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Author: Ramsey Campbell
Publisher: Comma Press
ISBN: 1912697459
Category : Fiction
Languages : en
Pages : 302
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Book Description
SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma’s award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject – Julia Kristeva’s theory of the psychoanalytic, intimate abject, and Georges Bataille’s societal equivalent – with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or ‘the other’, atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn’t exist. After all, we can never be wholly free of that which belongs to us.
Author: Ramsey Campbell
Publisher: Comma Press
ISBN: 1912697459
Category : Fiction
Languages : en
Pages : 302
Get Book Here
Book Description
SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma’s award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject – Julia Kristeva’s theory of the psychoanalytic, intimate abject, and Georges Bataille’s societal equivalent – with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or ‘the other’, atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn’t exist. After all, we can never be wholly free of that which belongs to us.
Author: Sarah Eyre
Publisher: Comma Press
ISBN:
Category : Fiction
Languages : en
Pages : 244
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Book Description
This collection brings together 15 specially commissioned stories by internationally acclaimed writers and filmmakers, to explore and update Freud's classic theory of 'The Uncanny' - his piercing and all-encompassing dissection of what gives us the creeps.
Author: Tony Magistrale
Publisher: Peter Lang
ISBN: 9780820470566
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
Abject Terrors is an expansive study of the most significant films from the prolific horror genre - from its origins in the 1920s and 1930s, to its contemporary representations. This survey brings together close analyses of individual motion pictures, demonstrating the interconnections among these filmic texts and their contribution to defining quintessential aspects of the modern and postmodern horror film.
Author: Verlyn Klinkenborg
Publisher: Alfred A. Knopf
ISBN: 0679407286
Category : Fiction
Languages : en
Pages : 193
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Book Description
Timothy, a tortoise who lived in the garden of eighteenth-century curate Gilbert White, speaks out on his life in the garden, his nine-day adventure outside the gate, his observations of the curious habits and habitations of humans, and the natural world around him. 30,000 first printing.
Author: Rina Arya
Publisher:
ISBN: 9780719096280
Category : Abjection in literature
Languages : en
Pages : 208
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Book Description
An impressive list of authors examine how abjection can be discussed in relation to a host of different subjects, including marginality and gender.
Author: Julia Kristeva
Publisher: Columbia University Press
ISBN: 0231561415
Category : Psychology
Languages : en
Pages : 324
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Book Description
In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down.
Author: John Limon
Publisher: Duke University Press
ISBN: 0822380501
Category : Performing Arts
Languages : en
Pages : 161
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Book Description
Stand-Up Comedy in Theory, or, Abjection in America is the first study of stand-up comedy as a form of art. John Limon appreciates and analyzes the specific practice of stand-up itself, moving beyond theories of the joke, of the comic, and of comedy in general to read stand-up through the lens of literary and cultural theory. Limon argues that stand-up is an artform best defined by its fascination with the abject, Julia Kristeva’s term for those aspects of oneself that are obnoxious to one’s sense of identity but that are nevertheless—like blood, feces, or urine—impossible to jettison once and for all. All of a comedian’s life, Limon asserts, is abject in this sense. Limon begins with stand-up comics in the 1950s and 1960s—Lenny Bruce, Carl Reiner, Mel Brooks, Mike Nichols, Elaine May—when the norm of the profession was the Jewish, male, heterosexual comedian. He then moves toward the present with analyses of David Letterman, Richard Pryor, Ellen DeGeneres, and Paula Poundstone. Limon incorporates feminist, race, and queer theories to argue that the “comedification” of America—stand-up comedy’s escape from its narrow origins—involves the repossession by black, female, queer, and Protestant comedians of what was black, female, queer, yet suburbanizing in Jewish, male, heterosexual comedy. Limon’s formal definition of stand-up as abject art thus hinges on his claim that the great American comedians of the 1950s and 1960s located their comedy at the place (which would have been conceived in 1960 as a location between New York City or Chicago and their suburbs) where body is thrown off for the mind and materiality is thrown off for abstraction—at the place, that is, where American abjection has always found its home.
Author: Leticia Alvarado
Publisher: Duke University Press
ISBN: 0822371936
Category : Art
Languages : en
Pages : 204
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Book Description
In Abject Performances Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or celebration, artists such as Ana Mendieta, Nao Bustamante, and the Chicano art collective known as Asco employ negative affects—shame, disgust, and unbelonging—to capture experiences that lie at the edge of the mainstream, inspirational Latino-centered social justice struggles. Drawing from a diverse expressive archive that ranges from performance art to performative testimonies of personal faith-based subjection, Alvarado illuminates modes of community formation and social critique defined by a refusal of identitarian coherence that nonetheless coalesce into Latino affiliation and possibility.
Author: Sabine Broeck
Publisher: SUNY Press
ISBN: 1438470398
Category : Philosophy
Languages : en
Pages : 240
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Book Description
An anti-racist critique of gender studies as a field. In Gender and the Abjection of Blackness, Sabine Broeck argues that gender studies as a mostly white field has taken insufficient account of Black contributions, and that more than being an ethnocentric limitation or blind spot, this has represented a structural anti-Blackness in the field. Engaging with the work of Black feminist authors Sylvia Wynter, Hortense Spillers, and Saidiya Hartman, Broeck critiques a selection of canonical white gender studies texts to make this case. The book discusses this problem at the core of gender theory as a practice which Broeck terms enslavismthe ongoing abjection of Black life which Hartman has called the afterlife of slavery. This has become manifest in the repetitive employment of the woman as slave metaphor so central to gender theory, as well as in recent theoretical mutations of these anti-Black politics of analogy. It is the structural separation of Blackness from gender that has functioned over and again as the scaffold enabling white womens struggles for successful recognition of equality and subjectivity in the human world as we know it. This book challenges white readers to rethink their own untroubled identification with gender theory, and it provides all readers with a white feminist theorists sophisticated theoretical and self-critical scholarly account of her own reckoning with and learning in dialogue from Black feminisms critique. Broeck draws on a wide range of experience to provide a frame for rethinking gender as category that can work towards something like Black freedom. Most importantly, Black theoretical insights in this work move beyond intervention to offer a whole new way of being, and the author grapples with the new conceptual terrain she is now occupying. Rinaldo Walcott, author of Queer Returns: Essays on Multiculturalism, Diaspora, and Black Studies
Author: Maggie Hennefeld
Publisher: Duke University Press
ISBN: 1478003413
Category : Social Science
Languages : en
Pages : 237
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Book Description
From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Contributors. Meredith Bak, Eugenie Brinkema, James Leo Cahill, Michelle Cho, Maggie Hennefeld, Rob King, Thomas Lamarre, Sylvère Lotringer, Rijuta Mehta, Mark Mulroney, Nicholas Sammond, Yiman Wang, Rebecca Wanzo
