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Author: Laurel Fulkerson
Publisher: Cambridge University Press
ISBN: 1139446223
Category : History
Languages : en
Pages : 201
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Book Description
Ovid's Heroides, a catalogue of letters by women who have been deserted, has too frequently been examined as merely a lament. In a new departure, this book portrays the women of the Heroides as a community of authors. Combining close readings of the texts and their mythological backgrounds with critical methods, the book argues that the points of similarity between the different letters of the Heroides, so often derided by modern critics, represent a brilliant exploitation of intratextuality, in which the Ovidian heroine self-consciously fashions herself as an alluding author influenced by what she has read within the Heroides. Far from being naive and impotent victims, therefore, the heroines are remarkably astute, if not always successful, at adapting textual strategies that they perceive as useful for attaining their own ends. With this new approach Professor Fulkerson shows that the Heroides articulate a fictional poetic, mirroring contemporary practices of poetic composition.
Author: Laurel Fulkerson
Publisher: Cambridge University Press
ISBN: 1139446223
Category : History
Languages : en
Pages : 201
Get Book Here
Book Description
Ovid's Heroides, a catalogue of letters by women who have been deserted, has too frequently been examined as merely a lament. In a new departure, this book portrays the women of the Heroides as a community of authors. Combining close readings of the texts and their mythological backgrounds with critical methods, the book argues that the points of similarity between the different letters of the Heroides, so often derided by modern critics, represent a brilliant exploitation of intratextuality, in which the Ovidian heroine self-consciously fashions herself as an alluding author influenced by what she has read within the Heroides. Far from being naive and impotent victims, therefore, the heroines are remarkably astute, if not always successful, at adapting textual strategies that they perceive as useful for attaining their own ends. With this new approach Professor Fulkerson shows that the Heroides articulate a fictional poetic, mirroring contemporary practices of poetic composition.
Author: Lindsay Ann Reid
Publisher: Routledge
ISBN: 1317084462
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Ovidian Bibliofictions and the Tudor Book examines the historical and the fictionalized reception of Ovid’s poetry in the literature and books of Tudor England. It does so through the study of a particular set of Ovidian narratives-namely, those concerning the protean heroines of the Heroides and Metamorphoses. In the late medieval and Renaissance eras, Ovid’s poetry stimulated the vernacular imaginations of authors ranging from Geoffrey Chaucer and John Gower to Isabella Whitney, William Shakespeare, and Michael Drayton. Ovid’s English protégés replicated and expanded upon the Roman poet’s distinctive and frequently remarked ’bookishness’ in their own adaptations of his works. Focusing on the postclassical discourses that Ovid’s poetry stimulated, Ovidian Bibliofictions and the Tudor Book engages with vibrant current debates about the book as material object as it explores the Ovidian-inspired mythologies and bibliographical aetiologies that informed the sixteenth-century creation, reproduction, and representation of books. Further, author Lindsay Ann Reid’s discussions of Ovidianism provide alternative models for thinking about the dynamics of reception, adaptation, and imitatio. While there is a sizeable body of published work on Ovid and Chaucer as well as on the ubiquitous Ovidianism of the 1590s, there has been comparatively little scholarship on Ovid’s reception between these two eras. Ovidian Bibliofictions and the Tudor Book begins to fill this gap between the ages of Chaucer and Shakespeare by dedicating attention to the literature of the early Tudor era. In so doing, this book also contributes to current discussions surrounding medieval/Renaissance periodization.
Author: Laurel Fulkerson
Publisher:
ISBN: 9781107152519
Category : Authorship in literature
Languages : en
Pages : 187
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Book Description
This works represents a new departure in the treatment of Ovid's Heroides, letters by women deserted by men. It portrays the women as agents rather than victims, employing textual strategies for their own ends. Combining traditional scholarship with recent criticism, it is required reading for any student of Latin literature.
Author: Thea S. Thorsen
Publisher: Cambridge University Press
ISBN: 1316165124
Category : History
Languages : en
Pages : 237
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Book Description
Ovid is one of the greatest poets in the Classical tradition and Western literature. This book represents the most comprehensive study to date of his early output as a unified literary production. Firstly, the book proposes new ways of organising this part of Ovid's poetic career, the chronology of which is notoriously difficult to establish. Next, by combining textual criticism with issues relating to manuscript transmission, the book decisively counters arguments levelled against the authenticity of Heroides 15, which consequently allows for a revaluation of Ovid's early output. Furthermore, by focusing on the literary device of allusion, the book stresses the importance of Ovid's single Heroides 1-15 in relationship with his Amores I-III, Ars amatoria I-III and Remedia amoris. Finally, the book identifies three kinds of Ovidian poetics that are found in his early poetry and that point towards the works of myth and exile that followed in his later career.
