The Novels and Selected Works of Mary Shelley Vol 7 PDF Download
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Author: Nora Crook
Publisher: Routledge
ISBN: 1000748898
Category : Literary Collections
Languages : en
Pages : 445
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author: Nora Crook
Publisher: Routledge
ISBN: 1000748898
Category : Literary Collections
Languages : en
Pages : 445
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author: Nora Crook
Publisher: Routledge
ISBN: 1000748839
Category : Fiction
Languages : en
Pages : 327
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author: Nora Crook
Publisher: Routledge
ISBN: 1000748871
Category : Education
Languages : en
Pages : 374
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author: Nora Crook
Publisher: Routledge
ISBN: 1000748863
Category : Education
Languages : en
Pages : 358
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author: William Dean Brewer
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638705
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
A number of their mental anatomies reflect the influence of Jean-Jacques Rousseau's Confessions and his conceptions of mental transparency, sincerity, and environmental conditioning. Because his primary focus is on Godwinian and Shelleyan perspectives on the mind and its operations, Brewer avoids twentieth-century psychological terminology and ideas in his discussions of their fiction."
Author: Nora Crook
Publisher: Routledge
ISBN: 1000748901
Category : Literary Criticism
Languages : en
Pages : 454
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author: Nora Crook
Publisher: Routledge
ISBN: 1000748847
Category : Literary Collections
Languages : en
Pages : 410
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author: Nora Crook
Publisher: Routledge
ISBN: 100074888X
Category : Education
Languages : en
Pages : 458
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author: Regula Hohl Trillini
Publisher: Rodopi
ISBN: 9042024895
Category : History
Languages : en
Pages : 249
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Book Description
This study analyzes representations of music in fiction, drama and poetry as well as normative texts in order to contribute to a gendered cultural history of domestic performance. From the Tudors to the First World War, playing the harpsichord or piano was an indispensable asset of any potential bride, and education manuals as well as courtship plots and love poems pay homage to this social function of music. The Gaze of the Listener charts the fundamental tension which determines all these texts: while music is warmly recommended in conduct books and provides standard metaphors like ?concord? and ?harmony? for virtuous love, a profound anxiety about its sensuous inarticulateness and implicit femininity unsettles all descriptions of actual music-making. Along with repressive plot lines, the privileging of visual perception over musical appreciation is the most telling indicator of this problem. The Gaze of the Listener is the first coherent account of this discourse and its historical continuity from the Elizabethan to the Edwardian period and provides a significant background for more narrowly focused research. Its uniquely wide database contextualizes numerous ?minor? works with classics without limiting itself to the fringe phenomenon of ?musician novels'. Including a fresh account of the novels of Jane Austen in their contemporary (rather than Victorian) context, the book is of interest to scholars and students in gender studies, English literature, cultural studies and musicology.
Author: Andrew McInnes
Publisher: Taylor & Francis
ISBN: 1315523167
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Focusing on the ways in which women writers from across the political spectrum engage with and adapt Wollstonecraft's political philosophy in order to advocate feminist reform, Andrew McInnes explores the aftermath of Wollstonecraft's death, the controversial publication of William Godwin's memoir of his wife, and Wollstonecraft's reception in the early nineteenth century. McInnes positions Wollstonecraft within the context of the eighteenth-century female philosopher figure as a literary archetype used in plays, poetry, polemic and especially novels, to represent the thinking woman and address anxieties about political, religious, and sexual heterodoxy. He provides detailed analyses of the ways in which women writers such as Mary Hays, Elizabeth Hamilton, Amelia Opie, and Maria Edgeworth negotiate Wollstonecraft's reputation as personal, political, and sexual pariah to reformulate her radical politics for a post-revolutionary Britain in urgent need of reform. Frances Burney's The Wanderer and Jane Austen's Mansfield Park, McInnes suggests, work as state-of-the-nation novels, drawing on Wollstonecraft's ideas to explore a changing England. McInnes concludes with an examination of Mary Shelley's engagement with her mother throughout her career as a novelist, arguing that Shelley gradually overcomes her anxiety over her mother's stature to address Wollstonecraft's ideas with increasing confidence.
