Author: Alan Richardson
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Presents the work in cognitive neuroscience to bear on some famously vexed issues in British Romantic studies. The author demonstrates how developments in the neurosciences can transform the study of literary history. He presents six studies, each exploring a different intersection of Romanticism and the sciences of the mind and brain.
Author: Alan Richardson
Publisher: JHU Press
ISBN: 0801894522
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
"Alan Richardson is an acknowledged pioneer in cognitive approaches to literature. His command of Romantic literature, the history of ideas of the Romantic era, and contemporary cognitive research is authoritative. In The Neural Sublime, he expands on his previous groundbreaking work in cognitive historicism by applying contemporary neuroscience to Romantic-era works."---Nancy Easterlin, University of New Orleans --Book Jacket.
Author: Paul Cefalu
Publisher: Bloomsbury Publishing
ISBN: 1472533186
Category : Literary Criticism
Languages : en
Pages : 133
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Book Description
Paul Cefalu argues that Shakespearean characters raise timely questions about the relationship between cognition and consciousness and often defy our assumptions about “normal” cognition. The book will appeal to scholars and students interested in both the virtues and limitations of cognitive literary criticism.
Author: Mark Canuel
Publisher: JHU Press
ISBN: 1421406098
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
Read the Romantics from the perspective of both political theory and literary studies—and consider justice through the lens of the sublime. In the past ten years, theorists from Elaine Scarry to Roger Scruton have devoted renewed attention to the aesthetic of beauty. Part of their discussions claim that beauty—because it arises from a sense of proportion, symmetry, or reciprocity—provides a model for justice. Justice, Dissent, and the Sublime makes a significant departure from this mode of thinking. Mark Canuel argues that the emphasis on beauty unwittingly reinforces, in the name of justice, the constraints of uniformity and conventionality. He calls for a more flexible and inclusive connection between aesthetics and justice, one founded on the Kantian concept of the sublime. The sublime captures the roles that asymmetry, complaint, and disagreement play in a complete understanding of a just society—a point, the author maintains, that was appreciated by a number of Romantic writers, including Mary Shelley. Canuel draws interesting connections between the debate about beauty and justice and issues in cosmopolitanism, queer theory, and animal studies.
Author: Nancy Easterlin
Publisher: JHU Press
ISBN: 1421405040
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Combining cognitive and evolutionary research with traditional humanist methods, Nancy Easterlin demonstrates how a biocultural perspective in theory and criticism opens up new possibilities for literary interpretation. Easterlin maintains that the practice of literary interpretation is still of central intellectual and social value. Taking an open yet judicious approach, she argues, however, that literary interpretation stands to gain dramatically from a fair-minded and creative application of cognitive and evolutionary research. This work does just that, expounding a biocultural method that charts a middle course between overly reductive approaches to literature and traditionalists who see the sciences as a threat to the humanities. Easterlin develops her biocultural method by comparing it to four major subfields within literary studies: new historicism, ecocriticism, cognitive approaches, and evolutionary approaches. After a thorough review of each subfield, she reconsiders them in light of relevant research in cognitive and evolutionary psychology and provides a textual analysis of literary works from the romantic era to the present, including William Wordsworth’s “Simon Lee” and the Lucy poems, Mary Robinson’s “Old Barnard,” Samuel Taylor Coleridge’s “Dejection: An Ode,” D. H. Lawrence’s The Fox, Jean Rhys’s Wide Sargasso Sea, and Raymond Carver’s “I Could See the Smallest Things.” A Biocultural Approach to Literary Theory and Interpretation offers a fresh and reasoned approach to literary studies that at once preserves the central importance that interpretation plays in the humanities and embraces the exciting developments of the cognitive sciences.
