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Author: Aleksandr Nikolayevich Scriabin
Publisher: Oxford University Press
ISBN: 0190863668
Category : Music
Languages : en
Pages : 289
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Book Description
Russian composer Alexander Skryabin's life spanned the late romantic era and the momentous early years of the twentieth century, but was cut short before the end of the first world war. In a predominantly conservative era in the Russian musical scene, he drew inspiration from poets, philosophers, and dramatists of the Silver Age, a period of radical artistic renewal in Russia. Possessed by an apocalyptic vision of transformation, aspects of which he shared with other Russian thinkers and artists of the period, Skryabin transformed his musical language from a ripe Romantic style into a far-reaching, radical instrument for the expression of his ideas. This newly translated collection of the composer's writings and letters allows readers to experience and understand Skryabin's worldview, personality, and life as never before. The Notebooks of Alexander Skryabin features commentary based on original materials and accounts by the composer's friends and associates, dispelling popular misconceptions about his life and revealing the dazzling constellation of philosophies that comprised his world of ideas, from Ancient Greek and German Idealist philosophy to the writings of Nietzsche, and Indian culture to the Theosophical writings of H. P. Blavatsky. Close textual readings and new biographical insights converge to present a vivid impression of Skryabin's thought and its impact on his musical compositions.
Author: Aleksandr Nikolayevich Scriabin
Publisher: Oxford University Press
ISBN: 0190863668
Category : Music
Languages : en
Pages : 289
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Book Description
Russian composer Alexander Skryabin's life spanned the late romantic era and the momentous early years of the twentieth century, but was cut short before the end of the first world war. In a predominantly conservative era in the Russian musical scene, he drew inspiration from poets, philosophers, and dramatists of the Silver Age, a period of radical artistic renewal in Russia. Possessed by an apocalyptic vision of transformation, aspects of which he shared with other Russian thinkers and artists of the period, Skryabin transformed his musical language from a ripe Romantic style into a far-reaching, radical instrument for the expression of his ideas. This newly translated collection of the composer's writings and letters allows readers to experience and understand Skryabin's worldview, personality, and life as never before. The Notebooks of Alexander Skryabin features commentary based on original materials and accounts by the composer's friends and associates, dispelling popular misconceptions about his life and revealing the dazzling constellation of philosophies that comprised his world of ideas, from Ancient Greek and German Idealist philosophy to the writings of Nietzsche, and Indian culture to the Theosophical writings of H. P. Blavatsky. Close textual readings and new biographical insights converge to present a vivid impression of Skryabin's thought and its impact on his musical compositions.
Author: Boris de Schloezer
Publisher: Berkeley : University of California Press
ISBN: 9780520043848
Category : Biography & Autobiography
Languages : en
Pages : 334
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Book Description
Depicts the life of the Russian composer, Alexander Scriabin, and examines the influence of his mystical beliefs on his music.
Author: Lincoln Ballard
Publisher: Rowman & Littlefield
ISBN: 1442232625
Category : Music
Languages : en
Pages : 441
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Book Description
This unique collaboration between a musicologist and two pianists – all experts in Russian music – takes a fresh look at the supercharged music and polarizing reception of the Russian composer Alexander Scriabin. From his Chopin-inspired miniatures to his genre-bending symphonies and avant-garde late works, Scriabin left a unique mark on music history. Scriabin’s death centennial in 2015 brought wider exposure and renewed attention to this pioneering composer. Music lovers who are curious about Scriabin have been torn between specialized academic studies and popular sources that glamorize his interests and activities, often at the expense of historical accuracy. This book bridges the divide between these two branches of literature, and brings a modern perspective to his music and legacy. Drawing on archival materials, primary sources in Russian, and recently published books and articles, Part One details the reception and performance history of Scriabin’s solo piano and orchestral music. High quality recordings are recommended for each piece. Part Two explores four topics in Scriabin’s reception: the myths generated by Scriabin’s biographers, his claims to synaesthesia or “color-hearing,” his revival in 1960s America as a proto-Flower Child, and the charges of anti-Russianness leveled against his music. Part Three investigates stylistic context and performance practice in the piano music, and considers the domains of sound, rhythm, and harmony. It offers interpretive strategies for deciphering Scriabin’s challenging scores at the keyboard. Students, scholars, and music enthusiasts will benefit from the historical insights offered in this interdisciplinary book. Armed with this knowledge, readers will be able to better appreciate the stylistic innovations and colorful imagination of this extraordinary composer.
