Book Description
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
Author: Robin Osborne
Publisher: Oxford University Press, USA
ISBN: 9780192842022
Category : Art
Languages : en
Pages : 270
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Book Description
Explores the art of ancient Greece and its relationship to the world in which it was produced.
Author: John Boardman
Publisher: Oxford Paperbacks
ISBN: 0192852477
Category : Greece
Languages : en
Pages : 538
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Book Description
This authorative study covers the period from the eighth century BC, which witnessed the emergence of the Greek city-states, to the conquests of Alexander the Great and the establishment of the Greek monarchies some five centuries later.
Author: Erika Doss
Publisher: OUP Oxford
ISBN: 0191587745
Category : Art
Languages : en
Pages : 289
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Book Description
Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.
Author: Alan Colquhoun
Publisher: OUP Oxford
ISBN: 0191592641
Category : Architecture
Languages : en
Pages : 288
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Book Description
This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun explores the evolution of the movement fron Art Nouveau in the 1890s to the megastructures of the 1960s, revealing the often contradictory demands of form, function, social engagement, modernity and tradition.
Author: Craig Clunas
Publisher: Oxford University Press, USA
ISBN: 9780192842077
Category : Art
Languages : en
Pages : 260
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Book Description
China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast 'terracotta army' with its 7,000or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, 'Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highlyprized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s,examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a fewspecialists, and will be totally new to a general audience.
Author: Matthew Craske
Publisher: Oxford University Press, USA
ISBN: 9780192842466
Category : Art
Languages : en
Pages : 320
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Book Description
Discusses eighteenth and nineteenth century European art
Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 356
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Book Description
Between the 'Black Death' in the mid-fourteenth century and the French invasions at the end of the fifteenth, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the kingdoms, princedoms, and republics of the Italian peninsula, created some of the most influential andexciting works in a variety of artistic fields. Yet the traditional story of the Renaissance has been dramatically revised in the light of new scholarship, and new issues have greatly enriched our understanding of the period. Emphasis has been placed on recreating the experience of contemporary Italians - the patrons who commissioned the works,the members of the public who viewed them, and the artists who produced them. In this book Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries, examines the issues of materials, workshop practises, andartist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.