Author: G. Gabrielle Starr
Publisher: MIT Press
ISBN: 0262019310
Category : Art
Languages : en
Pages : 297
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Book Description
A theory of the neural bases of aesthetic experience across the arts, which draws on the tools of both cognitive neuroscience and traditional humanist inquiry. In Feeling Beauty, G. Gabrielle Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both cognitive neuroscience and traditional humanist inquiry, Starr shows that neuroaesthetics offers a new model for understanding the dynamic and changing features of aesthetic life, the relationships among the arts, and how individual differences in aesthetic judgment shape the varieties of aesthetic experience. Starr, a scholar of the humanities and a researcher in the neuroscience of aesthetics, proposes that aesthetic experience relies on a distributed neural architecture—a set of brain areas involved in emotion, perception, imagery, memory, and language. More important, it emerges from networked interactions, intricately connected and coordinated brain systems that together form a flexible architecture enabling us to develop new arts and to see the world around us differently. Focusing on the "sister arts" of poetry, painting, and music, Starr builds and tests a neural model of aesthetic experience valid across all the arts. Asking why works that address different senses using different means seem to produce the same set of feelings, she examines particular works of art in a range of media, including a poem by Keats, a painting by van Gogh, a sculpture by Bernini, and Beethoven's Diabelli Variations. Starr's innovative, interdisciplinary analysis is true to the complexities of both the physical instantiation of aesthetics and the realities of artistic representation.
Author: Bernard Beatty
Publisher: Cambridge Scholars Publishing
ISBN: 144389320X
Category : Literary Collections
Languages : en
Pages : 180
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Book Description
This volume is the first to draw together, in eight original essays by international scholars, some of the dominant strains in critical thinking about Byron’s temperament and behaviour. Using discourses and paradigms drawn from a variety of disciplines, including literary studies, history of medicine, behaviourism and cultural studies, its contributors explore and synthesise the development of “behavioural strategies” and their impact on his poetic manner. Studies of the precise relationship of the poet’s body and mind have often placed Byron within some of our modern psychological and medical frameworks without acknowledging that these “diagnoses” are bound up with the complex business of reading and responding to literature. The topic of ‘temperament’ uniquely allows concurrent discussion of body and mind within the context of Byron’s writing, as well as his life. In this sense, the book is primarily literary. Recent scientific or quasi-scientific theory is utilised and not discounted, but the book insists upon the relevance of literary procedures and evidence, broadly understood, which are not dependent upon it and can contribute to, enlarge, or cast doubts upon some of its claims.
Author: Edmund Burke
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 326
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Book Description
Author: Patrick Vincent
Publisher:
ISBN: 1108497063
Category : Literary Criticism
Languages : en
Pages : 687
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Book Description
Examining Romanticism's pan-European circulation of people, ideas, and texts, this history re-analyses the period and Britain's place in it.
Author: John Savarese
Publisher:
ISBN: 9780814256053
Category :
Languages : en
Pages : 0
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Book Description
In Romanticism's Other Minds: Poetry, Cognition, and the Science of Sociability, John Savarese reassesses early relationships between Romantic poetry and the sciences, uncovering a prehistory of cognitive approaches to literature and demonstrating earlier engagement of cognitive approaches than has heretofore been examined at length. Eighteenth- and early nineteenth-century writers framed poetry as a window into the mind's original, underlying structures of thought and feeling. While that Romantic argument helped forge a well-known relationship between poetry and introspective or private consciousness, Savarese argues that it also made poetry the staging ground for a more surprising set of debates about the naturally social mind. From James Macpherson's forgeries of ancient Scottish poetry to Wordsworth's and Coleridge's Lyrical Ballads, poets mined traditional literatures and recent scientific conjectures to produce alternate histories of cognition, histories that variously emphasized the impersonal, the intersubjective, and the collective. By bringing together poetics, philosophy of mind, and the physiology of embodied experience--and with major studies of James Macpherson, Anna Letitia Barbauld, William Wordsworth, and Walter Scott--Romanticism's Other Minds recovers the interdisciplinary conversations at the heart of Romantic-era literary theory.
