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Author: Jenn Joy
Publisher: MIT Press
ISBN: 0262526352
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
An investigation of dance and choreography that views them not only as artistic strategies but also as intrinsically theoretical and critical practices. The choreographic stages a conversation in which artwork is not only looked at but looks back; it is about contact that touches even across distance. The choreographic moves between the corporeal and cerebral to tell the stories of these encounters as dance trespasses into the discourse and disciplines of visual art and philosophy through a series of stutters, steps, trembles, and spasms. In The Choreographic, Jenn Joy examines dance and choreography not only as artistic strategies and disciplines but also as intrinsically theoretical and critical practices. She investigates artists in dialogue with philosophy, describing a movement of conceptual choreography that flourishes in New York and on the festival circuit. Joy offers close readings of a series of experimental works, arguing for the choreographic as an alternative model of aesthetics. She explores constellations of works, artists, writers, philosophers, and dancers, in conversation with theories of gesture, language, desire, and history. She choreographs a revelatory narrative in which Walter Benjamin, Pina Bausch, Francis Alÿs, and Cormac McCarthy dance together; she traces the feminist and queer force toward desire through the choreography of DD Dorvillier, Heather Kravas, Meg Stuart, La Ribot, Miguel Gutierrez, luciana achugar, and others; she maps new forms of communicability and pedagogy; and she casts science fiction writers Samuel R. Delany and Kim Stanley Robinson as perceptual avatars and dance partners for Ralph Lemon, Marianne Vitali, James Foster, and Janet Cardiff and George Bures Miller. Constructing an expanded notion of the choreographic, Joy explores how choreography as critical concept and practice attunes us to a more productively uncertain, precarious, and ecstatic understanding of aesthetics and art making.
Author: Jenn Joy
Publisher: MIT Press
ISBN: 0262526352
Category : Performing Arts
Languages : en
Pages : 245
Get Book Here
Book Description
An investigation of dance and choreography that views them not only as artistic strategies but also as intrinsically theoretical and critical practices. The choreographic stages a conversation in which artwork is not only looked at but looks back; it is about contact that touches even across distance. The choreographic moves between the corporeal and cerebral to tell the stories of these encounters as dance trespasses into the discourse and disciplines of visual art and philosophy through a series of stutters, steps, trembles, and spasms. In The Choreographic, Jenn Joy examines dance and choreography not only as artistic strategies and disciplines but also as intrinsically theoretical and critical practices. She investigates artists in dialogue with philosophy, describing a movement of conceptual choreography that flourishes in New York and on the festival circuit. Joy offers close readings of a series of experimental works, arguing for the choreographic as an alternative model of aesthetics. She explores constellations of works, artists, writers, philosophers, and dancers, in conversation with theories of gesture, language, desire, and history. She choreographs a revelatory narrative in which Walter Benjamin, Pina Bausch, Francis Alÿs, and Cormac McCarthy dance together; she traces the feminist and queer force toward desire through the choreography of DD Dorvillier, Heather Kravas, Meg Stuart, La Ribot, Miguel Gutierrez, luciana achugar, and others; she maps new forms of communicability and pedagogy; and she casts science fiction writers Samuel R. Delany and Kim Stanley Robinson as perceptual avatars and dance partners for Ralph Lemon, Marianne Vitali, James Foster, and Janet Cardiff and George Bures Miller. Constructing an expanded notion of the choreographic, Joy explores how choreography as critical concept and practice attunes us to a more productively uncertain, precarious, and ecstatic understanding of aesthetics and art making.
Author: Steven Parrino
Publisher:
ISBN: 9780967732657
Category : Artists' books
Languages : en
Pages : 68
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Book Description
Tiré du site Internet des Presses du réel: "Steven Parrino is born in 1958, New York City. He died on a motorcycle in Brooklyn in 2005."
Author: Eva Brumberger
Publisher: Routledge
ISBN: 1351868136
Category : Psychology
Languages : en
Pages : 340
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Book Description
'Designing Texts' is an edited collection dedicated to teaching visual communication in non-visual disciplines, with a particular focus on the fields of technical and professional communication, rhetoric, and composition.
Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 620
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Book Description
Author: Louise M. Antony
Publisher: Oxford University Press
ISBN: 0198038593
Category : Philosophy
Languages : en
Pages : 332
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Book Description
Atheists are frequently demonized as arrogant intellectuals, antagonistic to religion, devoid of moral sentiments, advocates of an "anything goes" lifestyle. Now, in this revealing volume, nineteen leading philosophers open a window on the inner life of atheism, shattering these common stereotypes as they reveal how they came to turn away from religious belief. These highly engaging personal essays capture the marvelous diversity to be found among atheists, providing a portrait that will surprise most readers. Many of the authors, for example, express great affection for particular religious traditions, even as they explain why they cannot, in good conscience, embrace them. None of the contributors dismiss religious belief as stupid or primitive, and several even express regret that they cannot, or can no longer, believe. Perhaps more important, in these reflective pieces, they offer fresh insight into some of the oldest and most difficult problems facing the human mind and spirit. For instance, if God is dead, is everything permitted? Philosophers without Gods demonstrates convincingly, with arguments that date back to Plato, that morality is independent of the existence of God. Indeed, every writer in this volume adamantly affirms the objectivity of right and wrong. Moreover, they contend that secular life can provide rewards as great and as rich as religious life. A naturalistic understanding of the human condition presents a set of challenges--to pursue our goals without illusions, to act morally without hope of reward--challenges that can impart a lasting value to finite and fragile human lives. 'This Atheists R Us compilation differs markedly in tone from Hitchens and Dawkins. Excellent fare for Christian small groups whose members are genuinely interested in the arguments raised by atheists.'-- Christianity Today 'Rather than the foolishness of Dawkins or Hitchens, these [essays] are compelling and sophisticated arguments that religious people ought to confront....'-- Tikkun 'Taken as a group, these readable, personal, and provocative essays make it clear that there are many kinds of non-believers, and even many different elements that make up a single skeptical outlook. Contrary to the popular image, atheism isn't all rebellious trumpets and defiant drums. That part of the orchestra is essential, but here we have all the varieties of unreligious experience, a full symphony of unbelief.' -- Free Inquiry 'This collection strikes me as an excellent example of how comprehensible philosophical writing can be at its best. By and large, the essays are written in a clear and direct style, free of philosophical jargon. Many who read it will find themselves also engaged at a level that is not merely academic.'--George I. Mavrodes, Notre Dame Philosophical Reviews
Author: Jared L. Miller
Publisher: Society of Biblical Lit
ISBN: 158983657X
Category : Religion
Languages : en
Pages : 475
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Book Description
Few compositions provide as much insight into the structure of the Hittite state and the nature of Hittite society as the so-called Instructions. While these texts may strike the modern reader as didactic, the Hittites, who categorized them together with state treaties, understood them as “contracts” or “obligations,” consisting of the king’s instructions to officials such as priests and temple personnel, mayors, military officers, border garrison commanders, and palace servants. They detail how and in what spirit the officials are to carry out their duties and what consequences they are to suffer for failure. Also included are several examples of closely related oath impositions and oaths. Collecting for the first time the entire corpus of Hittite Instructions, this accessible volume presents these works in transliteration of the original texts and translation, with clear and readable introductory essays, references to primary and secondary sources, and thorough indices.
Author: United States
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1014
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Book Description
"The United States Code is the official codification of the general and permanent laws of the United States of America. The Code was first published in 1926, and a new edition of the code has been published every six years since 1934. The 2012 edition of the Code incorporates laws enacted through the One Hundred Twelfth Congress, Second Session, the last of which was signed by the President on January 15, 2013. It does not include laws of the One Hundred Thirteenth Congress, First Session, enacted between January 2, 2013, the date it convened, and January 15, 2013. By statutory authority this edition may be cited "U.S.C. 2012 ed." As adopted in 1926, the Code established prima facie the general and permanent laws of the United States. The underlying statutes reprinted in the Code remained in effect and controlled over the Code in case of any discrepancy. In 1947, Congress began enacting individual titles of the Code into positive law. When a title is enacted into positive law, the underlying statutes are repealed and the title then becomes legal evidence of the law. Currently, 26 of the 51 titles in the Code have been so enacted. These are identified in the table of titles near the beginning of each volume. The Law Revision Counsel of the House of Representatives continues to prepare legislation pursuant to 2 U.S.C. 285b to enact the remainder of the Code, on a title-by-title basis, into positive law. The 2012 edition of the Code was prepared and published under the supervision of Ralph V. Seep, Law Revision Counsel. Grateful acknowledgment is made of the contributions by all who helped in this work, particularly the staffs of the Office of the Law Revision Counsel and the Government Printing Office"--Preface.
