The Olde Bride, Or the Gilded Beauty PDF Download
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Category : Ballads, English
Languages : en
Pages :
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Category : Ballads, English
Languages : en
Pages :
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![The Olde Bride; Or, the Gilded Beauty. [A Ballad.] B.L. PDF](https://books.google.com/books/content/images/frontcover/-HoOMwEACAAJ?fife=w80-h100)
Author: BRIDE.
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Category :
Languages : en
Pages :
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Category :
Languages : en
Pages : 1
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Author:
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ISBN:
Category : Ballads, English
Languages : en
Pages : 1
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Category :
Languages : en
Pages : 0
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Languages : en
Pages : 694
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Author: Ballad Society
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Category : Ballads, English
Languages : en
Pages : 280
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Author: Naomi Baker
Publisher: Manchester University Press
ISBN: 1526162709
Category : Literary Criticism
Languages : en
Pages : 429
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Plain ugly examines depictions of physically repellent characters in a striking range of early modern literary and visual texts, offering fascinating insights into the ways in which ugliness and deformity were perceived and represented, particularly with regard to gender and the construction of identity. Available in paperback for the first time, the book focuses closely on English literary culture but also engages with wider European perspectives, drawing on a wide array of primary sources including Italian and other European visual art. Offering illuminating close readings of texts from both high and low culture, it will interest scholars in English literature, cultural studies, women’s studies, history and art history, as well as postgraduate and undergraduate students in these disciplines. As an accessible and absorbing account of the power dynamics informing depictions of ugliness (and beauty) in relation to some of the quirkiest literary and visual material to be found in early modern culture, it will also appeal to a wider audience.
Author: Eleanor Hubbard
Publisher: Oxford University Press
ISBN: 0199609349
Category : History
Languages : en
Pages : 310
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City Women is a major new study of the lives of ordinary women in early modern London. Drawing on thousands of pages of Londoners' depositions for the consistory court, it focuses on the challenges that preoccupied London women as they strove for survival and preferment in the burgeoning metropolis. Balancing new demographic data with vivid case studies, Eleanor Hubbard explores the advantages and dangers that the city had to offer, from women's first arrival to London as migrant maidservants, through the vicissitudes of marriage, widowhood, and old age. In early modern London, women's opportunities were tightly restricted. Nonetheless, before 1640, the city's unique demographic circumstances provided unusual scope for marital advancement, and both maids and widows were quick to take advantage of this. Similarly, moments of opportunity emerged when the powerful sexual anxieties that associated women's speech and mobility with loose behaviour came into conflict with even more powerful anxieties about the economic stability of households and communities. As neighbours and magistrates sought to reconcile their competing priorities in cases of illegitimate pregnancy, marital disputes, working wives, remarrying widows, and more, women were able to exploit the resulting uncertainty to pursue their own ends. By paying close attention to the aspirations and preoccupations of London women themselves, their daily struggles, small triumphs, and domestic tragedies, City Women provides a valuable new perspective on the importance of early modern women's efforts in the growing capital, and on the nature of early modern English society as a whole.
Author: Aphra Behn
Publisher: Cambridge University Press
ISBN: 1108899226
Category : Literary Criticism
Languages : en
Pages : 956
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Book Description
Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.
