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Category :
Languages : en
Pages : 1200
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Author:
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ISBN:
Category :
Languages : en
Pages : 1200
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Author:
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ISBN:
Category :
Languages : en
Pages : 1046
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Book Description
Author: Grant R. Fowles
Publisher: Courier Corporation
ISBN: 048613492X
Category : Science
Languages : en
Pages : 356
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Book Description
A complete basic undergraduate course in modern optics for students in physics, technology, and engineering. The first half deals with classical physical optics; the second, quantum nature of light. Solutions.
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262611053
Category : Design
Languages : en
Pages : 374
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Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
Author: Francesca Fiorani
Publisher: Macmillan + ORM
ISBN: 0374715297
Category : Art
Languages : en
Pages : 373
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Book Description
“Insightful and beautiful. . . . A wonderful study of how Leonardo’s art and science are interwoven.” —Walter Isaacson, author of Leonardo Da Vinci A New York Times Book Review Editors’ Choice Shortly after Leonardo da Vinci’s death, his peers and rivals created the myth of the two Leonardos: there was Leonardo the artist and then, later in life, Leonardo the scientist. In this pathbreaking biographical interpretation, the art historian Francesca Fiorani tells a very different and much more interesting story. Taking a fresh look at Leonardo’s celebrated but challenging notebooks and other sources, Fiorani shows that Leonardo became fluent in science when he was still young man. As an apprentice in a Florence studio, he was especially interested in the science of optics. He aspired to use this knowledge to capture—as no artist before him had ever done—the interior lives of his subjects, to paint the human soul in its smallest, tenderest motions and vicissitudes. And then he hoped to take one further step: to gather his scientific knowledge together in a book that would be even more important than his paintings. In The Shadow Drawing, Fiorani revises our understanding of Leonardo the artist’s most renowned paintings and reconstructs the wisdom Leonardo the author hoped to impart. The result is both a stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when the two were sundered. “Fiorani’s lively intellectual adventure gives us new understanding and appreciation of Leonardo’s cross-fertilization of art and science. It is a perceptive biography of Leonardo exploring the frontiers of science but also a brilliantly informative guide to his paintings.” —Ross King, author of Brunelleschi’s Dome, Leonardo and the Last Supper, and Mad Enchantment
Author:
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ISBN:
Category : Optics
Languages : en
Pages : 728
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Book Description
Author: Rene Parola
Publisher: Courier Corporation
ISBN: 9780486290546
Category : Art
Languages : en
Pages : 156
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Book Description
Explanation of optical art, an artistic development in the 1960s, and how it achieved its singular effects
Author: O. S. Heavens
Publisher: Courier Corporation
ISBN: 0486669246
Category : Science
Languages : en
Pages : 276
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Book Description
Authoritative reference treats the formation, structure, optical properties, and uses of thin solid films, emphasizing causes of their unusual qualities. 162 figures. 19 tables. 1955 edition.
Author: Stephen V. Rice
Publisher: Springer Science & Business Media
ISBN: 1461550211
Category : Computers
Languages : en
Pages : 198
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Book Description
Optical character recognition (OCR) is the most prominent and successful example of pattern recognition to date. There are thousands of research papers and dozens of OCR products. Optical Character Rcognition: An Illustrated Guide to the Frontier offers a perspective on the performance of current OCR systems by illustrating and explaining actual OCR errors. The pictures and analysis provide insight into the strengths and weaknesses of current OCR systems, and a road map to future progress. Optical Character Recognition: An Illustrated Guide to the Frontier will pique the interest of users and developers of OCR products and desktop scanners, as well as teachers and students of pattern recognition, artificial intelligence, and information retrieval. The first chapter compares the character recognition abilities of humans and computers. The next four chapters present 280 illustrated examples of recognition errors, in a taxonomy consisting of Imaging Defects, Similar Symbols, Punctuation, and Typography. These examples were drawn from large-scale tests conducted by the authors. The final chapter discusses possible approaches for improving the accuracy of today's systems, and is followed by an annotated bibliography. Optical Character Recognition: An Illustrated Guide to the Frontier is suitable as a secondary text for a graduate level course on pattern recognition, artificial intelligence, and information retrieval, and as a reference for researchers and practitioners in industry.
Author: B. K. Johnson
Publisher: Courier Corporation
ISBN: 048614383X
Category : Science
Languages : en
Pages : 260
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Book Description
Practical guide shows how to set up working models of telescopes, microscopes, photographic lenses and projecting systems; how to conduct experiments for determining accuracy, resolving power, more. 234 diagrams.
