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Author: Lhamsuren Munkh-Erdene
Publisher: BRILL
ISBN: 9004546510
Category : History
Languages : en
Pages : 542
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Book Description
Devised to legitimize the Republic of China’s claim over Inner Asia, the Sinocentric paradigm stems from the Open Door Policy and Chinese nationalism. Advanced against the conquest theory, and rationalized as the pathfinding ecological theory, it is an evolutionary materialist scheme that became the vision of history. Exposing the initial agenda of this paradigm and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
Author: Lhamsuren Munkh-Erdene
Publisher: BRILL
ISBN: 9004546510
Category : History
Languages : en
Pages : 542
Get Book Here
Book Description
Devised to legitimize the Republic of China’s claim over Inner Asia, the Sinocentric paradigm stems from the Open Door Policy and Chinese nationalism. Advanced against the conquest theory, and rationalized as the pathfinding ecological theory, it is an evolutionary materialist scheme that became the vision of history. Exposing the initial agenda of this paradigm and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
Author: Lhamsuren Munkh-Erdene
Publisher:
ISBN: 9789004543881
Category : Asia, Central
Languages : en
Pages : 0
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Book Description
The Nomadic Leviathan debunks as myth the most widely held theory of the origins and nature of the state, resurrects the conquest theory that places pastoralism and the Eurasian steppe at the origin of the state, and gives primacy to the political over the economic order.
Author: Michael Moorcock
Publisher: White Wolf Games Studio
ISBN: 9781565041943
Category : Alternative histories (Fiction)
Languages : en
Pages : 0
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Book Description
Introduces Captain Graf Ulrich von Bek, his relatives, and his family's quest: the protection of the Holy Grail.
Author: Michael Moorcock
Publisher: Hachette UK
ISBN: 0575092718
Category : Fiction
Languages : en
Pages : 146
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Book Description
Seeking the answer to the mystery of life, Captain Oswald Bastable visits the Temple of the Future Buddha and is thrown through time to a new twentieth century. Plague, anarchy and superstition rule the world where he finds himself. Bands of diseased mutants pillage the continents while pirate U-boats prowl the oceans. But from this chaos emerges Black Attila, commander of the African Hordes and master of the most terrible weapon ever devised by Man - the Land Leviathan, a terrifying ziggurat on wheels, a moving mountain of deadly artillery. At last, after centuries of cruel oppression, the Land Leviathan helps the Black Attila establish Black Power on an unimaginable, global scale. Unimaginable, that is, to anyone except Michael Moorcock who has re-written the history of the twentieth century in his own totally original, biting style.
Author: Jamie Levin
Publisher: Springer Nature
ISBN: 3030280535
Category : Political Science
Languages : en
Pages : 290
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Book Description
This book explores non-state actors that are or have been migratory, crossing borders as a matter of practice and identity. Where non-state actors have received considerable attention amongst political scientists in recent years, those that predate the state—nomads—have not. States, however, tend to take nomads quite seriously both as a material and ideational threat. Through this volume, the authors rectify this by introducing nomads as a distinct topic of study. It examines why states treat nomads as a threat and it looks particularly at how nomads push back against state intrusions. Ultimately, this exciting volume introduces a new topic of study to IR theory and politics, presenting a detailed study of nomads as non-state actors.
Author: David Runciman
Publisher:
ISBN: 9781788167833
Category : Philosophy
Languages : en
Pages : 0
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Book Description
Author: Neil Lynn Wise
Publisher: Xlibris Corporation
ISBN: 1469170604
Category : Fiction
Languages : en
Pages : 561
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Book Description
The worst of Morgans enemies have been defeated, but in the wake of those conflicts many problems remain. To have a future with the woman he loves, Morgan only has to survive attacks by mutant tribes, avoid the deadly embrace of the Hedonae, free an imprisoned ruler, stop a civil war, and liberate Celestines country from the cruel hands of invaders. And on top of everything else, he has lost his best friends body. To conquer these challenges, Morgan will need all that faith, honor, and friendship can provide.
