Author: Barbara Aria
Publisher: Chronicle Books
ISBN: 9780811832687
Category : Art
Languages : en
Pages : 110
Book Description
In the best-selling tradition of The Spirit of the Chinese Character comes a beautiful companion, The Nature of the Chinese Character. Masterfully crafted earthly symbols are displayed throughout these rich, colorful pages--from sky and wind to water and sand. Each is accompanied by a graceful drawing illustrating the organic form that inspired the calligraphic representation and an enlightening description of the meaning, lore, and construction of the character. At once an inquiry into centuries of thought and a paean to the oldest functional art form, The Nature of the Chinese Character is exquisite in its own right-an elegant keepsake that both informs and enchants
The Nature of Chinese Character
Author: Barbara Aria
Publisher: Chronicle Books
ISBN: 9780811832687
Category : Art
Languages : en
Pages : 110
Book Description
In the best-selling tradition of The Spirit of the Chinese Character comes a beautiful companion, The Nature of the Chinese Character. Masterfully crafted earthly symbols are displayed throughout these rich, colorful pages--from sky and wind to water and sand. Each is accompanied by a graceful drawing illustrating the organic form that inspired the calligraphic representation and an enlightening description of the meaning, lore, and construction of the character. At once an inquiry into centuries of thought and a paean to the oldest functional art form, The Nature of the Chinese Character is exquisite in its own right-an elegant keepsake that both informs and enchants
Publisher: Chronicle Books
ISBN: 9780811832687
Category : Art
Languages : en
Pages : 110
Book Description
In the best-selling tradition of The Spirit of the Chinese Character comes a beautiful companion, The Nature of the Chinese Character. Masterfully crafted earthly symbols are displayed throughout these rich, colorful pages--from sky and wind to water and sand. Each is accompanied by a graceful drawing illustrating the organic form that inspired the calligraphic representation and an enlightening description of the meaning, lore, and construction of the character. At once an inquiry into centuries of thought and a paean to the oldest functional art form, The Nature of the Chinese Character is exquisite in its own right-an elegant keepsake that both informs and enchants
The Nature of the Chinese Character
Author: Aria, Barbara
Publisher:
ISBN: 9780920417225
Category : Calligraphy, Chinese
Languages : en
Pages : 96
Book Description
Publisher:
ISBN: 9780920417225
Category : Calligraphy, Chinese
Languages : en
Pages : 96
Book Description
The Nature of the Chinese Character
Author: Barbara Aria
Publisher:
ISBN: 9780731802159
Category : Calligraphy, Chinese
Languages : en
Pages : 96
Book Description
Publisher:
ISBN: 9780731802159
Category : Calligraphy, Chinese
Languages : en
Pages : 96
Book Description
Nature of the Chinese Character
Author: Barbara Aria
Publisher:
ISBN: 9780712648011
Category :
Languages : en
Pages :
Book Description
In the best-selling tradition of The Spirit of the Chinese Character comes a beautiful companion, The Nature of the Chinese Character. Masterfully crafted earthly symbols are displayed throughout these rich, colorful pages--from sky and wind to water and sand. Each is accompanied by a graceful drawing illustrating the organic form that inspired the calligraphic representation and an enlightening description of the meaning, lore, and construction of the character. At once an inquiry into centuries of thought and a paean to the oldest functional art form, The Nature of the Chinese Character is exquisite in its own right-an elegant keepsake that both informs and enchants
Publisher:
ISBN: 9780712648011
Category :
Languages : en
Pages :
Book Description
In the best-selling tradition of The Spirit of the Chinese Character comes a beautiful companion, The Nature of the Chinese Character. Masterfully crafted earthly symbols are displayed throughout these rich, colorful pages--from sky and wind to water and sand. Each is accompanied by a graceful drawing illustrating the organic form that inspired the calligraphic representation and an enlightening description of the meaning, lore, and construction of the character. At once an inquiry into centuries of thought and a paean to the oldest functional art form, The Nature of the Chinese Character is exquisite in its own right-an elegant keepsake that both informs and enchants
Chinese Characters
Author: Alan Hoenig
Publisher: Dr. Alan Hoenig
ISBN: 0982232403
Category : Foreign Language Study
Languages : en
Pages : 507
Book Description
A systematic, building block-style plan for mastering the most daunting aspect of learning Chinese--how to remember the meaning of more than 2,000 of the most common characters--is provided in this handbook. Beginning with the simplest of strokes, such as those for numbers, scepter, and earth, and progressing to the extremely complex, such as destroy, insert, and mouse, this manual presents a methodology employing memory techniques to associate meanings with the characters' visual components. A sequence of numbered panels displays each character in two font styles, and a notation in the adjacent margin describes the character's pinyin pronunciation. Graphics that identify the components or characters from which the featured characters are drawn, and a listing of both the names of these root components, and the panel numbers that cite their location in the book augment the presentation. Beginners will be best served by using this guide in conjunction with the development of language skills, while those who are familiar with the language will find this book to be a comprehensive reference and refresher.
