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Author: Khwaja Ahmad Abbas
Publisher: Tulika Books
ISBN: 9789382381426
Category : Motion picture producers and directors
Languages : en
Pages : 211
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Book Description
Khwaja Ahmad Abbas distinguished himself by his ceaseless passion for revolutionary politics, which he expressed through his writings and films. He was a visionary who strongly believed that creative and artistic interventions are indispensable to nation-building. Bread Beauty Revolution, spanning the years 1914 to 1987, encapsulates Abbas's work, ideas, and ideals. It also provides an insight into the beginnings of modern India. The volume encapsulates 74 books, 40 films, 89 short stories and 3,000 pieces of journalistic writing byAbbas. His work flows in three languages - Urdu, Hindi, and English - and he translated his own writings freely from one language to another. The volume is in ten parts: (i) 'Abraham and Son', about Abbas's birth and upbringing; (ii) 'I Write as I Feel', which includes Abbas's first and best known short story 'Ababeel' (Sparrows), the story of Abbas's struggle after the publication of his short story 'Meri Maut' (also called 'Sardarji'), and Mulk Raj Anand's letter celebrating his literary genius; (iii) 'My First Love Affair', on his lifelong relationship with and unabashed admiration for Jawaharlal Nehru; (iv) 'Naya Sansar', the witnessing of the birth of an independent India; (v) 'Dharti ke Lal', recounting Abbas's love-hate relationship with the Left movement of which he was an outspoken advocate as well as fearless critic, his account of the birth of IPTA, writing the play Zubaidah and being invited to make the film Dharti ke Lal; (vi) 'Bambai Raat ki Bahon Mein', about another love that gripped his mind and soul, the Indian film industry; (vii) 'Reminiscences', containing personal accounts by people whose lives Abbas influenced, as well as a short story by him, 'Achchan ka Aashiq' (Achchan's Lover); (viii) 'Jagte Raho', an account of Abbas's fight against the censorship imposed on his film Char Shehar Ek Kahani (Four Cities, One Story), 1968, which led to the famous case, K.A. Abbas versus the Union of India, and the landmark judgment in his favour holding that pre-censorship of cinema was a violation of freedom of expression; (ix) 'Ek Aadmi', Abbas's 'beginning' as well as his 'end': his review of Shantaram's film Aadmi which brought him to the film world, and Ek Aadmi, his last film, which had a posthumous birth; andfinally, (x) 'Rahi', named after the eponymous movie Abbas made in 1953 about tea garden workers.
Author: Khwaja Ahmad Abbas
Publisher: Tulika Books
ISBN: 9789382381426
Category : Motion picture producers and directors
Languages : en
Pages : 211
Get Book Here
Book Description
Khwaja Ahmad Abbas distinguished himself by his ceaseless passion for revolutionary politics, which he expressed through his writings and films. He was a visionary who strongly believed that creative and artistic interventions are indispensable to nation-building. Bread Beauty Revolution, spanning the years 1914 to 1987, encapsulates Abbas's work, ideas, and ideals. It also provides an insight into the beginnings of modern India. The volume encapsulates 74 books, 40 films, 89 short stories and 3,000 pieces of journalistic writing byAbbas. His work flows in three languages - Urdu, Hindi, and English - and he translated his own writings freely from one language to another. The volume is in ten parts: (i) 'Abraham and Son', about Abbas's birth and upbringing; (ii) 'I Write as I Feel', which includes Abbas's first and best known short story 'Ababeel' (Sparrows), the story of Abbas's struggle after the publication of his short story 'Meri Maut' (also called 'Sardarji'), and Mulk Raj Anand's letter celebrating his literary genius; (iii) 'My First Love Affair', on his lifelong relationship with and unabashed admiration for Jawaharlal Nehru; (iv) 'Naya Sansar', the witnessing of the birth of an independent India; (v) 'Dharti ke Lal', recounting Abbas's love-hate relationship with the Left movement of which he was an outspoken advocate as well as fearless critic, his account of the birth of IPTA, writing the play Zubaidah and being invited to make the film Dharti ke Lal; (vi) 'Bambai Raat ki Bahon Mein', about another love that gripped his mind and soul, the Indian film industry; (vii) 'Reminiscences', containing personal accounts by people whose lives Abbas influenced, as well as a short story by him, 'Achchan ka Aashiq' (Achchan's Lover); (viii) 'Jagte Raho', an account of Abbas's fight against the censorship imposed on his film Char Shehar Ek Kahani (Four Cities, One Story), 1968, which led to the famous case, K.A. Abbas versus the Union of India, and the landmark judgment in his favour holding that pre-censorship of cinema was a violation of freedom of expression; (ix) 'Ek Aadmi', Abbas's 'beginning' as well as his 'end': his review of Shantaram's film Aadmi which brought him to the film world, and Ek Aadmi, his last film, which had a posthumous birth; andfinally, (x) 'Rahi', named after the eponymous movie Abbas made in 1953 about tea garden workers.
