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Author:
Publisher: Yale University Press
ISBN: 9780300125986
Category : Literary Collections
Languages : en
Pages : 384
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Book Description
It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.
Author:
Publisher: Yale University Press
ISBN: 9780300125986
Category : Literary Collections
Languages : en
Pages : 384
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Book Description
It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.
Author: P. Craig Russell
Publisher: Dark Horse Comics
ISBN: 1616554010
Category : Comics & Graphic Novels
Languages : en
Pages : 453
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Book Description
The Eisner Award-winning series, finally collected in one volume, presents one of the grandest stories of Western civilisation, one of the most explosive epics in the history of comics. Giants plot against gods, who in turn tear human lovers apart, the lives of great warriors are ruined and countless people are slain in the name of love and gold. This re-telling of the Ring Cycle marks a new high point in the career of this true artist's artist, and features a lavish index of production notes, sketches and commmentaries.
Author: Olga Kryuchkova
Publisher: Babelcube Inc.
ISBN: 1547568887
Category : Fiction
Languages : en
Pages : 133
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Book Description
The Roman Empire. Gunther, the Nibelung king of the Roman federate of Burgundy, decides to marry off his sister Kriemhild to the Lombard king. Ute, the queen mother, fiercely opposes the marriage and resorts to intrigue, bribery and poison to thwart it.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
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Book Description
Author: Richard Wagner
Publisher: Penguin UK
ISBN: 0241305861
Category : Music
Languages : en
Pages : 708
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Book Description
A superb new translation of one of the greatest nineteenth century poems: the libretto to Wagner's Ring cycle The scale and grandeur of Wagner's The Ring of the Nibelung has no precedent and no successor. It preoccupied Wagner for much of his adult life and revolutionized the nature of opera, the orchestra, the demands on singers and on the audience itself. The four operas-The Rhinegold, The Valkyrie, Siegfried and Twilight of the Gods - are complete worlds, conjuring up extraordinary mythological landscapes through sound as much as staging. Wagner wrote the entire libretto before embarking on the music. Discarding the grand choruses and bravura duets central to most operas, he used the largest musical forces in the context often of only a handful of singers on stage. The words were essential: he was telling a story and making an argument in a way that required absolute attention to what was said. The libretto for The Ring lies at the heart of nineteenth century culture. It is in itself a work of power and grandeur and it had an incalculable effect on European and specifically German culture. John Deathridge's superb new translation, with notes and a fascinating introduction, is essential for anyone who wishes to get to grips with one of the great musical experiences.
Author: Margaret Armour
Publisher: BoD – Books on Demand
ISBN: 3368623370
Category : Fiction
Languages : en
Pages : 338
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Book Description
Reproduction of the original.
Author: Margaret Armour
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
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Book Description
Author: Anonymous
Publisher: DigiCat
ISBN:
Category : Poetry
Languages : en
Pages : 417
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Book Description
The Song of the Nibelungs, is an epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The Nibelungenlied is based on an oral tradition that has some of its origin in historic events and individuals of the 5th and 6th centuries. The poem is split into two parts: in the first part, Siegfried comes to Worms to acquire the hand of the Burgundian princess Kriemhild from her brother King Gunther. Gunther agrees to let Siegfried marry Kriemhild if Siegfried helps Gunther acquire the warrior-queen Brünhild as his wife. Siegfried does this and marries Kriemhild; however Brünhild and Kriemhild become rivals, leading eventually to Siegfried's murder by the Burgundian vassal Hagen with Gunther's involvement. In the second part, the widow Kriemhild is married to Etzel, king of the Huns. She later invites her brother and his court to visit Etzel's kingdom intending to kill Hagen. Her revenge results in the death of all the Burgundians who came to Etzel's court as well as the destruction of Etzel's kingdom and the death of Kriemhild herself. The Nibelungenlied was the first heroic epic put into writing in Germany, helping to found a larger genre of written heroic poetry.
Author: Frank G. Ryder
Publisher: Wayne State University Press
ISBN: 9780814311929
Category : Architecture
Languages : en
Pages : 448
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Book Description
The first translation into English of this monumental epic in over forty years. Written around the year 1200 by an unknown Middle High German poet, probably an Austrian knight-cleric, The Song of the Nibelungs is composed of thirty-nine adventures and is divided into two major parts. Two great complexes of epic action are joined together: the life and death of Sigfrid, his glory, fault, and betrayal, and the massive destruction of those who betrayed him, engineered by Kriemhild, Sigfrid's wife. The translator has reproduced the principal characteristics of style and language, in a verse form approximating that of the original. This modern translation, with its naturalness of language, will appeal to the general reader and scholar alike.
Author: Ferdinand Schmidt
Publisher: Library of Alexandria
ISBN: 1465543287
Category : Fiction
Languages : en
Pages : 152
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Book Description
IN olden times there lived at Santen on the Rhine a noble pair, Siegmund and Sieglind, King and Queen of Niderland, to whom late in life was born a son. They named the boy Siegfried, and he throve and grew apace, so that none could equal him for beauty or strength, and in all knightly sports and exercises he soon left far behind him the other lads of his age. Now, these were the days of heroes whose fame spread far and wide throughout the world. To listen to tales of their mighty deeds gave even more joy to the bold youth than the call of the hunting-horn or the sound of the battle-trumpet; while to forge good swords that, like the lions’ teeth, should pierce through bone and sinew, seemed in truth to him a noble art. One day his father, Siegmund the King, told to him the tale of Wieland the Smith. The giant Wadi had a son whose evil fortune it was to be lame, wherefore he besought his father to let him become a smith. “For,” said he, “since with such limbs as these it is plain I may do no knightly deeds, what better lot can be mine than to forge arms fit for heroes to wield?” “Now hast thou well spoken,” replied Wadi, and forthwith took his son to Mime. Mime was the greatest smith in all Hunland, and he kept Wieland for three years and made him master of his art. Nor was this all; for, when the time was spent, his father sent him to two famous dwarfs who dwelt in the Kallova mountains. These dwarfs were possessed of marvellous strength and skill, and would not agree to take Wieland into their forge for a twelve-month save upon payment of a piece of gold. At the end of the time Wadi came to fetch his son. But Wieland already surpassed the dwarfs in skill and cunning, and they would not let him go. They said to Wadi: “Let thy son bide with us for yet another twelve-month, and thou shalt have back thy gold.” But to this they craftily added that if by any chance he should not appear at the time appointed, Wieland’s head must pay the forfeit. To this the giant agreed; but ere he set forth he spoke privately with his son, saying: “For their own sake they will keep thee yet another year, and at the end thereof for envy they will slay thee. Nevertheless their evil designs shall avail them not. Three days before the time will I be here, but meanwhile that thou mayest not lack defence, take this sword. Be brave and fearless, and in thy hand it shall prove a sword of vengeance against the mighty dwarfs!” Then Wadi departed; whereupon his son drove the keen blade into the ground and hid all traces of it from the sharp eyes of the dwarfs. Now Wieland plied his craft so lustily, that he wrought many good swords and pieces of armor, and the time went swiftly by. Three days before the end of the year came Wadi; but the mountain was shut fast, and being weary he lay down before it and slept. And as he slept the dwarfs came forth and spied him; whereat they loosened a great rock from the side of the mountain, so that it rolled down upon the giant, crushing and killing him. On the third day they brought Wieland forth from the mountain and made pretence to watch for Wadi’s coming. But Wieland saw blood spots on the ground, and, looking about more closely, perceived one of his father’s feet protruding from a mass of rock. Thereupon a frenzy of grief and rage seized him, and, thrusting his hands into the earth, he drew out the great sword the giant had left him.
