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Author: Cody Marrs
Publisher: Cambridge University Press
ISBN: 1108484034
Category : Fiction
Languages : en
Pages : 293
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Book Description
This collection reimagines Melville as both a theorist and a writer, approaching his works as philosophical forms in their own right.
Author: Cody Marrs
Publisher: Cambridge University Press
ISBN: 1108484034
Category : Fiction
Languages : en
Pages : 293
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Book Description
This collection reimagines Melville as both a theorist and a writer, approaching his works as philosophical forms in their own right.
Author: Wyn Kelley
Publisher: John Wiley & Sons
ISBN: 1119045274
Category : Literary Criticism
Languages : en
Pages : 631
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Book Description
In a series of 35 original essays, this companion demonstrates the relevance of Melville’s works in the twenty-first century. Presents 35 original essays by scholars from around the world, representing a range of different approaches to Melville Considers Melville in a global context, and looks at the impact of global economies and technologies on the way people read Melville Takes account of the latest and most sophisticated scholarship, including postcolonial and feminist perspectives Locates Melville in his cultural milieu, revising our views of his politics on race, gender and democracy Reveals Melville as a more contemporary writer than his critics have sometimes assumed
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
This New Companion offers fifteen short, lively essays on a range of topics in Melville studies, including a number of new topics in American literary studies - animal studies, planetary studies, law and literature, oceanic studies - and reconsiderations of classic topics such as form and aesthetics.
Author: Robert S. Levine
Publisher: Cambridge University Press
ISBN: 1107023130
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
This new collection offers timely, critical essays specially commissioned to provide a comprehensive overview of Melville's career.
Author: Herman Melville
Publisher:
ISBN:
Category : Marginalia
Languages : en
Pages : 762
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Book Description
Author: Robert Steven Levine
Publisher: Cambridge University Press
ISBN: 9780521555715
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
Specially commissioned essays provide a critical introduction to one of the most significant writers of nineteenth-century America.
Author: Wyn Kelley
Publisher: Cambridge University Press
ISBN: 9780521560542
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
She shows that images both from Melville and from popular sources of the time represented New York variously as Capital, Labyrinth, City of Man, and City of God, and she goes on to demonstrate that he resisted a generalizing or totalizing representation of the city by revealing its hybrid identity and giving voice to the poor, the displaced, and the racially excluded.
Author: Herman Melville
Publisher: Northwestern University Press
ISBN: 9780810108233
Category : Biography & Autobiography
Languages : en
Pages : 700
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Book Description
This volume presents Melville's three known journals. Unlike his contemporaries Emerson, Thoreau, and Hawthorne, Melville kept no habitual record of his days and thoughts; each of his three journals records his actions and observations on trips far from home. In this edition's Historical Note, Howard C. Horsford places each of the journals in the context of Melville's career, discusses its general character, and points out the later literary uses he made of it, notably in Moby-Dick, Clarel, and his magazine pieces. The editors supply full annotations of Melville's allusions and terse entries and an exhaustive index makes available the range of his acquaintance with people, places, and works of art. Also included are related documents, illustrations, maps, and many pages and passages reproduced from the journals. This scholarly edition aims to present a text as close to the author's intention as his difficult handwriting permits. It is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).
Author: Nathaniel Philbrick
Publisher: National Geographic Books
ISBN: 0143123971
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
A “brilliant and provocative” (The New Yorker) celebration of Melville’s masterpiece—from the bestselling author of In the Heart of the Sea, Valiant Ambition, and In the Hurricane's Eye One of the greatest American novels finds its perfect contemporary champion in Why Read Moby-Dick?, Nathaniel Philbrick’s enlightening and entertaining tour through Melville’s classic. As he did in his National Book Award–winning bestseller In the Heart of the Sea, Philbrick brings a sailor’s eye and an adventurer’s passion to unfolding the story behind an epic American journey. He skillfully navigates Melville’s world and illuminates the book’s humor and unforgettable characters—finding the thread that binds Ishmael and Ahab to our own time and, indeed, to all times. An ideal match between author and subject, Why Read Moby-Dick? will start conversations, inspire arguments, and make a powerful case that this classic tale waits to be discovered anew. “Gracefully written [with an] infectious enthusiasm…”—New York Times Book Review
Author: Brian Higgins
Publisher: LSU Press
ISBN: 0807149063
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
Herman Melville's Pierre; or. The Ambiguities has a storied place in the history of American publishing. Melville began writing this follow-up to Moby-Dick in October 1851, thinking that it might prove even more significant than its predecessor. The 1852 publication of Pierre was catastrophic, however. Melville lost his English publisher, and American reviewers derided the book and called the author mad. InReading Melville's "Pierre; or, The Ambiguities," noted Melville authorities Brian Higgins and Hershel Parker probe the daunting story behind a deeply flawed but revealing work, one that directly reflects the major crisis of Melville's authorial life. Weighed down by huge debts, Melville took the manuscript of Pierre to his New York publisher, Harper and Brothers, desperately needing the new work to be a financial success. The Harpers balked at publishing such a dangerous psychological novel (incest was a theme) and offered him less than half the royalties they had paid for his previous books. The anguished Melville accepted the contract but subsequently added new passages to his manuscript -- passages that disparage the publishing industry and reflect his agony at the looming loss of his career. Higgins and Parker examine what can plausibly be reconstructed of Melville's original version of Pierreand explore the consequences of his belated decision to expand his work, showing in detail how his hastily written and awkwardly inserted additions marred much of what he had brilliantly achieved in the shorter version. They demonstrate that to understand Pierre, and Melville himself at this crisis, one must first understand the compositional history that resulted in the book as published. Setting Pierre in the context of Melville's literary life, Higgins and Parker's study is an illuminating demonstration of biographical and textual scholarship by two of the field's finest practitioners.
