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Author: Katharine Tyler Burchwood
Publisher: South Brunswick : A. S. Barnes
ISBN:
Category : Art
Languages : en
Pages : 174
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Book Description
The art of Mexico from its prehistoric beginnings right up to the arts and handicrafts popular today.
Author: Katharine Tyler Burchwood
Publisher: South Brunswick : A. S. Barnes
ISBN:
Category : Art
Languages : en
Pages : 174
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Book Description
The art of Mexico from its prehistoric beginnings right up to the arts and handicrafts popular today.
Author: B. Christine Arce
Publisher: SUNY Press
ISBN: 143846357X
Category : History
Languages : en
Pages : 352
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Book Description
2016 Victoria Urbano Critical Monograph Book Prize, presented by the International Association of Hispanic Feminine Literature and Culture Winner of the 2018 Katherine Singer Kovacs Prize presented by the Modern Language Association Honorable Mention, 2018 Elli Kongas-Maranda Professional Award presented by the Women's Studies Section of the American Folklore Society Analyzes cultural materials that grapple with gender and blackness to revise traditional interpretations of Mexicanness. México’s Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as “La Adelita” and “La Cucaracha,” iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art’s crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.
Author: Stephanie J. Smith
Publisher: UNC Press Books
ISBN: 1469635690
Category : History
Languages : en
Pages : 293
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Book Description
Stephanie J. Smith brings Mexican politics and art together, chronicling the turbulent relations between radical artists and the postrevolutionary Mexican state. The revolution opened space for new political ideas, but by the late 1920s many government officials argued that consolidating the nation required coercive measures toward dissenters. While artists and intellectuals, some of them professed Communists, sought free expression in matters both artistic and political, Smith reveals how they simultaneously learned the fine art of negotiation with the increasingly authoritarian government in order to secure clout and financial patronage. But the government, Smith shows, also had reason to accommodate artists, and a surprising and volatile interdependence grew between the artists and the politicians. Involving well-known artists such as Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros, as well as some less well known, including Tina Modotti, Leopoldo Mendez, and Aurora Reyes, politicians began to appropriate the artists' nationalistic visual images as weapons in a national propaganda war. High-stakes negotiating and co-opting took place between the two camps as they sparred over the production of generally accepted notions and representations of the revolution's legacy—and what it meant to be authentically Mexican.
Author: Antonio Castro Leal
Publisher:
ISBN: 9781494041571
Category :
Languages : en
Pages : 200
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Book Description
This is a new release of the original 1940 edition.
Author: Jaime Cuadriello
Publisher: Prestel
ISBN: 9783791356778
Category : ART
Languages : en
Pages : 0
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Book Description
"Painted in Mexico: Pinxit Mexici, 1700-1790 is part of Pacific Standard Time: LA/LA, a far- reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018. Published in conjunction with exhibition. Exhibition Itinerary: Fomento Cultural Banamex, Mexico City June 28-October 15, 2017 Los Angeles County Museum of Art November 19, 2017-March 18, 2018 Metropolitan Museum of Art, New York April 24-July 22, 2018"--Provided by publisher.
Author: William H. Beezley
Publisher: Oxford University Press
ISBN: 019972220X
Category : History
Languages : en
Pages : 200
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Book Description
Drawing on materials ranging from archaeological findings to recent studies of migration issues and drug violence, William H. Beezley provides a dramatic narrative of human events as he recounts the story of Mexico in the context of world history. Beginning with the Mayan and Aztec civilizations and their brutal defeat at the hands of the Conquistadors, Beezley highlights the penetrating effect of Spain's three-hundred-year colonial rule, during which Mexico became a multicultural society marked by Roman Catholicism and the Spanish language. Independence, he shows, was likewise marked by foreign invasions and huge territorial losses, this time at the hands of the United States, who annexed a vast land mass--including the states of Texas, New Mexico, and California--and remained a powerful presence along the border. The 1910 revolution propelled land, educational, and public health reforms, but later governments turned to authoritarian rule, personal profits, and marginalization of rural, indigenous, and poor Mexicans. Throughout this eventful chronicle, Beezley highlights the people and international forces that shaped Mexico's rich and tumultuous history.
Author: Susannah Joel Glusker
Publisher: University of Texas Press
ISBN: 0292785488
Category : Biography & Autobiography
Languages : en
Pages : 380
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Book Description
Journalist, historian, anthropologist, art critic, and creative writer, Anita Brenner was one of Mexico's most discerning interpreters. Born to a Jewish immigrant family in Mexico a few years before the Revolution of 1910, she matured into an independent liberal who defended Mexico, workers, and all those who were treated unfairly, whatever their origin or nationality. In this book, her daughter, Susannah Glusker, traces Brenner's intellectual growth and achievements from the 1920s through the 1940s. Drawing on Brenner's unpublished journals and autobiographical novel, as well as on her published writing, Glusker describes the origin and impact of Brenner's three major books, Idols Behind Altars,Your Mexican Holiday, and The Wind That Swept Mexico. Along the way, Glusker traces Brenner's support of many liberal causes, including her championship of Mexico as a haven for Jewish immigrants in the early 1920s. This intellectual biography brings to light a complex, fascinating woman who bridged many worlds—the United States and Mexico, art and politics, professional work and family life.
Author: Joanne Pillsbury
Publisher: Getty Publications
ISBN: 1606065483
Category : Art
Languages : en
Pages : 331
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Book Description
This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.
Author: Mary K. Coffey
Publisher: Duke University Press
ISBN: 0822350378
Category : Art
Languages : en
Pages : 249
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Book Description
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
Author: Martha Menchaca
Publisher: University of Texas Press
ISBN: 0292778481
Category : Social Science
Languages : en
Pages : 561
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Book Description
“An unprecedented tour de force . . . [A] sweeping historical overview and interpretation of the racial formation and racial history of Mexican Americans.” —Antonia I. Castañeda, Associate Professor of History, St. Mary’s University Winner, A Choice Outstanding Academic Book The history of Mexican Americans is a history of the intermingling of races—Indian, White, and Black. This racial history underlies a legacy of racial discrimination against Mexican Americans and their Mexican ancestors that stretches from the Spanish conquest to current battles over ending affirmative action and other assistance programs for ethnic minorities. Asserting the centrality of race in Mexican American history, Martha Menchaca here offers the first interpretive racial history of Mexican Americans, focusing on racial foundations and race relations from preHispanic times to the present. Menchaca uses the concept of racialization to describe the process through which Spanish, Mexican, and U.S. authorities constructed racial status hierarchies that marginalized Mexicans of color and restricted their rights of land ownership. She traces this process from the Spanish colonial period and the introduction of slavery through racial laws affecting Mexican Americans into the late twentieth-century. This re-viewing of familiar history through the lens of race recovers Blacks as important historical actors, links Indians and the mission system in the Southwest to the Mexican American present, and reveals the legal and illegal means by which Mexican Americans lost their land grants. “Martha Menchaca has begun an intellectual insurrection by challenging the pristine aboriginal origins of Mexican Americans as historically inaccurate . . . Menchaca revisits the process of racial formation in the northern part of Greater Mexico from the Spanish conquest to the present.” —Hispanic American Historical Review
