The Newport Folk Festival Songbook PDF Download
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Author: Alfred D'Auberge
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 128
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Book Description
Author: Alfred D'Auberge
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 128
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Book Description
Author: Jean Ritchie
Publisher:
ISBN:
Category : Ballads, American
Languages : en
Pages : 136
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Book Description
Author:
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 4
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Book Description
Author: John Cohen
Publisher: Oak Publications
ISBN: 1783234512
Category : Music
Languages : en
Pages : 240
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Book Description
Classic old-time tunes as played by the New Lost City Ramblers. Hundreds of rare photographs, annotations and discographies.
Author: Izzy Young
Publisher: Rowman & Littlefield
ISBN: 0810883082
Category : Biography & Autobiography
Languages : en
Pages : 301
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Book Description
Israel G. "Izzy" Young was the proprietor of the Folklore Center in Greenwich Village from the late 1950s to the early 1970s. The literal center of the New York folk music scene, the Center not only sold records, books, and guitar strings but served as a concert hall, meeting spot, and information kiosk for all folk scene events. Among Young's first customers was Harry Belafonte; among his regular visitors were Alan Lomax and Pete Seeger. Shortly after his arrival in New York City in 1961, an unknown Bob Dyan banged away at songs on Young's typewriter. Young would also stage Dylan's first concert, as well as shows by Joni Mitchell, the Fugs, Emmylou Harris, and Tim Buckley, Doc Watson, Son House, and Mississippi John Hurt. The Conscience of the Folk Revival: The Writings of Israel "Izzy" Young collects Young's writing, from his regular column "Frets and Frails" for Sing Out Magazine (1959-1969) to his commentaries on such contentious issues as copyright and commercialism. Also including his personal recollections of seminal figures, from Bob Dylan and Alan Lomax to Harry Smith and Woody Guthrie, this collection removes the rose tinting of past memoirs by offering Young's detailed, day-by-day accounts. A key collection of primary sources on the American countercultural scene in New York City, this work will interest not only folk music fans, but students and scholars of American social and cultural history.
Author: Gillian Mitchell
Publisher: Routledge
ISBN: 1317022505
Category : Music
Languages : en
Pages : 259
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Book Description
This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1168
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Book Description
Author: Burt Feintuch
Publisher: University Press of Kentucky
ISBN: 0813187990
Category : Reference
Languages : en
Pages : 91
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Book Description
In 1899, a fundraising program for Berea College featured a group of students from the mountains of eastern Kentucky singing traditional songs from their homes. The audience was entranced. That small en-counter at the end of the last century lies near the beginning of an unparalleled national—and international—fascination with the indigenous music of a single state. Kentucky has long figured prominently in our national sense of traditional music. Over the years, a diverse group of people—reformers, enthusiasts, the musically literate and the musically illiterate, radicals, liberals, a British gentleman and his woman companion, amateurs, local residents, and academics—have been sufficiently captivated by that music to have devoted considerable energy to harvesting it from its fertile ground, studying its various manifestations, and considering its many performers. Kentucky Folkmusic: An Annotated Bibliography is a guide to the literature of this remarkable music. More than seven hundred entries, each with an evaluative annotation, comprise the largest bibliographic resource for the folkmusic of any state or region in North America. Divided into eight sections, the bibliography covers collections and anthologies; fieldworkers and scholars; singers, musicians, and other performers; text-centered studies; studies of history, context, and style; festivals; dance; and discographies, check-lists, and other reference tools. A subject index, an author index, and an index of periodicals provide access to the materials. From early hymnals and songsters to Kentucky performers of traditional music, the bibliography is a comprehensive guide to music which has for many years been one of the major emblems of American traditional music.
Author: Norman Cazden
Publisher: State University of New York Press
ISBN: 0791498638
Category : History
Languages : en
Pages : 672
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Book Description
Part of the ancient Appalachians and just a few miles up the road from a massive metropolitan area, the Catskills have been home to the variety of people who have made the history of the New World. The songs collected here reflect this history. They are songs of rafting and lumbering, war and railroads, prison and hard times, and nonsense and drinking. And they are songs of love—tragic love, thwarted love, foolish love—and sometimes even true love. Collecting the songs began in 1941 when educator Norman Studer and composer Herbert Haufrecht led a group of young people on folklore trips through the mountains. The distinguished musician Norman Cazden continued the collection, adding his research and scholarship. The book is the cumulative work of these three colleagues. Useful as an annotated archive of regional lore, Folk Songs of the Catskills traces roots to early Scottish, Irish, Welsh, English, and American sources. Both texts and musical structure are compared to other traditional songs. Extended search for tune relatives is directed towards tracing the known use of each tune strain, whether in variants with similar texts or quite different texts. Some of the Catskill versions of tunes have not been found elsewhere, and others are rarely encountered. Whether related to others or unique to the Catskills, the commentary on the songs in this collection contributes to a more general theory of the nature of traditional tunes and their transformation. The late composer/musicologist and university professor, Norman Cazden, worked meticulously over a period of many years to trace traditional melodies and texts. Both Cazden and fellow composer Herbert Haufrecht were music directors of Camp Woodland, a unique summer school in the Catskill Mountains which acquainted students with the folklore of this musically rich region. The late Norman Studer, one of the founders and for many years the director of Camp Woodland, was also an ardent folklorist who spent much of his life in the hills and hollows of the Catskills looking for folksingers and yarnspinners. Together, these devoted scholars have created a work that is as enjoyable as it is rare.
Author: Ronald D. Cohen
Publisher: Univ. Press of Mississippi
ISBN: 1626745846
Category : Music
Languages : en
Pages : 535
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Book Description
Selling Folk Music: An Illustrated History highlights commercial sources that reveal how folk music has been packaged and sold to a broad, shifting audience in the United States. Folk music has a varied and complex scope and lineage, including the blues, minstrel tunes, Victorian parlor songs, spirituals and gospel tunes, country and western songs, sea shanties, labor and political songs, calypsos, pop folk, folk-rock, ethnic, bluegrass, and more. The genre is of major importance in the broader spectrum of American music, and it is easy to understand why folk music has been marketed as America's music. Selling Folk Music presents the public face of folk music in the United States via its commercial promotion and presentation throughout the twentieth century. Included are concert flyers; sheet music; book, songbook, magazine, and album covers; concert posters and flyers; and movie lobby cards and posters, all in their original colors. The 1964 hootenanny craze, for example, spawned such items as a candy bar, pinball machine, bath powder, paper dolls, Halloween costumes, and beach towels. The almost five hundred images in Selling Folk Music present a new way to catalog the history of folk music while highlighting the transformative nature of the genre. Following the detailed introduction on the history of folk music, illustrations from commercial products make up the bulk of the work, presenting a colorful, complex history.