Author: Ahmad Hasib
Publisher:
ISBN:
Category : India
Languages : en
Pages : 182
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Book Description
Author: K. A. Abbas
Publisher: Harper Collins
ISBN: 9350295547
Category : Performing Arts
Languages : en
Pages : 97
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Book Description
In 1973, a film shattered box office records all over India. It introduced two young stars who became instant heart-throbs, and ushered in a new genre of Hindi films, the teeny-bopper romance. It also bailed out the legendary RK Films after the disaster that was Raj Kapoor's magnum opus, Mera Naam Joker. The film was Bobby. Even forty years later, Bobby remains the benchmark for teenage romances, widely imitated, but seldom matched in its freshness, spirit and enduring appeal. At the time of the film's release, its writer K.A. Abbas, in an act years ahead of its time, also published the novelized version of the film to great commercial success. Bobby: The Complete Story is that book. Including K.A. Abbas's original preface and a perceptive new foreword by Suresh Kohli, its re-release marks forty glorious years of the film's release, its star Rishi Kapoor's sixtieth birthday and Abbas's centenary. As engaging a read as the film was entertaining, it is also an insight into the creative process through which a story transforms into a film.
Author: Khushwant Singh
Publisher: Orient Paperbacks
ISBN: 8122201075
Category : English fiction
Languages : en
Pages : 200
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Book Description
Noted Indian writer and translator Khuswant Singh's tribute to 18 major Punjabi writers whose stories he has translated in this collection of short fiction. The writers included here are familiar names in India - writers such as Amrita Pritam, Saadat Hasan Manto, Khwaja Ahmed Abbas, and also two new women writers, Ajeet Caur and Usha Mahajan - among others.
Author: Neetu Khanna
Publisher: Duke University Press
ISBN: 1478009233
Category : History
Languages : en
Pages : 91
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Book Description
In The Visceral Logics of Decolonization Neetu Khanna rethinks the project of decolonization by exploring a knotted set of relations between embodied experience and political feeling that she conceptualizes as the visceral. Khanna focuses on the work of the Progressive Writers' Association (PWA)—a Marxist anticolonial literary group active in India between the 1930s and 1950s—to show how anticolonial literature is a staging ground for exploring racialized emotion and revolutionary feeling. Among others, Khanna examines novels by Mulk Raj Anand, Ahmed Ali, and Khwaja Ahmad Abbas, as well as the feminist writing of Rashid Jahan and Ismat Chughtai, who each center the somatic life of the body as a fundamental site of colonial subjugation. In this way, decolonial action comes not solely from mental transformation, but from a reconstitution of the sensorial nodes of the body. The visceral, Khanna contends, therefore becomes a critical dimension of Marxist theories of revolutionary consciousness. In tracing the contours of the visceral's role in decolonial literature and politics, Khanna bridges affect and postcolonial theory in new and provocative ways.
Author: Suresh Kohli
Publisher: HarperCollins
ISBN: 9789351772507
Category : Fiction
Languages : en
Pages : 200
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Book Description
The strength of [his] short stories ... lies in the fact that [he] grasped the weaknesses of his characters and their strengths' - Mulk Raj Anand 'A man of literature, a journalist of distinction, a film-maker who created a genre of his own' - Gulzar - An Evening in Calcutta is a collection of celebrated writer and award-winning film-maker K.A. Abbas's most memorable stories. His characteristically crisp narratives and bold plotlines, informed as deeply by historical detail as they are by contemporary politics, reach into the familiar to draw out startling truths.
Author: Priyamvada Gopal
Publisher: Routledge
ISBN: 113433253X
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
Literary Radicalism in India situates postcolonial Indian literature in relation to the hugely influential radical literary movements initiated by the Progressive Writers Association and the Indian People's Theatre Association. In so doing, it redresses a visible historical gap in studies of postcolonial India. Through readings of major fiction, pamphlets and cinema, this book also shows how gender was of constitutive importance in the struggle to define 'India' during the transition to independence.
