The Negro's Or Ethiopian's Contribution to Art PDF Download
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Author: Charles C. Seifert
Publisher: Black Classic Press
ISBN: 9780933121119
Category : Art
Languages : en
Pages : 40
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Book Description
Author: Charles C. Seifert
Publisher: Black Classic Press
ISBN: 9780933121119
Category : Art
Languages : en
Pages : 40
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Book Description
Author: Frank M. Snowden
Publisher: Harvard University Press
ISBN: 9780674076266
Category : History
Languages : en
Pages : 396
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Book Description
Investigates the participation of black Africans, usually referred to as "Ethiopians," by the Greek and Romans, in classical civilization, concluding that they were accepted by pagans and Christians without prejudice.
Author: Sam Fogg Rare Books & Manuscripts (Firm)
Publisher: Gower Publishing Company, Limited
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
The unique character of Ethiopian art is the legacy of its situation high in the mountains, on the Horn of Africa. Though remote and often isolated it evolved a tradition in response to contacts with Byzantine, European, and Islamic cultures. Beginning in the twelfth century, elaborate crosses were cast and engraved in iron and bronze. Painted and carved icons were produced in a tradition that reached its peak at the end of the seventeenth century. Above all it is richly illustrated manuscripts which have provided the most defining expression of Ethiopian Christianity.
Author: Klaus Benesch
Publisher: Rodopi
ISBN: 9789042008809
Category : History
Languages : en
Pages : 384
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Book Description
In the humanities, the term 'diaspora' recently emerged as a promising and powerful heuristic concept. It challenged traditional ways of thinking and invited reconsiderations of theoretical assumptions about the unfolding of cross-cultural and multi-ethnic societies, about power relations, frontiers and boundaries, about cultural transmission, communication and translation. The present collection of essays by renowned writers and scholars addresses these issues and helps to ground the ongoing debate about the African diaspora in a more solid theoretical framework. Part I is dedicated to a general discussion of the concept of African diaspora, its origins and historical development. Part II examines the complex cultural dimensions of African diasporas in relation to significant sites and figures, including the modes and modalities of creative expression from the perspective of both artists/writers and their audiences; finally, Part III focusses on the resources (collections and archives) and iconographies that are available today. As most authors argue, the African diaspora should not be seen merely as a historical phenomenon, but also as an idea or ideology and an object of representation. By exploring this new ground, the essays assembled here provide important new insights for scholars in American and African-American Studies, Cultural Studies, Ethnic Studies, and African Studies. The collection is rounded off by an annotated listing of black autobiographies.
Author: Natalie Zemon Davis
Publisher: Walters Art Gallery
ISBN: 9780911886788
Category : Africans in art
Languages : en
Pages : 143
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Book Description
"This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."
Author: Marcus Garvey
Publisher: Univ of California Press
ISBN: 0520342224
Category : History
Languages : en
Pages : 698
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Book Description
Marcus Mosiah Garvey (1887- 1940) led an extraordinary mass movement of black social protest. His Universal Negro Improvement Association and his "back to African" program of racial nationalism introduced many ideas that emerged again during the Black Power years of the 1960s: pride in black roots, pride in black physical features and African culture, and rejection of assimilation into white America. Yet the charismatic black Jamaican who roared his credo before huge audiences on the st reet corners of Harlem remains an enigma. His image as an honest idealist urging blacks to build their own nation has been clouded by accusations that he was a con man who, in the name of black pride, perpetrated one of history's greatest swindles. The Marcus Garvey And Universal Negro Improvement Association Papers clarifies the Garvey phenomenon. This is the first volume in a monumental ten-volume survey of thirty thousand archival documents and original manuscripts from widely separated sources, brought together by editor Robert A. Hill to provide a compelling picture of the evolution, spread, and influence of the UNIA. Letters, pamphlets, vital records, intelligence reports, newspaper articles, speeches, legal records, and diplomatic dispatches are enhanced by Hill's descriptive source notes, explanatory footnotes, and comprehensive introduction. Of the over three hundred items included in Volume I, only very few have ever been published or reprinted before. Volume I begins with the earliest mentions in 1826 of the Garvey family in Jamaica's slave records, and closes with Garvey's triumphant address at Carnegie Hall on August 25, 1919. The information is fascinating and often startling, tracing Garvey's early career in Jamaica, Central America, Europe, and the United States, and detailing the first stirrings of what was to become an international mass movement. Hill presents complete documentation of the first official surveillance of the UNIA, which prepared the way for the beginning of the criminal and civil litigation that engulfed Garvey and his movement, as American and European governments reacted to the perceived threat with repressive policies. The documents also record the internal structure and political splits during the early years of the UNIA, and provide the financial history of Garvey's controversial Black Star Line steamship venture, one of the schemes that ultimately led to the financial collapse of his movement. The first volume and the following five focus on America, the seventh and eighth on Mrica, and the last two on the Caribbean. The information Hill has compiled goes far beyond preoccupation with a single intriguing historical figure to document the growth and demise of a mass social phenomenon, an Mro-American protest movement with strong links to African and Caribbean nationalism in the first decades of the twentieth century.
