Author: Cynthia Saltzman
Publisher: Penguin
ISBN: 9780670018314
Category : Art
Languages : en
Pages : 364

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Book Description
SALTZMAN/OLD MASTERS; NEW WORLD

Author: Sarah Tytler
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 371

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Book Description

Author: Sarah Tytler
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 392

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Book Description

Author: Sarah Tytler
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 207

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Book Description
"The Old Masters and Their Pictures, For the Use of Schools and Learners in Art" by Sarah Tytler Henrietta Keddie was a prolific Scottish novelist who wrote under the pseudonym Sarah Tytler. Her domestic realism became popular with women. This book, however, differs from her novels. An educational text, this book introduced children to the visual arts. Starting with early Italian artists like Giotto and moving all the way through history to the German, Flemish, and Dutch artists in the 1700s.

Author: Henrietta Keddie
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 436

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Book Description

Author: Sarah Tytler
Publisher:
ISBN: 9781409969716
Category : Art
Languages : en
Pages : 0

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Book Description
Henrietta Keddie (1827-1914), who wrote under the pseudonym Sarah Tytler was a Scottish author. She grew up in Elie on the Fife coast and when she was sixteen she went to Edinburgh to finish her education. She was encouraged by the essayist John Brown (1810-82) to contribute pieces to Blackwood's Magazine. After the death of her father she joined with her sisters to run a small private school in Cupar (1848-70). Her works include: Citoyenne Jacqueline (1866), The Huguenot Family in the English Village (1868), What She Came Through (1877), The Old Masters and Their Pictures (1880), Girlhood and Womanhood: The Story of Some Fortunes and Misfortunes (1883), Life of Her Most Gracious Majesty the Queen (in two volumes) (1885), A Houseful of Girls (1889), A Lonely Lassie (1893), Mermaidens (1895), The American Cousins (1897), A Loyal Little Maid (1900), Queen Charlotte's Maidens (1901), In Clarissa's Day (1903) and Innocent Masqueraders (1907).

Author: Sarah Tytler
Publisher: Forgotten Books
ISBN: 9781330058398
Category : Art
Languages : en
Pages : 422

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Book Description
Excerpt from The Old Masters and Their Pictures: For the Use of Schools and Learners in Art, With Illustrations From Paintings I wish to say, in a very few words, that this book is intended to be a simple account of the great Old Masters in painting of every age and country, with descriptions of their most famous works, for the use of learners and outsiders in art. The book is not, and could not well be, exhaustive in its nature. I have avoided definitions of schools, considering that these should form a later and more elaborate portion of art education, and preferring to group my 'painters' according to what I hold to be the primitive arrangements of time, country, and rank in art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Sarah Tytler
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 384

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Book Description

Author: Sarah Tytler
Publisher: Forgotten Books
ISBN: 9780331830019
Category : Art
Languages : en
Pages : 374

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Book Description
Excerpt from The Old Masters and Their Pictures: For the Use of Schools and Learners in Art, With Illustrations From Paintings I wish to say, in a very few words, that this book is intended to be a simple account of the great Old Masters in painting of every age and country, with descriptions of their most famous works, for the use of learners and out siders in art. The book is not, and could not well be, exhaustive in its nature. I have avoid 'ed definitions of schools, considering that these should form a later and more elaborate portion of art education, and preferring to group my painters' according to what I hold to be the primitive arrangements of time, country, and. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Sarah Tytler
Publisher:
ISBN: 9781437844528
Category :
Languages : en
Pages : 188

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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1853 edition. Excerpt: ...that the motive which induced him to burn the stacks was in order that he might make corn dear, and so raise wages; and what then, he would ask, was the d-ifference in principle? (Hear, hear.) Where was the difference between those who made corn dear by artificial means, and Lankester, who took his own mode of making it dear? He much feared that half those who supported the present Corn Laws would stand less acquitted in the eyes of heaven than James Laukester, the unfortunate man who set fire to those stacks. (Hear, hear.) He repeated, that men who knew what they were doing, and notwithstanding that knowledge supported the Corn Laws for their own selfish purposes, were more to blame than the wretch who burned that com, if in doing so he did not know how really guilty he was in the sight of heaven." Mr. Fox delivered a brilliant address, continued to a late period of the evening, which was principally a recital of the effects everywhere produced, from successive ministries down to the poorest classes of the community, by the free-trade agitation. He said: --l " Rick-burning was only Richmondism in theory. (Immense cheering.) There never was a parallel more complete than that between the Richmondites and rick-burning; for if one wantonly destroyed property so did the other; if one endangered human life, so did the other endanger it wholesale; if in the rick-burner's case the innocent suffered, who suffered in the other case? The innocent and the helpless, who suffered more the more helpless they were. If one destroyed the good gifts of heaven to man, so did the other; and probably alarger quantity of corn was destroyed in the course of the year by rotting in bond than had ever been destroyed by rick-burners, and at last...