Author: K. A. Abbas
Publisher: Harper Collins
ISBN: 9351365867
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
The novelized version of the cult film, Mera Naam JokerIt was by all accounts one of the biggest gambles in Hindi cinema of the time: five years in the making, with a running time of over four hours and two intervals, including two of the best-known circus troupes of India and the Soviet Union. Add to that an outstanding musical score. Mera Naam Joker was to be Raj Kapoor's magnum opus. Whetting audience appetite were indications that it would also be the Showman's most autobiographical film. Nothing, it seemed, could come between the film and box-office glory. Shockingly, the film bombed at the box-office - and so badly that RK Films, one of India's foremost studios, was almost wiped out in the wake of that disaster. Interestingly enough, over the last forty years, the film has attained a cult status and is one of the highestselling home videos in India.At the time of the film's release, its writer K.A. Abbas, in an act years ahead of its time, also published the novelized version of the film to great commercial success. Mera Naam Joker: The Complete Story is that book. A perceptive introduction by Suresh Kohli, analysing the tortuous making of the film and the reasons for its failure, also offers an insight into the creative process through which a story transforms into a film.
Author: Suresh Kohli
Publisher:
ISBN: 9788188861095
Category : Authors, Indic
Languages : en
Pages : 405
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Book Description
Khwaja Ahmad Abbas (1914-1987) wrote both fiction and non-fiction in three languages simultaneously: English, Urdu and Hindi, and liked to describe himself as a communicator. Starting his journalistic career as sub-editor-cum-reporter in Bombay Chronicle in 1935 where he began contributing his 'Last Page' before moving it to the weekly Blitz in 1947 and continuing it till his last days. He has also been hailed as one of the pioneers of Indian parallel or neo-realist cinema. In I Am Not An Island he chronicled his adventurous life, reflecting on personalities and situations, events, travels, encounters, confrontations, moments of bliss and disappointments, ailments and accidents, and his association with cinema first as a critic and publicist, and then as a script-and-dialogue writer, producer and director. He was involved in the making of 60 Hindi films, including Dharti ke Lal, Awara, Anhonee, Dr Kotnis ki Amar Kahani, Shri 420, Jagtey Raho, Shehar aur Sapna, Aasman Mahal, Saat Hindustani, Mera Naam Joker, Bobby and Henna. Abbas also directed a number of documentaries, the most controversial being Char Shehar Ek Kahani for which he waged a legal battle on censorship, and eventually won it through a Supreme Court verdict. A prolific political commentator, short story writer, novelist Abbas is credited with 73 books in English, Urdu and Hindi (one each for every lived year), including the semi-autobiographical Inquilab and The World is My Village (and was engaged in writing the third in the series at the time of his death), many of which were translated in various other Indian and foreign languages - including Russian, German, Arabic, Italian, French. Recipient of several state and national honours, the President of India conferred on him the Padma Shri award in 1969. A gripping, honest story of an extraordinary man who never compromised on his principles.
Author: Dr. H.S. Chandalia
Publisher: K.K. Publications
ISBN:
Category : Art
Languages : en
Pages : 304
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Book Description
SCRIPT TO SCREEN The Progressive Vision of K.A. ABBAS Khwaja Ahmad Abbas is known as a journalist, film director, scriptwriter and novelist. A contemporary of Dr. Mulkraj Anand, he was also an ardent champion of the masses who chose such themes for his artistic creation that would further the formation of an egalitarian society. This book undertakes an in-depth study of his novels, films and journalistic writings to explore his progressive vision as reflected in these creations. The year 2013 is the centenary year of Indian Cinema while 2014 is the birth centenary year of Khwaja Ahmad Abbas. This book, therefore, attempts to foreground the contribution of K. A. Abbas who is an author of more than seventy books in English, a writer of the longest-running column of Indian journalism and a maker of such path-breaking films which may not have been box - office hits but were milestones of Indian cinema. The present book places Abbas in the perspective Vis-a-vis the realism canon and then attempts to disentangle the different strands that go to make up the whole, The inquiry is both factual and interpretive and it is hoped that it would do justice in directing our attention towards a great writer whom time has shrouded over.
