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Author: M. Owen Lee
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Six lectures that Owen (classics. U. of Toronto) delivered at Victoria College in October 1995. He discusses what he finds beautiful in the Odyssey, the Aeneid, Wagner's Parsifal, Goethe's Faust, and draws obliquely from Don Quixote and Gilgamesh. He also identifies critical problems with the works. Parts of two lectures are reprinted from Owen's books. Paper edition (unseen), $18.95. Canadian card order number: C96-932151-1. Annotation copyrighted by Book News, Inc., Portland, OR
Author: M. Owen Lee
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
Get Book Here
Book Description
Six lectures that Owen (classics. U. of Toronto) delivered at Victoria College in October 1995. He discusses what he finds beautiful in the Odyssey, the Aeneid, Wagner's Parsifal, Goethe's Faust, and draws obliquely from Don Quixote and Gilgamesh. He also identifies critical problems with the works. Parts of two lectures are reprinted from Owen's books. Paper edition (unseen), $18.95. Canadian card order number: C96-932151-1. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Brent D. Shaw
Publisher: University of Toronto Press
ISBN: 1442644796
Category : History
Languages : en
Pages : 481
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Book Description
The annual harvesting of cereal crops was one of the most important economic tasks in the Roman Empire. Not only was it urgent and critical for the survival of state and society, it mobilized huge numbers of men and women every year from across the whole face of the Mediterranean. In Bringing in the Sheaves, Brent D. Shaw investigates the ways in which human labour interacted with the instruments of harvesting, what part the workers and their tools had in the whole economy, and how the work itself was organized. Both collective and individual aspects of the story are investigated, centred on the life-story of a single reaper whose work in the wheat fields of North Africa is documented in his funerary epitaph. The narrative then proceeds to an analysis of the ways in which this cyclical human behaviour formed and influenced modes of thinking about matters beyond the harvest. The work features an edition of the reaper inscription, and a commentary on it. It is also lavishly illustrated to demonstrate the important iconic and pictorial dimensions of the story.
Author: Stephanie Quinn
Publisher: Bolchazy-Carducci Publishers
ISBN: 0865164185
Category : Literary Criticism
Languages : en
Pages : 478
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Book Description
An anthology of 43 classic essays and poems on the Roman poet. Quinn's position is that his work continues to be compelling and flexible enough to support a wide range of interpretations and perspectives. In addition to a bibliography, she provides a lengthy introduction and conclusion that tackle the question of the book's title, Why Vergil? Further, she juxtaposes the first few lines of the Aeneid in its original Latin with five translations, and includes a synopsis of it and a list of dates for quick reference. She has not indexed the volume.
Author: M. Owen Lee
Publisher: Hal Leonard Corporation
ISBN: 9780879109707
Category : Music
Languages : en
Pages : 292
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Book Description
(Limelight). For well over twenty years, M. Owen Lee has been offering intermission talks during the Saturday afternoon Texaco Metropolitan Opera broadcasts, which now reach countries on six continents. In this book, Father Lee covers various operas of Mozart, Verdi, Wagner, Puccini and Richard Strauss, as well as a selection of French operas, including Faust, Carmen and Les Contes d'Hoffman. In all, his repertory contains 23 operatic masterworks, to all of which he brings insight, learning and the most infectious enthusiasm. "One just cannot get enough of [Father Lee's] brilliant, stimulating, thought-provoking insights...I feel there is no one more knowledgeable or qualified in the entire field of opera commentary. No one." The Opera Quarterly
Author: Alexander Dalzell
Publisher: University of Toronto Press
ISBN: 0802008224
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Dalzell presents three of the major didactic poems in the classical canon: the De rerum natura of Lucretius, the Georgics of Virgil, and the Ars amatoria of Ovid, considering what tools are available for their understanding.
