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Author: Bjørnstjerne Bjørnson
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 176
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Book Description
Author: Bjørnstjerne Bjørnson
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 176
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Book Description
Author: Bjørnstjerne Bjørnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
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Book Description
Author: Bjørnstjerne Bjørnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
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Book Description
Author: Bjørnstjerne Bjørnson
Publisher:
ISBN:
Category : Norway
Languages : en
Pages : 222
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Book Description
Author: Einar Haugen
Publisher: Univ of Wisconsin Press
ISBN: 9780299132507
Category : Biography & Autobiography
Languages : en
Pages : 396
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Book Description
A child prodigy, Bull was admitted to the Bergen orchestra as first violin at the age of eight. He soon was idolized on both sides of the Atlantic for his superb improvisations and his ability to play the violin polyphonically. Though he was hailed as "the Paganini of the North," some critics labeled him a charlatan for his apparently magic tricks on the violin. Bull counted among his friends the great names of his era: Schumann and Lizst, Emerson and Wagner. Longfellow and Hans Christian Andersen modeled characters on him, and he was in part the inspiration for Ibsen's Peer Gynt. Although he spent most of his adult life abroad, Bull was a tireless promoter of Norwegian art and culture. His concert improvisations were rooted in his native slåtter (folkdance tunes), and he modified his own instrument using the Norwegian Hardanger fiddle as a model. By mid-century, Bull realized his dream of establishing a national theater in Bergen. He gave Henrik Ibsen a start in theater management, employed the poet Bjørnstjerne Bjørnson, and promoted the music of Edvard Grieg. His attempt to establish a Norwegian colony, "Oleana," in the United States, however, failed through poor management. The words of the poet Aasmund Vinje, "That surely would be a man to write a book about," have been taken to heart by authors Einar Haugen and Camilla Cai. In addition to providing the first comprehensive listing of Bull's works (with full descriptions of all known sources), analyses of his compositions and their influences, and reviews of his performances, this biography gives life once again to a fascinating and flamboyant figure.
Author: Bjørnstjerne Bjørnson
Publisher: Library of Alexandria
ISBN: 1465607048
Category : Fiction
Languages : en
Pages : 170
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Book Description
Oyvind grew and became a clever boy; he was among the first scholars at school, and at home he was faithful in all his tasks. This was because at home he loved his mother and at school the school-master; he saw but little of his father, who was always either off fishing or was attending to the mill, where half the parish had their grinding done. What had the most influence on his mind in these days was the school-master's history, which his mother related to him one evening as they sat by the hearth. It sank into his books, it thrust itself beneath every word the school-master spoke, it lurked in the school-room when all was still. It caused him to be obedient and reverent, and to have an easier apprehension as it were of everything that was taught him. The school-master's name was Baard, and he once had a brother whose name was Anders. They thought a great deal of each other; they both enlisted; they lived together in the town, and took part in the war, both being made corporals, and serving in the same company. On their return home after the war, every one thought they were two splendid fellows. Now their father died; he had a good deal of personal property, which was not easy to divide, but the brothers decided, in order that this should be no cause of disagreement between them, to put the things up at auction, so that each might buy what he wanted, and the proceeds could be divided between them. No sooner said than done. Their father had owned a large gold watch, which had a wide-spread fame, because it was the only gold watch people in that part of the country had seen, and when it was put up many a rich man tried to get it until the two brothers began to take part in the bidding; then the rest ceased. Now, Baard expected Anders to let him have the watch, and Anders expected the same of Baard; each bid in his turn to put the other to the test, and they looked hard at each other while bidding. When the watch had been run up to twenty dollars, it seemed to Baard that his brother was not acting rightly, and he continued to bid until he got it almost up to thirty; as Anders kept on, it struck Baard that his brother could not remember how kind he had always been to him, nor that he was the elder of the two, and the watch went up to over thirty dollars. Anders still kept on. Then Baard suddenly bid forty dollars, and ceased to look at his brother. It grew very still in the auction-room, the voice of the lensmand one was heard calmly naming the price. Anders, standing there, thought if Baard could afford to give forty dollars he could also, and if Baard grudged him the watch, he might as well take it. He bid higher. This Baard felt to be the greatest disgrace that had ever befallen him; he bid fifty dollars, in a very low tone. Many people stood around, and Anders did not see how his brother could so mock at him in the hearing of all; he bid higher. At length Baard laughed.
Author: Ottar G. Draugsvold
Publisher: McFarland
ISBN: 9780786406296
Category : Language Arts & Disciplines
Languages : en
Pages : 308
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Book Description
When in 1901 Alfred Nobel bequeathed to the world the funds to support the Nobel Prize, one of his few directives for the category of literature was that the artists selected be of "idealistic tendency." Since its inception, the prize has given a very public voice to some of the world's greatest writers, and their responses to the honor-their acceptance speeches-have themselves often been epochal within each author's body of literature. From the famed call to "arms" by William Faulkner to the multicultural song of Derek Walcott, from 1903's Bjørnstjerne Bjørnson to 1999's Günter Grass, this collection traces the ideals of the artists and the selection committee itself throughout the entirety of the 20th century. "Interestingly," writes Draugsvold, "none [of the writers] discuss the more technical aspects of their craft." Equally striking is the strength of the common thread of idealism found in these addresses-a firm belief in humankind and the power of art, in its role in "the service of truth and the service of liberty" as Albert Camus said in 1957. "I decline to accept the end of man" wrote the Old Man, William Faulkner. The speeches presented here were chosen not by subjective but rather by substantive criteria, with biographical presentations and brief statements of gratitude omitted. Included are an introduction to each of the 28 writers chosen, an excerpted copy of the speech or lecture and a bibliography of works in English. The work concludes with a complete list of prize winners in literature and a bibliography of sources cited in the writer's introductions.
Author: Bjornstjerne Bjornson
Publisher:
ISBN: 9781410103338
Category : Fiction
Languages : en
Pages : 104
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Book Description
CONTENTSThe Railroad and the ChurchyardThrondA Dangerous WooingThe Bear HunterThe FatherThe Eagle's Nest
Author: Harald Beyer
Publisher: New York, New York U. P. for the American Foundation
ISBN:
Category : Literary Criticism
Languages : en
Pages : 390
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Book Description
A complete study of the political background and the psychological and sociological conditions that produced this literature.
Author: Bjørnstjerne Bjørnson
Publisher: Fredonia Books (NL)
ISBN: 9781410103611
Category : Norwegian drama
Languages : en
Pages : 0
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Book Description
This is the first of two plays of this name, originally published in 1883. Bj?rnstjerne Bj?rnson (1832-1910) was a poet, dramatist, novelist, journalist, editor, public speaker, theatre director, and one of the most prominent public figures in the Norway of his day. He was awarded the Nobel Prize for Literature in 1903 and is generally known, together with Henrik Ibsen, Alexander Kielland, and Jonas Lie, as one of "the four great ones" of 19th-century Norwegian literature. His poem "Ja, vi elsker dette landet" ("Yes, We Love This Land") is the Norwegian national anthem.
