The Nets of Modernism PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Nets of Modernism PDF full book. Access full book title The Nets of Modernism by Maud Ellmann. Download full books in PDF and EPUB format.
Author: Maud Ellmann
Publisher: Cambridge University Press
ISBN: 1139493388
Category : Literary Criticism
Languages : en
Pages :
Get Book Here
Book Description
One of the finest literary critics of her generation, Maud Ellmann synthesises her work on modernism, psychoanalysis and Irish literature in this important new book. In sinuous readings of Henry James, James Joyce and Virginia Woolf, she examines the interconnections between developing technological networks in modernity and the structures of modernist fiction, linking both to Freudian psychoanalysis. The Nets of Modernism examines the significance of images of bodily violation and exchange - scar, bite, wound, and their psychic equivalents - showing how these images correspond to 'vampirism' and related obsessions in early twentieth-century culture. Subtle, original and a pleasure to read, this 2010 book offers a fresh perspective on the inter-implications of Freudian psychoanalysis and Anglophone modernism that will influence the field for years to come.
Author: Maud Ellmann
Publisher: Cambridge University Press
ISBN: 1139493388
Category : Literary Criticism
Languages : en
Pages :
Get Book Here
Book Description
One of the finest literary critics of her generation, Maud Ellmann synthesises her work on modernism, psychoanalysis and Irish literature in this important new book. In sinuous readings of Henry James, James Joyce and Virginia Woolf, she examines the interconnections between developing technological networks in modernity and the structures of modernist fiction, linking both to Freudian psychoanalysis. The Nets of Modernism examines the significance of images of bodily violation and exchange - scar, bite, wound, and their psychic equivalents - showing how these images correspond to 'vampirism' and related obsessions in early twentieth-century culture. Subtle, original and a pleasure to read, this 2010 book offers a fresh perspective on the inter-implications of Freudian psychoanalysis and Anglophone modernism that will influence the field for years to come.
Author: Václav Paris
Publisher: Oxford University Press
ISBN: 0192638653
Category : Literary Criticism
Languages : en
Pages : 226
Get Book Here
Book Description
Modernist epic is more interesting and more diverse than we have supposed. As a radical form of national fiction it appeared in many parts of the world in the early twentieth century. Reading a selection of works from the United States, England, Ireland, Czechoslovakia, and Brazil, The Evolutions of Modernist Epic develops a comparative theory of this genre and its global development. That development was, it argues, bound up with new ideas about biological evolution. During the first decades of the twentieth century—a period known, in the history of evolutionary science, as 'the eclipse of Darwinism'—evolution's significance was questioned, rethought, and ultimately confined to the Neo-Darwinist discourse with which we are familiar today. Epic fiction participated in, and was shaped by, this shift. Drawing on queer forms of sexuality to cultivate anti-heroic and non-progressive modes of telling national stories, the genre contested reductive and reactionary forms of social Darwinism. The book describes how, in doing so, the genre asks us to revisit our assumptions about ethnolinguistics and organic nationalism. It also models how the history of evolutionary thought can provide a new basis for comparing diverse modernisms and their peculiar nativisms.
Author: Tyrus Miller
Publisher: Univ of California Press
ISBN: 9780520921993
Category : Fiction
Languages : en
Pages : 280
Get Book Here
Book Description
Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years. In the post-World War I reconstruction and the worldwide crisis that followed, Miller argues, new technological media and the social forces of mass politics opened fault lines in individual and collective experience, undermining the cultural bases of the modernist movement. He shows how late modernists attempted to discover ways of occupying this new and often dangerous cultural space. In doing so they laid bare the ruin of the modernist aesthetic at the same time as they transcended its limits. In his wide-ranging theoretical and historical discussion, Miller relates developments in literary culture to tendencies in the visual arts, cultural and political criticism, mass culture, and social history. He excavates Wyndham Lewis's hidden borrowings from Al Jolson's The Jazz Singer; situates Djuna Barnes between the imagery of haute couture and the intellectualism of Duchamp; uncovers Beckett's affinities with Giacometti's surrealist sculptures and the Bolshevik clowns Bim-Bom; and considers Mina Loy as both visionary writer and designer of decorative lampshades. Miller's lively and engaging readings of culture in this turbulent period reveal its surprising anticipation of our own postmodernity.
Author: John Whittier-Ferguson
Publisher: Cambridge University Press
ISBN: 1316061612
Category : Literary Criticism
Languages : en
Pages : 289
Get Book Here
Book Description
This wide-ranging study of the late poetry and prose of Virginia Woolf, T. S. Eliot, Gertrude Stein, and Wyndham Lewis brings together works from the 1930s and 1940s - writings composed by authors self-consciously entering middle to old age and living through years when civilization seemed intent on tearing itself to pieces for the second time in their adult lives. Profoundly revising their earlier work, these artists asked how their writing might prove significant in a time that Woolf described, in a diary entry from 1938, as '1914 but without even the illusion of 1914. All slipping consciously into a pit'. This late modern writing explores mortality, the frailties of culture, and the potential consolations and culpabilities of aesthetic form. Such writing is at times horrifying and objectionable and at others deeply moving, different from the earlier works which first won these writers their fame.