Author: Noah Horowitz
Publisher: Sternberg Press
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
“This is undoubtedly a moment marked by a serious interest in the actions America is taking on the world stage—actions that have been described as a cause for 'grave concern.' We do not attempt to authoritatively engage these concerns here nor do we wish to insinuate that elevated interest in America's cultural affairs is somehow unique to our present historical moment. We do, however, think that this sampling of discourse by and about a country's visual artists leads to insights about its politics and society not gained elsewhere. […] At the very least, it gives a sense of what it is like to live in the United States today, and results in some inspired debate. We hope that this book serves not only as a valuable compendium of recent writing about contemporary art, but also as inspiration to seek further understanding of these 'Uncertain States.'” So Noah Horowitz and Brian Sholis note in the introduction to this unique compilation of writing around art and cultural politics in America since 2000. Published in collaboration with the Serpentine Gallery, London, and the Astrup Fearnley Museum of Modern Art, Oslo, as an addendum to the traveling exhibition Uncertain States of America, curated by Daniel Birnbaum, Gunnar Kvaran, and Hans Ulrich Obrist, the USA Reader was designed by Dexter Sinister. It is a thought-provoking collection that will become an important sourcebook on American culture at the start of the new millennium. Contributors Giorgio Agamben, Dora Apel, Jack Bankowsky, David Barringer, Bernadette Corporation, John Bowe et al., Johanna Burton, Paul Chan, Critical Art Ensemble, Trisha Donnelly, Andrea Fraser, Isabelle Graw, Tim Griffin, Matthew Jesse Jackson, Chris Kraus, Miwon Kwon, Robert Morris, Molly Nesbit, Seth Price, Kymberly N. Pinder, Retort, Ralph Rugoff, Gregory Sholette, Julian Stallabrass, Kirk Varnedoe, Hamza Walker, and Matt Wolf
Author: Hans Van Loon
Publisher: BRILL
ISBN: 9004173226
Category : Religion
Languages : en
Pages : 649
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Book Description
The formula one incarnate nature of the Word of God has often been depicted as a summary of Cyril of Alexandria s (ca 378-444) christology. But no systematic study into his christological works has been published. Besides, there is no consensus regarding the meaning of the key terms and expressions in these works. This book addresses this deficiency by an integral investigation of the archbishop s christological writings during the first two years of the Nestorian controversy, and comes to the conclusion that his christology is basically dyophysite. This re-appraisal of his christology bears on the understanding of the Council of Chalcedon and on contemporary ecumenical relations, especially those between the Eastern Orthodox and the Oriental Orthodox.
Author: Nancy Thomson de Grummond
Publisher: University of Texas Press
ISBN: 1477310460
Category : Social Science
Languages : en
Pages : 337
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Book Description
The Etruscan city of Caere and eleven other Etruscan city-states were among the first urban centers in ancient Italy. Roman descriptions of Etruscan cities highlight their wealth, beauty, and formidable defenses. Although Caere left little written historical record outside of funerary inscriptions, its complex story can be deciphered by analyzing surviving material culture, including architecture, tomb paintings, temples, sanctuaries, and materials such as terracotta, bronze, gold, and amber found in Etruscan crafts. Studying Caere provides valuable insight not only into Etruscan history and culture but more broadly into urbanism and the development of urban centers across ancient Italy. Comprehensive in scope, Caere is the first English-language book dedicated to the study of its eponymous city. Collecting the work of an international team of scholars, it features chapters on a wide range of topics, such as Caere’s formation and history, economy, foreign relations, trade networks, art, funerary traditions, built environment, religion, daily life, and rediscovery. Extensively illustrated throughout, Caere presents new perspectives on and analysis of not just Etruscan civilization but also the city’s role in the wider pan-Mediterranean basin.