Publisher: Dr. Alan Hoenig
ISBN: 0982232403
Category : Foreign Language Study
Languages : en
Pages : 507
Book Description
A systematic, building block-style plan for mastering the most daunting aspect of learning Chinese--how to remember the meaning of more than 2,000 of the most common characters--is provided in this handbook. Beginning with the simplest of strokes, such as those for numbers, scepter, and earth, and progressing to the extremely complex, such as destroy, insert, and mouse, this manual presents a methodology employing memory techniques to associate meanings with the characters' visual components. A sequence of numbered panels displays each character in two font styles, and a notation in the adjacent margin describes the character's pinyin pronunciation. Graphics that identify the components or characters from which the featured characters are drawn, and a listing of both the names of these root components, and the panel numbers that cite their location in the book augment the presentation. Beginners will be best served by using this guide in conjunction with the development of language skills, while those who are familiar with the language will find this book to be a comprehensive reference and refresher.
An Essay on the Nature and Structure of the Chinese Language
Author: Thomas Myers
Publisher:
ISBN:
Category : China
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : China
Languages : en
Pages : 40
Book Description
China
Author: Cecilia Lindqvist
Publisher: Da Capo Press
ISBN: 0786731990
Category : History
Languages : en
Pages : 426
Book Description
The origins of Chinese ideographs were not known until 1899, when a scholar went to an apothecary for some medicine made of “dragon bone.” To his surprise, the bone, which had not yet been ground into powder, contained a number of carved inscriptions. Thus began the exploration of the 3000-year-old sources of the written characters still used in China today. In this unparalleled and deeply researched book, Cecilia Lindqvist tells the story of these characters and shows how their shapes and concepts have permeated all of Chinese thought, architecture, art, and culture.
Publisher: Da Capo Press
ISBN: 0786731990
Category : History
Languages : en
Pages : 426
Book Description
The origins of Chinese ideographs were not known until 1899, when a scholar went to an apothecary for some medicine made of “dragon bone.” To his surprise, the bone, which had not yet been ground into powder, contained a number of carved inscriptions. Thus began the exploration of the 3000-year-old sources of the written characters still used in China today. In this unparalleled and deeply researched book, Cecilia Lindqvist tells the story of these characters and shows how their shapes and concepts have permeated all of Chinese thought, architecture, art, and culture.
The Chinese Typewriter
Author: Thomas S. Mullaney
Publisher: MIT Press
ISBN: 0262536102
Category : Technology & Engineering
Languages : en
Pages : 501
Book Description
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of “predictive text.” Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an “object history” but grappling with broad questions of technological change and global communication, shows how this happened. A Study of the Weatherhead East Asian Institute Columbia University
Publisher: MIT Press
ISBN: 0262536102
Category : Technology & Engineering
Languages : en
Pages : 501
Book Description
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of “predictive text.” Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an “object history” but grappling with broad questions of technological change and global communication, shows how this happened. A Study of the Weatherhead East Asian Institute Columbia University
Kingdom of Characters (Pulitzer Prize Finalist)
Author: Jing Tsu
Publisher: Penguin
ISBN: 0735214743
Category : History
Languages : en
Pages : 337
Book Description
PULITZER PRIZE FINALIST A New York Times Notable Book of 2022 What does it take to reinvent a language? After a meteoric rise, China today is one of the world’s most powerful nations. Just a century ago, it was a crumbling empire with literacy reserved for the elite few, as the world underwent a massive technological transformation that threatened to leave them behind. In Kingdom of Characters, Jing Tsu argues that China’s most daunting challenge was a linguistic one: the century-long fight to make the formidable Chinese language accessible to the modern world of global trade and digital technology. Kingdom of Characters follows the bold innovators who reinvented the Chinese language, among them an exiled reformer who risked a death sentence to advocate for Mandarin as a national language, a Chinese-Muslim poet who laid the groundwork for Chairman Mao's phonetic writing system, and a computer engineer who devised input codes for Chinese characters on the lid of a teacup from the floor of a jail cell. Without their advances, China might never have become the dominating force we know today. With larger-than-life characters and an unexpected perspective on the major events of China’s tumultuous twentieth century, Tsu reveals how language is both a technology to be perfected and a subtle, yet potent, power to be exercised and expanded.
Publisher: Penguin
ISBN: 0735214743
Category : History
Languages : en
Pages : 337
Book Description
PULITZER PRIZE FINALIST A New York Times Notable Book of 2022 What does it take to reinvent a language? After a meteoric rise, China today is one of the world’s most powerful nations. Just a century ago, it was a crumbling empire with literacy reserved for the elite few, as the world underwent a massive technological transformation that threatened to leave them behind. In Kingdom of Characters, Jing Tsu argues that China’s most daunting challenge was a linguistic one: the century-long fight to make the formidable Chinese language accessible to the modern world of global trade and digital technology. Kingdom of Characters follows the bold innovators who reinvented the Chinese language, among them an exiled reformer who risked a death sentence to advocate for Mandarin as a national language, a Chinese-Muslim poet who laid the groundwork for Chairman Mao's phonetic writing system, and a computer engineer who devised input codes for Chinese characters on the lid of a teacup from the floor of a jail cell. Without their advances, China might never have become the dominating force we know today. With larger-than-life characters and an unexpected perspective on the major events of China’s tumultuous twentieth century, Tsu reveals how language is both a technology to be perfected and a subtle, yet potent, power to be exercised and expanded.
THE NATURE OF THE CHINESE CHARACTER. CALLIGRAPHY BY RUSSELL ENG GON.
Author: Barbara Aria
Publisher:
ISBN:
Category : Calligraphy, Chinese
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category : Calligraphy, Chinese
Languages : en
Pages : 96
Book Description