Author: Rebecca Colesworthy
Publisher: Oxford University Press
ISBN: 0191084352
Category : Literary Criticism
Languages : en
Pages : 436
Get Book Here
Book Description
From debates about reparations to the rise of the welfare state, the decades following World War I saw a widespread turn across disciplines to questions about the nature and role of gifts: What is a gift? What do gifts mean and do? Which individuals and institutions have the authority to give? Marshalling wide-ranging interdisciplinary research, Returning the Gift argues that these questions centrally shaped literary modernism. The book begins by revisiting the locus classicus of twentieth-century gift theory -- the French sociologist Marcel Mauss's 1925 essay, The Gift: The Form and Reason for Exchange in Archaic Societies. His title notwithstanding, the gift Mauss envisions is not primitive or pre-capitalist, but rather a distinctively modern phenomenon. Subsequent chapters offer sustained, nuanced readings of novels and nonfiction by Virginia Woolf, Jean Rhys, Gertrude Stein, and H.D. from the 1920s to 1940s, underscoring the ways their writing is illuminated by contemporaneous developments in the social sciences, economics, and politics, while also making a case for their unique contributions to broader debates about gifts. Not only do these writers insist that literature is a special kind of gift, but they also pose challenges to the gift's feminization in the work of both their Victorian forebears and contemporary male theorists. Each of these writers uses tropes and narratives of giving -- of hospitality, sympathy, reciprocity, charity, genius, and kinship -- to imagine more egalitarian social possibilities under the conditions of the capitalist present. The language of the gift is not, as we might expect, a mark of hostility to the market so much as a means of giving form to the 'society' in market society -- of representing everyday experiences of exchange that the myth of the free market works, even now, to render unthinkable.
Author: Jeffrey Mathes McCarthy
Publisher: Springer
ISBN: 1137526041
Category : Literary Criticism
Languages : en
Pages : 432
Get Book Here
Book Description
One of the first studies to explore the relationship between environmental criticism and British modernism, Green Modernism explores the cultural function of nature in the modernist novel between 1900 and 1930. This theoretically engaged, historically informed book brings new materialist insights to novels by Conrad, Ford, Lawrence, and Butts.
Author: Kathryn Conrad
Publisher: Syracuse University Press
ISBN: 0815654480
Category : Literary Criticism
Languages : en
Pages : 419
Get Book Here
Book Description
Since W. B. Yeats wrote in 1890 that “the man of science is too often a person who has exchanged his soul for a formula,” the anti-scientific bent of Irish literature has often been taken as a given. Science, Technology, and Irish Modernism brings together leading and emerging scholars of Irish modernism to challenge the stereotype that Irish literature has been unconcerned with scientific and technological change. The collection spotlights authors ranging from James Joyce, Elizabeth Bowen, Flann O’Brien, and Samuel Beckett to less-studied writers like Emily Lawless, John Eglinton, Denis Johnston, and Lennox Robinson. With chapters on naturalism, futurism, dynamite, gramophones, uncertainty, astronomy, automobiles, and more, this book showcases the far-reaching scope and complexity of Irish writers’ engagement with innovations in science and technology. Taken together, the fifteen original essays in Science, Technology, and Irish Modernism map a new literary landscape of Ireland in the twentieth century. By focusing on writers’ often-ignored interest in science and technology, this book uncovers shared concerns between revivalists, modernists, and late modernists that challenge us to rethink how we categorize and periodize Irish literature.
Author: Michael McAteer
Publisher: Springer Nature
ISBN: 3030374130
Category : Literary Criticism
Languages : en
Pages : 285
Get Book Here
Book Description
This book examines the topic of excess in modern Irish writing in terms of mysticism, materialism, myth and language. The study engages ideas of excess as they appear in works by major thinkers from Hegel, Kierkegaard and Marx through to Nietzsche, Bataille, Derrida and, more recently, Badiou. Poems, plays and fiction by a wide range of Irish authors are considered. These include works by Oscar Wilde, W. B. Yeats, G. B. Shaw, Patrick Pearse, James Joyce, Sean O’Casey, Louis MacNeice, Samuel Beckett, Elizabeth Bowen, Roddy Doyle, Seamus Heaney, Marina Carr and Medbh McGuckian. The readings presented illustrate how Matthew Arnold’s nineteenth-century idea of the excessive character of the Celt is itself exceeded within the modernity of twentieth-century Irish writing.
Author: Pericles Lewis
Publisher: Cambridge University Press
ISBN: 9780521661119
Category : Literary Criticism
Languages : en
Pages : 260
Get Book Here
Book Description
This study, first published in 2000, examines the impact of nationalist political thought on the modern novel.
Author: Michael Mack
Publisher: Edinburgh University Press
ISBN: 1474470491
Category : Dialectical materialism
Languages : en
Pages : 240
Get Book Here
Book Description
This book enquires into the problem of various oppositions between pure entities such as nature and society, body and mind, science and the arts, subjectivity and objectivity. It examines how works of literature and cinema have contaminated constructions of the pure and the immune with their purported opposite. As an advanced critical introduction to the figure of contamination, the book makes explicit what so far has remained unarticulated ́82 what has only been implied ́82 within postmodern, poststructuralist and deconstructive theory. Combining theory with literary criticism, the book sheds light on how overlooked aspects of 'the novels of Henry James, Herman Melville and H. G. Wells question notions of natural order as well as an opposition between the subjective and the objective. It offers fresh readings of classic films and literary texts, including Vertigo and Moby Dick, with the aim to ground theoretical insights in close analysis.