Author: Nadia Nurhussein
Publisher: Princeton University Press
ISBN: 0691234620
Category : Social Science
Languages : en
Pages : 280
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Book Description
The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuries As the only African nation, with the exception of Liberia, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americans. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of an African country asserting itself as an imperial power. Nurhussein navigates texts by Walt Whitman, Paul Laurence Dunbar, Pauline Hopkins, Harry Dean, Langston Hughes, Claude McKay, George Schuyler, and others, alongside images and performances that show the intersection of African America with Ethiopia during historic political shifts. From a description of a notorious 1920 Star Order of Ethiopia flag-burning demonstration in Chicago to a discussion of the Ethiopian emperor Haile Selassie as Time magazine’s Man of the Year for 1935, Nurhussein illuminates the growing complications that modern Ethiopia posed for American writers and activists. American media coverage of the African nation exposed a clear contrast between the Pan-African ideal and the modern reality of Ethiopia as an antidemocratic imperialist state: Did Ethiopia represent the black nation of the future, or one of an inert and static past? Revising current understandings of black transnationalism, Black Land presents a well-rounded exploration of an era when Ethiopia’s presence in African American culture was at its height.
Author: Robert A. Hill
Publisher: Univ of California Press
ISBN: 9780520044562
Category : Biography & Autobiography
Languages : en
Pages : 718
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Book Description
"Africa for the Africans" was the name given in Africa to the extraordinary black social protest movement led by Jamaican Marcus Mosiah Garvey (1887-1940). Volumes I-VII of the Marcus Garvey and Universal Negro Improvement Association Papers chronicled the Garvey movement that flourished in the United States during the 1920s. Now, the long-awaited African volumes of this edition (Volumes VIII and IX and a forthcoming Volume X) demonstrate clearly the central role Africans played in the development of the Garvey phenomenon. The African volumes provide the first authoritative account of how Africans transformed Garveyism from an external stimulus into an African social movement. They also represent the most extensive collection of documents ever gathered on the early African nationalism of the inter-war period. Here is a detailed chronicle of the spread of Garvey's call for African redemption throughout Africa and the repressive colonial responses it engendered. Volume VIII begins in 1917 with the little-known story of the Pan-African commercial schemes that preceded Garveyism and charts the early African reactions to the UNIA. Volume IX continues the story, documenting the establishment of UNIA chapters throughout Africa and presenting new evidence linking Garveyism and nascent Namibian nationalism.
Author: John William Norris
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 80
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Book Description
Author: Marvin McAllister
Publisher: Univ of North Carolina Press
ISBN: 0807869066
Category : Social Science
Languages : en
Pages : 347
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Book Description
In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface supercop in his hit music video "Dangerous." In this sweeping work, Marvin McAllister explores the enduring tradition of "whiting up," in which African American actors, comics, musicians, and even everyday people have studied and assumed white racial identities. Not to be confused with racial "passing" or derogatory notions of "acting white," whiting up is a deliberate performance strategy designed to challenge America's racial and political hierarchies by transferring supposed markers of whiteness to black bodies--creating unexpected intercultural alliances even as it sharply critiques racial stereotypes. Along with conventional theater, McAllister considers a variety of other live performance modes, including weekly promenading rituals, antebellum cakewalks, solo performance, and standup comedy. For over three centuries, whiting up as allowed African American artists to appropriate white cultural production, fashion new black identities through these "white" forms, and advance our collective ability to locate ourselves in others.
