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Author: Kazimir Malevich
Publisher: Lars Muller Publishers
ISBN: 9783037786642
Category : Architecture
Languages : en
Pages : 0
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Book Description
Kasimir Malevich's treatise on Suprematism was included in the Bauhausbücher series in 1927, as was Piet Mondrian's reflections on Russian Constructivism in 1925 (New Design, Bauhausbücher 5). Like Mondrian, who was never an official member of the Bauhaus, Malevich nevertheless has a close connection to the ideas of the school in terms of content. This volume, the eleventh, remains the only book publication in Germany to be produced during the life of the Russian avant-garde artist, and it laid the foundation for his late work: to wrest the mask of life from the true face of art.
Author: Kazimir Malevich
Publisher: Lars Muller Publishers
ISBN: 9783037786642
Category : Architecture
Languages : en
Pages : 0
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Book Description
Kasimir Malevich's treatise on Suprematism was included in the Bauhausbücher series in 1927, as was Piet Mondrian's reflections on Russian Constructivism in 1925 (New Design, Bauhausbücher 5). Like Mondrian, who was never an official member of the Bauhaus, Malevich nevertheless has a close connection to the ideas of the school in terms of content. This volume, the eleventh, remains the only book publication in Germany to be produced during the life of the Russian avant-garde artist, and it laid the foundation for his late work: to wrest the mask of life from the true face of art.
Author: Aleksandra Shatskikh
Publisher: Yale University Press
ISBN: 0300162294
Category : Art
Languages : en
Pages : 470
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Book Description
Kazimir Malevich’s painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich’s contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art—which he called Suprematism—and a milestone on the highway of world art. Writing about this single painting, Aleksandra Shatskikh sheds new light on Malevich, the Suprematist movement, and the Russian avant-garde. Malevich devoted his entire life to explicating Black Square's meanings. This process engendered a great legacy: the original abstract movement in painting and its theoretical grounding; philosophical treatises; architectural models; new art pedagogy; innovative approaches to theater, music, and poetry; and the creation of a new visual environment through the introduction of decorative applied designs. All of this together spoke to the tremendous potential for innovative shape and thought formation concentrated in Black Square. To this day, many circumstances and events of the origins of Suprematism have remained obscure and have sprouted arbitrary interpretations and fictions. Close study of archival materials and testimonies of contemporaries synchronous to the events described has allowed this author to establish the true genesis of Suprematism and its principal painting.
Author: Kasimir Malevich
Publisher: Courier Dover Publications
ISBN: 9780486429748
Category : Painting, Modern
Languages : en
Pages : 0
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Book Description
An established Russian painter in the early twentieth century, Kasimir Malevich became one of the most important pioneers of geometric abstract art. First published in 1926, "The Non-Objective World defined the artist's radical, non-objective style, which he referred to as Suprematism--a mode of expression in which emotion dominated all other artistic considerations. Among Malevich's many innovative works included in the text are the famous 1913 painting of "Black Square on White and "White on White (1918). One of the twentieth century's most profound statements of aesthetic theory, this book is stimulating and necessary reading for artists, students, and patrons of the fine arts. 92 black-and-white illustrations.
Author: Jill Silverman van Coenegrachts
Publisher:
ISBN: 9780954141615
Category :
Languages : en
Pages :
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Book Description
Presenting a body of work made by Art et Language between 1965 and 1967 together with paintings by Ilya Kabakov made forty years later but very much concerned with the same critical aesthetic ideas, the publication aims to investigate the artists' understanding and response to The Non-Objective World - Malevich's seminal writings on Suprematism, written in 1927 and published in English in 1959 for the first time.
Author: Kazimir Severinovitch Malevitch
Publisher: Hatje Cantz
ISBN: 9783775737319
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
This is a presentation of the work of Kazimir Malevich.
Author: John Milner
Publisher: Yale University Press
ISBN: 9780300064179
Category : Art
Languages : en
Pages : 258
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Book Description
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Author: Wassily Kandinsky
Publisher: Courier Corporation
ISBN: 048613248X
Category : Art
Languages : en
Pages : 111
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Book Description
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Aaron J. Cohen
Publisher: U of Nebraska Press
ISBN: 0803215479
Category : History
Languages : en
Pages : 246
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Book Description
World War I had a profound influence on the aesthetics and politics of Russian culture, perhaps even more than the revolution. Looking at how the war changed Russian culture, especially visual art, Cohen shows how the wartime environment allowed iconoclastic modern art to flourish.
Author: Tracey R. Bashkoff
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
Considering in depth the origins of the Solomon R. Guggenheim Museum when it was first known as the Museum of Non-Objective Painting, this volume reveals for the first time the museums complex and sometimes twisted architectural history and the ambitious exhibition programme organized by Hilla Rebay, the museums founding Director and Curator from 1939 to 1952. Through the extensive correspondence between Rebay and Rudolf Bauer the artist whose work Guggenheim collected exhaustively Karol Vail reveals the important role Bauer played in envisioning the collection and the museum. Fully illustrated throughout, and featuring extensive previously unpublished archival materials, this book provides essential reading and a rich reference of the Guggenheims multifaceted and fascinating history.