Author: Rachel A. Bowser
Publisher: U of Minnesota Press
ISBN: 1452952531
Category : Social Science
Languages : en
Pages : 324
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Book Description
Co-winner, Ray & Pat Browne Award for Best Edited Collection in Popular Culture and American Culture Once a small subculture, the steampunk phenomenon exploded in visibility during the first years of the twenty-first century, its influence and prominence increasing ever since. From its Victorian and literary roots to film and television, video games, music, and even fashion, this subgenre of science fiction reaches far and wide within current culture. Here Rachel A. Bowser and Brian Croxall present cutting-edge essays on steampunk: its rise in popularity, its many manifestations, and why we should pay attention. Like Clockwork offers wide-ranging perspectives on steampunk’s history and its place in contemporary culture, all while speaking to the “why” and “why now” of the genre. In her essay, Catherine Siemann draws on authors such as William Gibson and China Miéville to analyze steampunk cities; Kathryn Crowther turns to disability studies to examine the role of prosthetics within steampunk as well as the contemporary culture of access; and Diana M. Pho reviews the racial and national identities of steampunk, bringing in discussions of British chap-hop artists, African American steamfunk practitioners, and multicultural steampunk fan cultures. From disability and queerness to ethos and digital humanities, Like Clockwork explores the intriguing history of steampunk to evaluate the influence of the genre from the 1970s through the twenty-first century. Contributors: Kathryn Crowther, Perimeter College at Georgia State University; Shaun Duke, University of Florida; Stefania Forlini, University of Calgary (Canada); Lisa Hager, University of Wisconsin–Waukesha; Mike Perschon, MacEwan University in Edmonton, Alberta; Diana M. Pho; David Pike, American University; Catherine Siemann, New Jersey Institute of Technology; Joseph Weakland, Georgia Institute of Technology; Roger Whitson, Washington State University.
Author: Debashish Banerji
Publisher: Springer
ISBN: 8132236378
Category : Social Science
Languages : en
Pages : 283
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Book Description
This volume is a critical exploration of multiple posthuman possibilities in the 21st century and beyond. Due to the global engagement with advanced technology, we are witness to a species-wise blurring of boundaries at the edge of the human. On the one hand, we find ourselves in a digital age in which human identity is being transformed through networked technological intervention, a large part of our consciousness transferred to "smart" external devices. On the other hand, we are assisted---or assailed---by an unprecedented proliferation of quasi-human substitutes and surrogates, forming a spectrum of humanoids with fuzzy borders. Under these conditions, critical posthumanism asks, who will occupy and control our planet: Will the "superhuman" merely serve as another sign under which new regimes of dominance are spread across the earth? Or can we discover or invent technologies of existence to counter such dominance? It is issues such as these which are at the heart of this new volume of explorations of the posthuman. The essays in this volume offer leading-edge thought on the subject, with special emphases on postmodern and postcolonial futures. They engage with questions of subalternity and feminism vis-à-vis posthumanism, dealing with issues of subjugation, dispensability and surrogacy, as well as the possibilities of resistance, ethical politics or subjective transformation from South Asian archives of cultural and spiritual practice. This volume is a valuable addition to the on-going global dialogues on posthumanism, indispensable to those, from across several disciplines, who are interested in postcolonial and planetary futures.
Author: Ellen R. Welch
Publisher: University of Pennsylvania Press
ISBN: 0812249003
Category : History
Languages : en
Pages : 312
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Book Description
The seventeenth-century French diplomat François de Callières once wrote that "an ambassador resembles in some way an actor exposed on the stage to the eyes of the public in order to play great roles." The comparison of the diplomat to an actor became commonplace as the practice of diplomacy took hold in early modern Europe. More than an abstract metaphor, it reflected the rich culture of spectacular entertainment that was a backdrop to emissaries' day-to-day lives. Royal courts routinely honored visiting diplomats or celebrated treaty negotiations by staging grandiose performances incorporating dance, music, theater, poetry, and pageantry. These entertainments—allegorical ballets, masquerade balls, chivalric tournaments, operas, and comedies—often addressed pertinent themes such as war, peace, and international unity in their subject matter. In both practice and content, the extravagant exhibitions were fully intertwined with the culture of diplomacy. But exactly what kind of diplomatic work did these spectacles perform? Ellen R. Welch contends that the theatrical and performing arts had a profound influence on the development of modern diplomatic practices in early modern Europe. Using France as a case study, Welch explores the interconnected histories of international relations and the theatrical and performing arts. Her book argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in this period. Through its examination of the early modern precursors to today's cultural diplomacy initiatives, her book investigates the various ways in which performance structures international politics still.
