Author: Ruth Bereson
Publisher: Routledge
ISBN: 1134469942
Category : Social Science
Languages : en
Pages : 238
Book Description
The Operatic State examines the cultural, financial, and political investments that have gone into the maintenance of opera and opera houses in Europe, the USA and Australia. It analyses opera's nearly immutable form throughout wars, revolutions, and vast social changes throughout the world. Bereson argues that by legitimising the power of the state through universally recognised ceremonial ritual, opera enjoys a privileged status across three continents, often to the detriment of popular and indigenous art forms.
The Operatic State
Author: Ruth Bereson
Publisher: Routledge
ISBN: 1134469942
Category : Social Science
Languages : en
Pages : 238
Book Description
The Operatic State examines the cultural, financial, and political investments that have gone into the maintenance of opera and opera houses in Europe, the USA and Australia. It analyses opera's nearly immutable form throughout wars, revolutions, and vast social changes throughout the world. Bereson argues that by legitimising the power of the state through universally recognised ceremonial ritual, opera enjoys a privileged status across three continents, often to the detriment of popular and indigenous art forms.
Publisher: Routledge
ISBN: 1134469942
Category : Social Science
Languages : en
Pages : 238
Book Description
The Operatic State examines the cultural, financial, and political investments that have gone into the maintenance of opera and opera houses in Europe, the USA and Australia. It analyses opera's nearly immutable form throughout wars, revolutions, and vast social changes throughout the world. Bereson argues that by legitimising the power of the state through universally recognised ceremonial ritual, opera enjoys a privileged status across three continents, often to the detriment of popular and indigenous art forms.
Once Upon a Time at the Opera House
Author: James Berton Harris
Publisher:
ISBN: 9781611863017
Category : Architecture
Languages : en
Pages : 0
Book Description
The importance of opera houses to the cultural and community life in nonmetropolitan areas of the country from the last quarter of the nineteenth century to the advent of motion pictures in the 1920s has seldom been documented. The stories the reader will encounter here--related with a healthy dose of humor--are based on historical facts, anecdotes, urban legends, and tall tales associated with three of the more than one hundred opera houses that existed in Michigan during this period. As there are similar stories about similar structures throughout Michigan as well as in other Midwestern and Western states, this could be considered a storybook about the golden age of opera houses in many of America's rural regions.
Publisher:
ISBN: 9781611863017
Category : Architecture
Languages : en
Pages : 0
Book Description
The importance of opera houses to the cultural and community life in nonmetropolitan areas of the country from the last quarter of the nineteenth century to the advent of motion pictures in the 1920s has seldom been documented. The stories the reader will encounter here--related with a healthy dose of humor--are based on historical facts, anecdotes, urban legends, and tall tales associated with three of the more than one hundred opera houses that existed in Michigan during this period. As there are similar stories about similar structures throughout Michigan as well as in other Midwestern and Western states, this could be considered a storybook about the golden age of opera houses in many of America's rural regions.
The Operatic Archive
Author: Colleen Renihan
Publisher:
ISBN: 9780367134327
Category : History in opera
Languages : en
Pages : 10
Book Description
The Operatic Archive: American Opera as History extends the growing interdisciplinary conversation in opera studies by drawing on new research in performance studies and the philosophy of history. Moving beyond traditional aesthetic conceptions of opera, this book argues for opera's powerful potential for historical impact and engagement in late twentieth- and twenty-first-century works by American composers. Considering opera's ability to serve as a vehicle for memory, historical experience, affect, presence, and the historical sublime, this volume demonstrates how opera's ability to represent and evoke historical events and historical experience differs fundamentally from the representations and recreations of other modes (specifically, literary and dramatic representations). Building on the work of performance scholars such as Joseph Roach, Rebecca Schneider, and Diana Taylor, and in consultation with recent debates in the philosophy of history, the book will be of interest to a wide range of scholars and researchers, particularly those working in the areas of opera studies and performance studies.
Publisher:
ISBN: 9780367134327
Category : History in opera
Languages : en
Pages : 10
Book Description
The Operatic Archive: American Opera as History extends the growing interdisciplinary conversation in opera studies by drawing on new research in performance studies and the philosophy of history. Moving beyond traditional aesthetic conceptions of opera, this book argues for opera's powerful potential for historical impact and engagement in late twentieth- and twenty-first-century works by American composers. Considering opera's ability to serve as a vehicle for memory, historical experience, affect, presence, and the historical sublime, this volume demonstrates how opera's ability to represent and evoke historical events and historical experience differs fundamentally from the representations and recreations of other modes (specifically, literary and dramatic representations). Building on the work of performance scholars such as Joseph Roach, Rebecca Schneider, and Diana Taylor, and in consultation with recent debates in the philosophy of history, the book will be of interest to a wide range of scholars and researchers, particularly those working in the areas of opera studies and performance studies.
The Business of Opera
Author: Anastasia Belina-Johnson
Publisher: Routledge
ISBN: 1317039556
Category : Music
Languages : en
Pages : 235
Book Description
The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century.
Publisher: Routledge
ISBN: 1317039556
Category : Music
Languages : en
Pages : 235
Book Description
The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century.