Author: Patrick Zuk
Publisher: Boydell & Brewer
ISBN: 1783275758
Category : Biography & Autobiography
Languages : en
Pages : 582
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Book Description
Drawing on a wealth of unexplored sources, this biography offers the first comprehensive critical reappraisal of the life and works of Nikolay Myaskovsky. Zuk's account is far removed from Cold War clichés of the regimented Soviet artist or sentimental stereotypes of persecuted genius.
Author: Susan Pass
Publisher: IAP
ISBN: 1607529289
Category : Biography & Autobiography
Languages : en
Pages : 161
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Book Description
No two people were more responsible for the current way lessons are taught worldwide than Jean Piaget and Lev Vygotsky. Both men had an important impact worldwide on how a person should be taught--starting in the last century and continuing today. Jean Piaget's Genetic Epistemology concentrated on the individual in learning. Lev Vygotsky's Cultural–Historical Theory concentrated on the social in learning. All over the world, teachers today use each man's ideas. Some use them at different times in their classrooms and others have learned to use them combined into the same lesson--bringing us to the crux of this book; namely, there are many lessons to learn by discovering the dynamics in the lives of both men. While both were from very different countries, there are many similarities in their lives. While most professors teaching introductory educational psychology courses focus on the difference in their lesson strategies, there are some remarkable similarities between their respective pedagogies. While differences in their families and countries were obviously significant, the two men differed surprisingly little in their pedagogical views and their basic ideas. Their similarities in views and ideas are due to the similarities in their lives. Chapter 1 looks at those similarities by looking at influences in their childhood. Chapter 2 observes their adolescence. Chapter 3 concentrates on young adulthood. Chapter 4 covers their postgraduate work. Chapter 5 traces the origins of their major ideas. For Jean Piaget, we look at the origin of chronological stages of development, the role of language, the role of the teacher, optimal mismatch, equilibration, error, and play. For Lev Vygotsky, we look at the origin of zone of proximal development, internalization, stage of development, "the social other," role of language, error, sociohistorical context of learning, scaffolding and play. Chapter 6 deals with how Jean Piaget and Lev Vygotsky were able to overcome adversity and the lessons that can be learned by such overcoming. Chapter 7 provides a new pedagogy based on the communications that Jean Piaget and Lev Vygotsky had with each other, noting the influence such communications had on their mutual ideas.
Author: Edward A. Berlin
Publisher: Oxford University Press
ISBN: 0195356462
Category : Music
Languages : en
Pages : 349
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Book Description
In 1974, the academy award-winning film The Sting brought back the music of Scott Joplin, a black ragtime composer who died in 1917. Led by The Entertainer, one of the most popular pieces of the mid-1970s, a revival of his music resulted in events unprecedented in American musical history. Never before had any composer's music been so acclaimed by both the popular and classical music worlds. While reaching a "Top Ten" position in the pop charts, Joplin's music was also being performed in classical recitals and setting new heights for sales of classical records. His opera Treemonisha was performed both in opera houses and on Broadway. Destined to be the definitive work on the man and his music, King of Ragtime is written by Edward A. Berlin. A renowned authority on Joplin and the author of the acclaimed and widely cited Ragtime: A Musical and Cultural History, Berlin redefines the Scott Joplin biography. Using the tools of a trained musicologist, he has uncovered a vast amount of new information about Joplin. His biography truly documents the story of the composer, replacing the myths and unsupported anecdotes of previous histories. He shows how Joplin's opera Treemonisha was a tribute to the woman he loved, a woman other biographers never even mentioned. Berlin also reveals that Joplin was an associate of Irving Berlin, and that he accused Berlin of stealing his music to compose Alexander's Ragtime Band in 1911. Berlin paints a vivid picture of the ragtime years, placing Scott Joplin's story in its historical context. The composer emerges as a representative of the first post-Civil War generation of African Americans, of the men and women who found in the world of entertainment a way out of poverty and lowly social status. King of Ragtime recreates the excitement of these pioneers, who dreamed of greatness as they sought to expand the limits society placed upon their race.
