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Author: Berard Haile
Publisher: Createspace Independent Publishing Platform
ISBN: 9781542425032
Category :
Languages : en
Pages : 64
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Book Description
The Fire Dance is the ceremony performed during the ninth night of the Mountainway. The purpose of these last night's rites is to accumulate power, to help to restore the individual patient; to give strength to the spectators who have gathered in big crowds during the last night and to convey fertility to soil and animal and abundance to crop and game. The signal features of the Fire Dance are the erection of the sacred enclosure, the kindling of the huge central fire, and the performance of group dances, executed by medicine men who have been ceremonially invited from far distant places. Some of these dances are exclusively part of the Mountain Way, as for example the dance of the fire dancers whose task it is to replace a burned-off feather by a new one, a trick which symbolizes "restoration." Other group dances are taken from the Shooting-Chant (the Whirling Feather) or from the Nightway (the Masked Dancers). Berard Haile bases his account partly on personal observations, partly on the word of informants, and, to some extent, on the description of the ceremony of the Mountain Chant as given by Washington Matthews.
Author: Berard Haile
Publisher: Createspace Independent Publishing Platform
ISBN: 9781542425032
Category :
Languages : en
Pages : 64
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Book Description
The Fire Dance is the ceremony performed during the ninth night of the Mountainway. The purpose of these last night's rites is to accumulate power, to help to restore the individual patient; to give strength to the spectators who have gathered in big crowds during the last night and to convey fertility to soil and animal and abundance to crop and game. The signal features of the Fire Dance are the erection of the sacred enclosure, the kindling of the huge central fire, and the performance of group dances, executed by medicine men who have been ceremonially invited from far distant places. Some of these dances are exclusively part of the Mountain Way, as for example the dance of the fire dancers whose task it is to replace a burned-off feather by a new one, a trick which symbolizes "restoration." Other group dances are taken from the Shooting-Chant (the Whirling Feather) or from the Nightway (the Masked Dancers). Berard Haile bases his account partly on personal observations, partly on the word of informants, and, to some extent, on the description of the ceremony of the Mountain Chant as given by Washington Matthews.
Author: Berard Haile
Publisher: AMS Press
ISBN: 9780404155681
Category :
Languages : en
Pages :
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Book Description
Author: Washington Matthews
Publisher: e-artnow
ISBN: 8027245427
Category : History
Languages : en
Pages : 130
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Book Description
This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. "The ceremony of dsilyídjeqaçàl, or mountain chant—literally, chant towards (a place) within the mountains—is one of a large number practiced by the shamans, or medicine men, of the Navajo tribe. I have selected it as the first of those to be described, because I have witnessed it the most frequently, because it is the most interesting to the Caucasian spectator, and because it is the best known to the whites who visit and reside in and around the Navajo country." Contents: Myth of the Origin of DsilyídjeQaçàl Ceremonies of DsilyídjeQaçàl First Dance (Nahikàï) Second Dance (Great Plumed Arrow) Third Dance Fourth Dance Fifth Dance (Sun) Sixth Dance (Standing Arcs) Seventh Dance Eighth Dance (Rising Sun) Ninth Dance (Hoshkàwn, or Yucca) Tenth Dance (Bear) Eleventh Dance (Fire) The Great Pictures of DsilyídjeQaçàl First Picture (Home of the Serpents) Second Picture (Yays and Cultivated Plants) Third Picture (Long Bodies) Fourth Picture (Great Plumed Arrows) Sacrifices of DsilyídjeQaçàl Original Texts and Translations of Songs, &c. Songs of Sequence First Song of the First Dancers First Song of the Mountain Sheep Sixth Song of the Mountain Sheep Twelfth Song of the Mountain Sheep First Song of the Thunder Twelfth Song of the Thunder First Song of the Holy Young Men, or Young Men Gods Sixth Song of the Holy Young Men Twelfth Song of the Holy Young Men Eighth Song of the Young Women Who Become Bears One of the Awl Songs First Song of the Exploding Stick Last Song of the Exploding Stick First Daylight Song Last Daylight Song Other Songs and Extracts Song of the Prophet to the San Juan River Song of the Building of the Dark Circle Prayer to Dsilyi' Neyáni Song of the Rising Sun Dance Prayer of the Prophet to His Mask Last Words of the Prophet
Author: Leland C. Wyman
Publisher: University of Arizona Press
ISBN: 0816540225
Category : Social Science
Languages : en
Pages : 289
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Book Description
Comprehensive examination of a Navajo song ceremonial and its various branches, phases, and ritual. Includes a myth of the female branch recorded and translated by Father Berard Haile, O.F.M., 32 illustrations of Mountainway sandpaintings, with detailed analysis of their symbols and designs.
