The Hellenistic Philosophers: Volume 1, Translations of the Principal Sources with Philosophical Commentary PDF Download
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Author: A. A. Long
Publisher: Cambridge University Press
ISBN: 1139642898
Category : Philosophy
Languages : en
Pages : 352
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Book Description
Volume 1 presents the texts in new translations by the authors, and these are accompanied by a philosophical and historical commentary designed for use by all readers, including those with no background in the classical world. With its glossary and indexes, this volume can stand alone as an independent tool of study.
Author: Lindsay Perigo
Publisher:
ISBN: 9781533646149
Category :
Languages : en
Pages : 250
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Book Description
Updated in May, 2016 and available in hard copy for the first time, The One Tenor is a labor of love for life-long Mario Lanza devotee, New Zealand radio and television broadcaster Lindsay Perigo. It's the bringing together of his best Lanza-related essays, critiques and interviews over the years, with significant new material exclusive to this book, including Perigo's take on the theory that Mario Lanza suffered from Bipolar Disorder. This theory was first touted in the biography of Lanza by Roland Bessette, with little explication. In The One Tenor Perigo interviews Bessette, who elaborates on his theory for the first time. Perigo responds with a theory of his own in his stellar chapter, "Mario's Magic Madness." The author stresses in his Preface that The One Tenor is not a biography, but a chance to glimpse the overpoweringly charismatic Mario of screen and record. It is an informed, loving but critical celebration of the tenor of whom Dame Kiri Te Kanawa says flatly, "No one has ever been able to replace him. Ever in a million years." As current tenor superstar Joseph Calleja, himself inspired by Lanza to become a singer, observes in a new Foreword for this edition, Mario Lanza was "a man and voice for the ages." Savor this historic musical phenomenon through the pages of The One Tenor!
Author: Peter Danish
Publisher: Pegasusbooks
ISBN: 9780991099351
Category : History, Modern
Languages : en
Pages : 0
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Book Description
The Tenor is a sweeping tale of historical fiction in the style of Ann Patchett's Bel Canto and De Burniere's Captain Corelli's Mandolin. It swiftly moves from Pino Vaggi's youth in pre-war Italy, to his coming of age as a soldier in war-torn Greece, before ending in a shattering surprise finale at Maria Callas' historic final performance ever on the stage of New York's Metropolitan Opera House in 1965. It is based loosely on the stories and anecdotes that the author learned from several of Maria Callas' personal friends and from nearly a dozen trips to Italy and Greece to research the subject.
Author: Eric Allen
Publisher: Alfred Music
ISBN: 9781562243029
Category : Music
Languages : en
Pages : 168
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Book Description
Body & Soul, a song with music by Johnny Green and lyrics by Frank Eyton, Edward Heyman, and Robert Sour, was first published in 1930. It became a popular tune for jazz musicians. This volume presents transcriptions and analyses of recorded solos by Coleman Hawkins, Lester Young, Stan Getz, Sonny Rollins, John Coltrane, Dexter Gordon, Michael Brecker, and Chris Potter. With a foreword by Chris Potter.
Author: John Keene
Publisher:
ISBN: 9780793553327
Category :
Languages : en
Pages : 0
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Book Description
More great teaching material, at the same level as Volume 1. The contents, completely new and unduplicated from Volume 1, once again include American and English art songs, folk songs, sacred songs, and an introduction to singing in German, French, Italian, and Spanish. Over 30 songs in each book. Joan Boytim, who has emerged as the nationally recognized expert in the field of teaching pre-collegiate voice, has done exhaustive research in preparing these volumes.
Author: Bruce Pearson
Publisher:
ISBN: 9780849707834
Category : Music
Languages : en
Pages : 48
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Book Description
Author:
Publisher: Schott
ISBN: 9781847615336
Category : Music
Languages : en
Pages : 0
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Book Description
(Schott). These methods provide complete courses for players of all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality recorded rhythm section tracks. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, The Jazz Methods are ideally suited to both students working alone and those learning with a teacher. "John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials." (Jamey Aebersold) "...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library." (Lee Konitz, international jazz saxophone soloist) - includes 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver - "...very good original jazz tunes that students will use as stepping stones for further development... a non-jazz-playing flute teacher would probably find the book a godsend especially if students are studying GCSE music." (Steve Tayton, Jazz Journal International) Part one: The foundation techniques * Part two: Playing the music * Part three: Appendices Audio is accessed online.
Author: A. A. Long
Publisher: Cambridge University Press
ISBN: 1139642898
Category : Philosophy
Languages : en
Pages : 352
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Book Description
Volume 1 presents the texts in new translations by the authors, and these are accompanied by a philosophical and historical commentary designed for use by all readers, including those with no background in the classical world. With its glossary and indexes, this volume can stand alone as an independent tool of study.
Author: William E. Caplin
Publisher: Oxford University Press
ISBN: 0190056460
Category : Music
Languages : en
Pages : 649
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Book Description
Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.
Author: United States. Marine Corps
Publisher:
ISBN:
Category :
Languages : en
Pages : 1134
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Book Description
Author: David Lasocki
Publisher: Yale University Press
ISBN: 0300118708
Category : MUSIC
Languages : en
Pages : 387
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Book Description
The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder's fascinating history--which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.