Author: M. Owen Lee
Publisher: University of Toronto Press
ISBN: 9780802083876
Category : Music
Languages : en
Pages : 258
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Book Description
Father Lee is internationally known for his commentaries on opera. This book gathers his best commentaries and articles on 23 works for the musical stage, from the pioneering Orpheus of Monteverdi to the forward-looking Ariadne of Richard Strauss.
Author: M. Owen Lee
Publisher: University of Toronto Press
ISBN: 9780802082916
Category : Biography & Autobiography
Languages : en
Pages : 116
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Book Description
Father Lee traces some of Wagner's extraordinary influence for good and ill on a century of art and politicsand argues that Wagner's ambivalent art is indispensable to us, life-enhancing and ultimately healing.
Author: David Konstan
Publisher: University of Toronto Press
ISBN: 1442691182
Category : Literary Criticism
Languages : en
Pages : 441
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Book Description
It is generally assumed that whatever else has changed about the human condition since the dawn of civilization, basic human emotions - love, fear, anger, envy, shame - have remained constant. David Konstan, however, argues that the emotions of the ancient Greeks were in some significant respects different from our own, and that recognizing these differences is important to understanding ancient Greek literature and culture. With The Emotions of the Ancient Greeks, Konstan reexamines the traditional assumption that the Greek terms designating the emotions correspond more or less to those of today. Beneath the similarities, there are striking discrepancies. References to Greek 'anger' or 'love' or 'envy,' for example, commonly neglect the fact that the Greeks themselves did not use these terms, but rather words in their own language, such as orgê and philia and phthonos, which do not translate neatly into our modern emotional vocabulary. Konstan argues that classical representations and analyses of the emotions correspond to a world of intense competition for status, and focused on the attitudes, motives, and actions of others rather than on chance or natural events as the elicitors of emotion. Konstan makes use of Greek emotional concepts to interpret various works of classical literature, including epic, drama, history, and oratory. Moreover, he illustrates how the Greeks' conception of emotions has something to tell us about our own views, whether about the nature of particular emotions or of the category of emotion itself.
Author: Clifford Ando
Publisher: University of Toronto Press
ISBN: 1442650176
Category : History
Languages : en
Pages : 135
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Book Description
In an expansion of his 2012 Robson Classical Lectures, Clifford Ando examines the connection between the nature of the Latin language and Roman thinking about law, society, and empire. Drawing on innovative work in cognitive linguistics and anthropology, Roman Social Imaginaries considers how metaphor, metonymy, analogy, and ideation helped create the structures of thought that shaped the Roman Empire as a political construct. Beginning in early Roman history, Ando shows how the expansion of the empire into new territories led the Romans to develop and exploit Latin's extraordinary capacity for abstraction. In this way, laws and institutions invented for use in a single Mediterranean city-state could be deployed across a remarkably heterogeneous empire. Lucid, insightful, and innovative, the essays in Roman Social Imaginaries constitute some of today's most original thinking about the power of language in the ancient world.
Author: M. Owen Lee
Publisher: University of Toronto Press
ISBN: 1442658711
Category : Music
Languages : en
Pages : 104
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Book Description
How is it possible for a seriously flawed human being to produce art that is good, true, and beautiful? Why is the art of Richard Wagner, a very imperfect man, important and even indispensable to us? In this volume, Father Owen Lee ventures an answer to those questions by way of a figure in Sophocles – the hero Philoctetes. Gifted by his god with a bow that would always shoot true to the mark and indispensable to his fellow Greeks, he was marked by the same god with an odious wound that made him hateful and hated. Sophocles' powerful insight is that those blessed by the gods and indispensable to men are visited as well with great vulnerability and suffering. Wagner: The Terrible Man and His Truthful Art traces some of Wagner's extraordinary influence for good and ill on a century of art and politics – on Eliot and Proust as well as on Adolf Hitler – and discusses in detail Wagner's Tannhouser, the work in which the composer first dramatised the Faustian struggle of a creative artist in whom 'two souls dwell.' In the course of this penetrating study, Father Lee argues that Wagner's ambivalent art is indispensable to us, life-enhancing and ultimately healing.