Author: Washington Matthews
Publisher: e-artnow
ISBN: 8026888898
Category : History
Languages : en
Pages : 130
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Book Description
"The ceremony of dsilyídjeqaçàl, or mountain chant—literally, chant towards (a place) within the mountains—is one of a large number practiced by the shamans, or medicine men, of the Navajo tribe. I have selected it as the first of those to be described, because I have witnessed it the most frequently, because it is the most interesting to the Caucasian spectator, and because it is the best known to the whites who visit and reside in and around the Navajo country." Contents: Myth of the Origin of DsilyídjeQaçàl Ceremonies of DsilyídjeQaçàl First Dance (Nahikàï) Second Dance (Great Plumed Arrow) Third Dance Fourth Dance Fifth Dance (Sun) Sixth Dance (Standing Arcs) Seventh Dance Eighth Dance (Rising Sun) Ninth Dance (Hoshkàwn, or Yucca) Tenth Dance (Bear) Eleventh Dance (Fire) The Great Pictures of DsilyídjeQaçàl First Picture (Home of the Serpents) Second Picture (Yays and Cultivated Plants) Third Picture (Long Bodies) Fourth Picture (Great Plumed Arrows) Sacrifices of DsilyídjeQaçàl Original Texts and Translations of Songs, &c. Songs of Sequence First Song of the First Dancers First Song of the Mountain Sheep Sixth Song of the Mountain Sheep Twelfth Song of the Mountain Sheep First Song of the Thunder Twelfth Song of the Thunder First Song of the Holy Young Men, or Young Men Gods Sixth Song of the Holy Young Men Twelfth Song of the Holy Young Men Eighth Song of the Young Women Who Become Bears One of the Awl Songs First Song of the Exploding Stick Last Song of the Exploding Stick First Daylight Song Last Daylight Song Other Songs and Extracts Song of the Prophet to the San Juan River Song of the Building of the Dark Circle Prayer to Dsilyi' Neyáni Song of the Rising Sun Dance Prayer of the Prophet to His Mask Last Words of the Prophet
Author: Karl W. Luckert
Publisher: University of Arizona Press
ISBN: 0816538972
Category : Social Science
Languages : en
Pages : 248
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Book Description
A new approach to the study of myths relating to the origin of the Navajos. Based on extensive fieldwork and research, including Navajo hunter informants and unpublished manuscripts of Father Berard Haile. Part 1: The Navajo Tradition, Perspectives and History Part II: Navajo Hunter Mythology A Collection of Texts Part III: The Navajo Hunter Tradition: An Interpretation
Author: Donald Sandner
Publisher: Inner Traditions / Bear & Co
ISBN: 9780892814343
Category : Medical
Languages : en
Pages : 316
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Book Description
A Jungian-trained psychiatrist explores ancient Navaho methods of healing that use vibrant imagery to bring the psyche into harmony with natural forces.
Author: Katharine Luomala
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 270
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Book Description
"... a summary of some of the essential features of the prehistory, history, and customs of the Navaho Indians of Arizona and New Mexico."--preface.
Author: Richard T. Parr
Publisher: University of Ottawa Press
ISBN: 1772821764
Category : Foreign Language Study
Languages : en
Pages : 349
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Book Description
This bibliography brings together the relevant materials in linguistics, anthropology, archaeology, folklore, and ethnomusicology for the Athapaskan languages. It consists of approximately 5,000 entries, of which one-fourth have been annotated, as well as maps and census illustrations.
Author: Warren Hastings Miller
Publisher: Library of Alexandria
ISBN: 1465552294
Category : Fiction
Languages : en
Pages : 205
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Book Description
COLONEL COLVIN sat in a great roomy armchair in the Colvin Trophy Den, puffing reminiscently at a short black pipe and gazing abstractedly into the flickering flames of glowing logs in the rugged stone fireplace that was the heart of the Den. Sid, his son, and Sid’s chum, Scotty, were patching their cruiser moccasins with hand sewing-awls, the former now and then glancing over at his father anxiously. The Colonel looked peaked and worn,—a thin, gray ghost of his former robust self,—for his duty during the War had been onerous in the extreme, as head of the Army Detail Office at Washington. Sid feared a total collapse of the old Indian fighter, for nothing is harder on the system of a man raised to years of violent outdoor life than a long period of desk work. Sid knew the only road back to health. His father knew it too, but, so far, he had not made the first move toward hitting the trail again. However, a certain expectant look in the Colonel’s eyes, certain mysterious telegrams which the boy had been detailed to send, addressed to an old Army friend out in Arkansas, had distilled the air of big events to come which hovered persistently in the atmosphere of the Den. Sid himself was heavier and even more bronzed than when we saw him last, on his hunt for the Ring-Necked Grizzly out in Montana. The War, he realized, had been but an episode,—a tremendous episode, it is true—but still only an episode in his life. For some mysterious reason both he and Scotty had been transferred to the artillery, where he had risen to sergeant and had been the little king over two six-inch howitzers. His memories of the War had been of miles and miles of muddy roads and ceaseless rain; of tractors and tanks that had hauled his howitzers always forward behind the Front; of dog-tired days and weeks when they had crept toward the Vesle, ditched for passing staff cars and corduroyed out of mud sinks around shell holes. And then there had been glorious, stunning, vivid moments when he had stood between his two guns, telephone receivers over ears, shaken off his feet by the blinding yellow flashes all around him, watching the timing, correcting the ranges and deflections coming in from his spotter, or rushing to the gun shields when a Boche H. E. seemed about to register a direct hit. It was a man’s job, while it lasted; almost unnoticed, Nature had put on his upper lip a fine black fuzz that told the world that Sid was no longer a boy. To Scotty the War had been more than an episode. It had introduced a great change in the red-haired boy’s life, for he now wore a black bandage on his arm, and the Henderson service flag bore a gold star. Of them all, the good old Doctor had not returned. A Fokker ’plane bomb had found out the first-aid dressing station where the grizzled old physician had stood, bathed to his shoulders in gore, working without rest or sleep for the thirty-six hours of a major engagement. That was all; there was nothing left of the dugout after that shell had crashed through its roof and exploded. But there were aching hearts in the Henderson home because of it, and Scotty looked older and sadder. The worry of measuring his earning power against this new and hectic America that had emerged from the War had cast a settled sternness on his youthful face. Days in the open would now be a matter of precarious vacations for him!