Author: Magdalena Dabrowski
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 342
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Book Description
Edited by Magdalena Dabrowski, Leah Dickerman and Peter Galassi. Essays by Magdalena Dabrowski, Leah Dickerman, Peter Galassi, Aleksandr Lavrent'ev and Varvara Rodchenko. Foreword by Glenn D. Lowry.
Author: Daniel Guebel
Publisher: Seven Stories Press
ISBN: 1644211610
Category : Fiction
Languages : en
Pages : 353
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Book Description
Winner.... Premio Municipal de la Novela 2021 Premio Nacional de Literatura Argentina 2018 Premio Literario de la Academia Argentina de Letras 2017 Best Novel Award by La Nación 2016 A provocative multigenerational exploration of creative genius, madness, and family relationships. With the ambition and density of style of Vladimir Nabokov or Olga Tokarczuk, this is a story both profound and handled with a light touch. The Absolute is a sprawling historical novel about the Deliuskin-Scriabin family, made up of six generations of geniuses and madmen. Beginning in the mid-18th century in Russia, across Europe and ending in late 20th-century Argentina, the characters’ lives play out in different branches of art, politics and science in such radical ways that they transform the world and its reality. The narrator’s ancestor, Frantisek Deliuskin, invents a new form of music in the 18th century; his son, Andrei Deliuskin, makes some marginal annotations to the Spiritual Exercises of Saint Ignatius of Loyola that are later interpreted by Lenin as an instruction manual to carry out the Russian Revolution of 1917; Esau Deliuskin, following the course of his father, creates a socialist utopian society; and down through the generations to the narrator, whose creation takes him back in time and space to the moment of the Big Bang. The Absolute is a monumental work about the creation of art and about family, about spiritual traditions and about throwing oneself into the world not to capture life but to create it, in and through words. “This is a masterpiece at a time when masterpieces seem impossible and at the same time challenges the very idea of a masterpiece. … It’s the novel one should read if they want to know what an artist is.” —La Nación
Author: Amanda Sewell
Publisher: Oxford University Press, USA
ISBN: 0190053461
Category :
Languages : en
Pages : 265
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Book Description
With her debut album Switched-On Bach, composer and electronic musician Wendy Carlos (b. 1939) brought the sound of the Moog synthesizer to a generation of listeners, helping to effect arguably one of the most substantial changes in popular music's sound since musicians began using amplifiers. Her story is not only one of a person who blazed new trails in electronic music for decades but is also the story of a person who intersected in many ways with American popular culture, medicine, and social trends during the second half of the 20th century and well into the 21st. There is much to tell about her life and about the ways in which her life reflects many dimensions of American culture. Carlos's identity as a transgender woman has shaped many aspects of her life, her career, how she relates to the public, and how the public has received her and her music. Cultural factors surrounding the treatment of transgender people affected many of the decisions that Carlos has made over the decades. Additionally, cultural reception and perception of transgender people has colored how journalists, scholars, and fans have written about Carlos and her music for decades.
Author: Alexander Morrison
Publisher: OUP Oxford
ISBN: 019156317X
Category : History
Languages : en
Pages : 396
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Book Description
Russian Rule in Samarkand examines the structures, personnel, and ideologies of Russian imperialism in Turkestan, taking Samarkand and the surrounding region as a case-study. The creation of a colonial administration in Central Asia presented Russia with similar problems to those faced by the British in India, but different approaches to governance meant that the two regimes often stood in stark contrast to one another. While the Russian administration was characterised by corruption and inefficiency, British rule in India was often more violent, and its subjects much more heavily taxed. Opening with the background to the political situation in Central Asia and a narrative of the Russian conquest itself, the book moves on to analyse official attitudes to Islam and to pre-colonial elites, and the earliest attempts to establish a functioning system of revenue collection. Uncovering the religious and ethnic composition of the military bureaucracy, and the social background, education and training of its personnel, Alexander Morrison assesses the competence of these officers vis-à-vis their Anglo-Indian counterparts. Subsequent chapters look at the role of the so-called 'native administration' in governing the countryside and collecting taxes, the attempt to administer the complex systems of irrigation leading from the Zarafshan and Syr-Darya rivers, and the nature and functions of the Islamic judiciary under colonial rule. Based on extensive archival research in Russia, India, and Uzbekistan, and containing much rare source material translated from the original Russian, Russian Rule in Samarkand will be of interest to all those interested in the history of the Russian Empire and European Imperialism more generally.