Author: Ellen Rosand
Publisher: Routledge
ISBN: 1351552104
Category : Music
Languages : en
Pages : 441
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Book Description
After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage in the recovery of these extraordinary works, confined until now to special venues committed to 'early music'-opera festivals, conservatory, and university productions. The works of the composer who is credited with having invented the genre of opera as we know it are finally enjoying a renaissance. A new edition of Cavalli's twenty-eight operas is in preparation, and the composer and his works are at the center of a great deal of new scholarship ranging from the study of sources and production issues to the cultural context of opera of this period. In the face of such burgeoning interest, this collection of essays considers the Cavalli revival from various points of view. In particular, it explores the multiple issues involved in the transformation of an operatic manuscript into a performance. Although focused on the works of Cavalli, much of this material can transfer easily to other operatic repertoires.Following an introductory part, reflecting back on four decades of Cavalli performances by some of the conductors responsible for the revival of interest in the composer, the collection is divided into four further parts: The Manuscript Scores, Giasone: Production and Interpretation, Making Librettos, and Cavalli Beyond Venice.
Author: K. Sara Myers
Publisher: Oxford University Press
ISBN: 0199805229
Category :
Languages : en
Pages : 66
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Book Description
This ebook is a selective guide designed to help scholars and students of the ancient world find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In classics, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is just one of many articles from Oxford Bibliographies Online: Classics, a continuously updated and growing online resource designed to provide authoritative guidance through the scholarship and other materials relevant to the study of classics. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.
Author: Laurel Fulkerson
Publisher: University of Wisconsin Pres
ISBN: 0299307506
Category : History
Languages : en
Pages : 343
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Book Description
The uses and effects of repetition, imitation, and appropriation in Latin epic poetry.
Author: Thea S. Thorsen
Publisher: Cambridge University Press
ISBN: 0521765366
Category : History
Languages : en
Pages : 455
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Book Description
Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an accessible introduction for the general reader interested in Latin love elegy and the history of love and lament in Western literature, as well as a collection of critically stimulating essays for students and scholars of Latin poetry and of the classical tradition.
Author: Kathryn McKinley
Publisher: BRILL
ISBN: 9004351019
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
This study investigates the reception of Ovid's heroines in Metamorphoses commentaries written between 1100 and 1618. The Ovidian heroine offers a telling window onto medieval and early modern clerical constructions of gender and selfhood. In the context of classical representations of the feminine, the book examines Ovid's engagement of the heroine to explore problems of intentionality. The second part of the study presents commentaries by such clerics as William of Orléans, the "Vulgate" commentator, Thomas Walsingham, and Raphael Regius, illustrating the reception of the Ovidian heroine in medieval France and England as well as in Renaissance Italy and Germany. The works analyzed here show that clerical readings of the feminine in Ovid reflect greater heterogeneity than is commonly alleged. Both moralizing summaries and Latin editions used as schooltexts are discussed.
Author: Tristan E. Franklinos
Publisher: Oxford University Press
ISBN: 0192633414
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
The Augustan period in Rome was a golden age for poetry, and also the age in which the cult of the author began in the west. By examining some early poetic understandings of what it might have meant to be Vergil, Ovid, and Tibullus, Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana explores what those authors meant to near-contemporaries, and what the construction of authorship they were a part of meant to the later western tradition. Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana takes its starting point from the Appendices attached to three major Augustan poets, exploring how their different conditions of production, and the differences between their authorising authors, result in different notions of what an appendical text 'ought' to contain. So, for instance, Vergil's biography leaves ample room for 'juvenilia', while Ovid's does not; the Tibullan appendix explicitly engages with a wider poetic community. Moving beyond questions of forgery and deception, some chapters ask how we would be able to know the difference between texts of genuine and of disputed authorship, given that most of the stylistic features that distinguish authors are replicable. Other chapters make the case for re-evaluation of poems that have been neglected or disparaged, and still others make sense of individual works in their likely context of composition. The volume is the first to treat in conjunction the majority of the appendical works ascribed to Vergil, Ovid, and Tibullus, and to draw connections across corpora.