Opera on the Road
Author: Katherine K. Preston
Publisher: University of Illinois Press
ISBN: 9780252070020
Category : Music
Languages : en
Pages : 508
Book Description
"Leads the reader on an operatic tour of pre-Civil War America in this cultural study of what was an almost ubiquitous art form. It covers orchestral and choral musicians as well as stars, impresarios, business methods, repertories, advertising techniques, itineraries, sizes of companies, and methods of travel." -- Publisher's description
Publisher: University of Illinois Press
ISBN: 9780252070020
Category : Music
Languages : en
Pages : 508
Book Description
"Leads the reader on an operatic tour of pre-Civil War America in this cultural study of what was an almost ubiquitous art form. It covers orchestral and choral musicians as well as stars, impresarios, business methods, repertories, advertising techniques, itineraries, sizes of companies, and methods of travel." -- Publisher's description
A History of Opera
Author: Carolyn Abbate
Publisher: W. W. Norton & Company
ISBN: 0393089533
Category : Music
Languages : en
Pages : 648
Book Description
“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
Publisher: W. W. Norton & Company
ISBN: 0393089533
Category : Music
Languages : en
Pages : 648
Book Description
“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
Opera in America
Author: John Dizikes
Publisher:
ISBN: 9780300061017
Category : Music
Languages : en
Pages : 611
Book Description
This text tells how opera, steeped in European aristocratic tradition, was transplanted into the democratic cultural enviroment of America. It includes vignettes of productions, personalities, audiences and theatres throughout the country from 1735 to the present day.
Publisher:
ISBN: 9780300061017
Category : Music
Languages : en
Pages : 611
Book Description
This text tells how opera, steeped in European aristocratic tradition, was transplanted into the democratic cultural enviroment of America. It includes vignettes of productions, personalities, audiences and theatres throughout the country from 1735 to the present day.
Opera As Opera
Author: Conrad L. Osborne
Publisher:
ISBN: 9780999436608
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780999436608
Category :
Languages : en
Pages :
Book Description
Bewitching Russian Opera
Author: Inna Naroditskaya
Publisher: Oxford University Press
ISBN: 0195340582
Category : Biography & Autobiography
Languages : en
Pages : 419
Book Description
Overture : Russia's imperial prima donnas -- Russian Minervas staging empire -- The play of possibilities : serfs enacting aristocrats, countesses playing peasants -- Catherine the Empress(ario) : making tales into princely operas -- Oleg at the roots of Russian historical opera -- Interlude : to patria and nation -- Ruslan and Liudmila : the princess, the witch, and the dwarf -- Rusalka : water, power, and women -- Mlada and the spellbinding female circle -- Sadko : he is the hero! -- The inescapable Queen.
Publisher: Oxford University Press
ISBN: 0195340582
Category : Biography & Autobiography
Languages : en
Pages : 419
Book Description
Overture : Russia's imperial prima donnas -- Russian Minervas staging empire -- The play of possibilities : serfs enacting aristocrats, countesses playing peasants -- Catherine the Empress(ario) : making tales into princely operas -- Oleg at the roots of Russian historical opera -- Interlude : to patria and nation -- Ruslan and Liudmila : the princess, the witch, and the dwarf -- Rusalka : water, power, and women -- Mlada and the spellbinding female circle -- Sadko : he is the hero! -- The inescapable Queen.
Reshaping Opera
Author: Paola Trevisan
Publisher: Cambridge Scholars Publishing
ISBN: 1443893307
Category : Business & Economics
Languages : en
Pages : 175
Book Description
This title is a part of the series “Schwung”; Critical Curating and Aesthetic Management for Art, Business and Politics. Conventional wisdom holds that the performing arts, due to the economic nature of the sector, are condemned to a state of permanent financial crisis. However, increasingly frequent information about the fiscal troubles of several opera houses has also led to questions about the soundness of the strategies adopted by these organizations, and about the administrative abilities of their general managers. The case narrated here (La Fenice, Venice’s main opera theater), represents a successful case in which, still inside the borders of a subsidized cultural production, a managerial turn led to substantial improvements in efficiency and productivity levels. However, the success of a case such as La Fenice in terms of bottom-line fiscal indicators does not imply immunity to critiques. The description and analysis of the case, far from being presented as a best practice with any claim of generalization, allows for a critical reflection on arts management, starting from the tension between art and commerce discussed initially by the Frankfurt School. Critiques not only challenge the dominant meaning of what is considered good and what is not: they also contribute to the reshaping of a new social order. Only by looking at the whole picture, at both dominant and critical voices, can we come to a greater understanding of current ideological stances in the arts world and contextualize them within existing discourses on art, management studies, and arts management.
Publisher: Cambridge Scholars Publishing
ISBN: 1443893307
Category : Business & Economics
Languages : en
Pages : 175
Book Description
This title is a part of the series “Schwung”; Critical Curating and Aesthetic Management for Art, Business and Politics. Conventional wisdom holds that the performing arts, due to the economic nature of the sector, are condemned to a state of permanent financial crisis. However, increasingly frequent information about the fiscal troubles of several opera houses has also led to questions about the soundness of the strategies adopted by these organizations, and about the administrative abilities of their general managers. The case narrated here (La Fenice, Venice’s main opera theater), represents a successful case in which, still inside the borders of a subsidized cultural production, a managerial turn led to substantial improvements in efficiency and productivity levels. However, the success of a case such as La Fenice in terms of bottom-line fiscal indicators does not imply immunity to critiques. The description and analysis of the case, far from being presented as a best practice with any claim of generalization, allows for a critical reflection on arts management, starting from the tension between art and commerce discussed initially by the Frankfurt School. Critiques not only challenge the dominant meaning of what is considered good and what is not: they also contribute to the reshaping of a new social order. Only by looking at the whole picture, at both dominant and critical voices, can we come to a greater understanding of current ideological stances in the arts world and contextualize them within existing discourses on art, management studies, and arts management.